9783869309613 - chris killip: pirelli work de clive dilnot (27 resultados)
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Hardcover. Condición: new. Hardcover. I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I k…new in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the op - erators had to take, the movement that the processes pre - determined for them. I began again, re-photographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, which was the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion tech - niques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theater and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet realism. For me this "look" seemed a more telling way to record and document this enforced ritual. Chris Killip Chris Killip wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. This book deals with authors life and work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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- Primera edición
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Librería: artbook-service, Berlin, Alemaniaartbook-service
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Gebunden. Condición: Neu. Neu -I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in…a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the operators had to take, the movement that the processes predetermined for them. I began again, re-photographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, which was the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion techniques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theater and I embraced the look of these new photographs with their relation to fashion, fi lm noir, and even Soviet realism. For me this »look« seemed a more telling way to record and document this enforced ritual. Chris Killip 88 pp. Englisch.
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Condición: New. Num Pages: 88 pages, 57 illustrations. BIC Classification: AJB; AJC. Category: (G) General (US: Trade). Dimension: 280 x 260. Weight in Grams: 860. . 2015. Hardcover. . . . .
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 01 edition. 85 pages. French language. 11.50x10.75x0.50 inches. In Stock.
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Condición: New. pp. 57.
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Condición: New. Num Pages: 88 pages, 57 illustrations. BIC Classification: AJB; AJC. Category: (G) General (US: Trade). Dimension: 280 x 260. Weight in Grams: 860. . 2015. Hardcover. . . . . Books ship from the US and Ireland.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 01 edition. 85 pages. French language. 11.50x10.75x0.50 inches. In Stock.
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Hardback. [Author], Steidl Publishers. I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I…knew in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the op - erators had to take, the movement that the processes pre - determined for them. I began again, re-photographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, which was the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion tech - niques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theater and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet realism. For me this "look" seemed a more telling way to record and document this enforced ritual. Chris Killip. Hardback.
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Librería: nika-books, Nordwestuckermark-Fürstenwerder, NWUM, Alemanianika-books
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4°, gebundene Ausgabe. Second edition.. 85 Seiten; 29 cm Das Buch ist in einem sehr guten Zustand. 9783869309613 Sprache: Englisch Gewicht in Gramm: 843.
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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Condición: New. pp. 57.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 58,52
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Hardcover. Condición: new. Hardcover. I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I k…new in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the op - erators had to take, the movement that the processes pre - determined for them. I began again, re-photographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, which was the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion tech - niques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theater and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet realism. For me this "look" seemed a more telling way to record and document this enforced ritual. Chris Killip Chris Killip wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. This book deals with authors life and work. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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Librería: moluna, Greven, Alemaniamoluna
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Gebunden. Condición: New. I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount .
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- Foto
Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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Buch. Condición: Neu. Neuware - I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in… a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the operators had to take, the movement that the processes predetermined for them. I began again, re-photographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, which was the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion techniques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theater and I embraced the look of thesenew photographs with their relation to fashion, fi lm noir, andeven Soviet realism. For me this 'look' seemed a more tellingway to record and document this enforced ritual.Chris Killip.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 40,15
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Hardback. Condición: New.
