9783844389586 - auto-ethnography as performance practice in an african context: negotiating gender and cutlure through performance practice de lejowa, jessica (8 resultados)
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Paperback. Condición: Brand New. 92 pages. 8.66x5.91x0.21 inches. In Stock.
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Paperback. Condición: Brand New. 92 pages. 8.66x5.91x0.21 inches. In Stock.
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Taschenbuch. Condición: Neu. Auto-ethnography as Performance Practice in an African Context | Negotiating gender and cutlure through performance practice | Jessica Lejowa | Taschenbuch | 92 S. | Englisch | 2011 | LAP LAMBERT Academic Publishing | EAN 9783844389586 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lenger…icher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Shifting Uncerstandings of Performance Practice in an African Context By critically analysing three pieces of devised performance, Even as I Walk (2008), They Were Silent (2009) and The Wages of Sin (2009), I argue that the concept…of performance is not easily defined. Rather, it is an ever-changing phenomenon, which can become a useful platform for dialoguing about deeply personal and necessarily public and political subject matter. I locate myself and the theatre makers I worked with to create the three pieces, in the work by reflecting on and writing about the processes using auto-ethnography as a lens. The context within which I write, and within which my collaborators and I work, is that of our locations in very specific African, moral, cultural, political and creative impulses which we interrogate through the creative processes. Through the writing and reflecting, I arrive at various conclusions, including what I call the methodology of not knowing, the importance of the group in facilitating the research and creative process, the necessity of redefining or renegotiation for the purposes of both the research and the creative goals our understandings of what performance is. 92 pp. Englisch.
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Lejowa JessicaLejowa holds a Master of Arts in Dramatic Art from the University of the Witwatersrand, South Africa. She is a lecturer, director, facilitator and performer. She continues to investigate r…itual in theatre and power dyna.
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Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Shifting Uncerstandings of Performance Practice in an African ContextBy critically analysing three pieces of devised performance, Even as I Walk (2008), They Were Silent (2009) and The Wages of Sin (2009), I argue that the concept of pe…rformance is not easily defined. Rather, it is an ever-changing phenomenon, which can become a useful platform for dialoguing about deeply personal and necessarily public and political subject matter. I locate myself and the theatre makers I worked with to create the three pieces, in the work by reflecting on and writing about the processes using auto-ethnography as a lens. The context within which I write, and within which my collaborators and I work, is that of our locations in very specific African, moral, cultural, political and creative impulses which we interrogate through the creative processes. Through the writing and reflecting, I arrive at various conclusions, including what I call 'the methodology of not knowing,' the importance of the group in facilitating the research and creative process, the necessity of redefining or renegotiation-for the purposes of both the research and the creative goals-our understandings of what performance is.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 92 pp. Englisch.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Shifting Uncerstandings of Performance Practice in an African Context By critically analysing three pieces of devised performance, Even as I Walk (2008), They Were Silent (2009) and The Wages of Sin (2009), I argue that the concept of pe…rformance is not easily defined. Rather, it is an ever-changing phenomenon, which can become a useful platform for dialoguing about deeply personal and necessarily public and political subject matter. I locate myself and the theatre makers I worked with to create the three pieces, in the work by reflecting on and writing about the processes using auto-ethnography as a lens. The context within which I write, and within which my collaborators and I work, is that of our locations in very specific African, moral, cultural, political and creative impulses which we interrogate through the creative processes. Through the writing and reflecting, I arrive at various conclusions, including what I call the methodology of not knowing, the importance of the group in facilitating the research and creative process, the necessity of redefining or renegotiation for the purposes of both the research and the creative goals our understandings of what performance is.
