9783838365015 - Composition, Perception, Analysis: The Musical Observer de Barkl, Michael (9 resultados)

Condición: New. pp. 152.

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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This study looks at the ways in which music is analysed in the present time and the present context. It places the observer central to the overall picture and examines the individual s relationship to the types of compositions produced and the individual s relationship to the ways in which compositions can be perceived and understood. The process of composition is analysed in terms of spectatorship and reception: a social hierarchy is acknowledged which includes aspects of the contemporary composer s role as a teacher- philosopher-hero interacting with the practical concerns of training, competition, and the marketplace. The approach taken is an interdisciplinary one (incorporating, in a non- technical fashion, theories of perception) and examines the ways in which viewpoints of analysis of music carry with them the seeds of their own conclusions. The aim of the study is not to give a complete description of all issues that may be raised under the banner of composition-perception- analysis, but to make reference to some aspects that may be worth noting in the course of analytical work, and to suggest a wider context in which to place analytical results. 152 pp. Englisch.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Barkl MichaelMichael Barkl (PhD, DCA) is an Australian composer born in Sydney. His works, which investigate the interplay of modernist and popular materials, have been performed by Michael Kieran Harvey, Sally Mays, James Wishart.

Condición: New. Print on Demand pp. 152 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condición: New. PRINT ON DEMAND pp. 152.

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This study looks at the ways in which music is analysed in the present time and the present context. It places the observer central to the overall picture and examines the individual's relationship to the types of compositions produced and the individual's relationship to the ways in which compositions can be perceived and understood. The process of composition is analysed in terms of spectatorship and reception: a social hierarchy is acknowledged which includes aspects of the contemporary composer's role as a teacher- philosopher-hero interacting with the practical concerns of training, competition, and the marketplace. The approach taken is an interdisciplinary one (incorporating, in a non- technical fashion, theories of perception) and examines the ways in which viewpoints of analysis of music carry with them the seeds of their own conclusions. The aim of the study is not to give a complete description of all issues that may be raised under the banner of composition-perception- analysis, but to make reference to some aspects that may be worth noting in the course of analytical work, and to suggest a wider context in which to place analytical results.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 152 pp. Englisch.

Taschenbuch. Condición: Neu. Composition, Perception, Analysis | The Musical Observer | Michael Barkl | Taschenbuch | 152 S. | Englisch | 2013 | LAP LAMBERT Academic Publishing | EAN 9783838365015 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This study looks at the ways in which music is analysed in the present time and the present context. It places the observer central to the overall picture and examines the individual s relationship to the types of compositions produced and the individual s relationship to the ways in which compositions can be perceived and understood. The process of composition is analysed in terms of spectatorship and reception: a social hierarchy is acknowledged which includes aspects of the contemporary composer s role as a teacher- philosopher-hero interacting with the practical concerns of training, competition, and the marketplace. The approach taken is an interdisciplinary one (incorporating, in a non- technical fashion, theories of perception) and examines the ways in which viewpoints of analysis of music carry with them the seeds of their own conclusions. The aim of the study is not to give a complete description of all issues that may be raised under the banner of composition-perception- analysis, but to make reference to some aspects that may be worth noting in the course of analytical work, and to suggest a wider context in which to place analytical results.