Isbn: 9783838318448 - high technology dance: the image continuum - dance is meaning and message (9 resultados)

Condición: New. pp. 100.

Taschenbuch. Condición: Neu. HIGH TECHNOLOGY DANCE | The Image Continuum - Dance is Meaning and Message | Amber Steele | Taschenbuch | 100 S. | Englisch | 2009 | LAP LAMBERT Academic Publishing | EAN 9783838318448 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.…

Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Faced with the seemingly overwhelming possibilities of high technology, choreographers must embrace these tools and master them in order to assure that their choreographic intent is not lost in translation. Allowing the fear of new technology to create a taboo will not protect the art of dance performance, it will condemn it to becoming an obscure pastime. Dance has often been qualified as a fleeting choreographic image, and traditionalists fear that by capturing or re-imaging dance, technology destroys the original work. In fact, the re-creation of an image is an integral part of human perception. Technology modifies an image in translation, but does not inevitably destroy the original image or its message. By embracing technology, choreographers can ensure that technology archives and enhances their work in keeping with their choreographic intention. The craft of performance and dance will continue to harness the ever-improving digital horizons, and the technology will demand that viewers expand their scope of artistic categorization and abilities to perceive in differing and multiple simultaneous formats. 100 pp. Englisch.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Faced with the seemingly overwhelming possibilities of high technology, choreographers must embrace these tools and master them in order to assure that their choreographic intent is not lost in translation. Allowing the fear of new technology to create a taboo will not protect the art of dance performance, it will condemn it to becoming an obscure pastime. Dance has often been qualified as a fleeting choreographic image, and traditionalists fear that by capturing or re-imaging dance, technology destroys the original work. In fact, the re-creation of an image is an integral part of human perception. Technology modifies an image in translation, but does not inevitably destroy the original image or its message. By embracing technology, choreographers can ensure that technology archives and enhances their work in keeping with their choreographic intention. The craft of performance and dance will continue to harness the ever-improving digital horizons, and the technology will demand that viewers expand their scope of artistic categorization and abilities to perceive in differing and multiple simultaneous formats. …

Condición: New. Print on Demand pp. 100 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condición: New. PRINT ON DEMAND pp. 100.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Faced with the seemingly overwhelming possibilities of high technology, choreographers must embrace these tools and master them in order to assure that their choreographic intent is not lost in translation. Allowing the fear of new technology to create a ta.…

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Faced with the seemingly overwhelming possibilities of high technology, choreographers must embrace these tools and master them in order to assure that their choreographic intent is not lost in translation. Allowing the fear of new technology to create a taboo will not protect the art of dance performance, it will condemn it to becoming an obscure pastime. Dance has often been qualified as a fleeting choreographic image, and traditionalists fear that by capturing or re-imaging dance, technology destroys the original work. In fact, the re-creation of an image is an integral part of human perception. Technology modifies an image in translation, but does not inevitably destroy the original image or its message. By embracing technology, choreographers can ensure that technology archives and enhances their work in keeping with their choreographic intention. The craft of performance and dance will continue to harness the ever-improving digital horizons, and the technology will demand that viewers expand their scope of artistic categorization and abilities to perceive in differing and multiple simultaneous formats.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 100 pp. Englisch. …