Isbn: 9783836530811 - dürer: the genius of the german renaissance (basic art) (32 resultados)

hardcover. Condición: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardback. Condición: New. A polymath of the German Renaissance, Albrecht Dürer (1471-1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form. Dürer's woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christ's Passion, named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Dürer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state. Ever inquisitive, Dürer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figure's complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy.…

Condición: New.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. As new. 4to. Still in publisher's plastic wrapper.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condición: New. A polymath of the German Renaissance, Albrecht Dürer (1471-1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form. Dürer's woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christ's Passion, named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Dürer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state. Ever inquisitive, Dürer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figure's complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy.…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New.

Condición: New. Num Pages: 96 pages, illustrations. BIC Classification: ACN; AGB. Category: (G) General (US: Trade). Dimension: 221 x 266 x 14. Weight in Grams: 588. . 2016. Hardcover. . . . . Books ship from the US and Ireland.

Condición: New.

Hardcover. Condición: Brand New. 96 pages. 10.50x8.50x0.50 inches. In Stock.

Hardcover. Condición: new. Hardcover. A polymath of the German Renaissance, Albrecht Duerer (14711528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form. Duerers woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christs Passion, named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Duerer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state. Ever inquisitive, Duerer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figures complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy. All you need to know about Albrecht Duerer, the German Renaissance polymath whose masterful compositionsincluding Melancholia I and Knight, Death and the Devilrevolutionized woodcut illustration, engraving, and printmaking and left an indelible mark on European art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: New. In English.

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Fine. Leichte Gebrauchsspuren. A polymath of the German Renaissance, Albrecht Durer (1471-1528) was a prolific artist, theorist, and writer whose works spanned religion, art theory, and philosophy. His extensive oeuvre includes altarpieces, portraits, self-portraits, watercolors, and books, but he is most renowned for his groundbreaking woodcut prints, which elevated printmaking into a sophisticated art form. Durer's woodcuts are remarkable for their scale and intricate detail. Notable works like Apocalypse and the Triumphal Arch for Emperor Maximilian I feature dense, meticulous compositions that surpassed earlier woodcut efforts in size, precision, and complexity. With a bold tonal and dynamic range, he infused his art with conceptual, emotional, and spiritual depth. His major woodcut series on Christ's Passion, The Large Passion and The Small Passion, stand out for their vivid portrayal of the Christian narrative. In his copper engraving Melancholia I, Durer presents a striking vision of emotional ennui, often regarded as an early representation of melancholic states. Durer was an avid learner, drawing inspiration from both German masters and Italian artists, while his influence resonated across Europe for generations. This introduction delves into his multifaceted practice, intellectual curiosity, and the key works that solidified his legacy. …

hardcover. Condición: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Brand New. 96 pages. 10.50x8.50x0.50 inches. In Stock.

Condición: New. Num Pages: 96 pages, illustrations. BIC Classification: ACN; AGB. Category: (G) General (US: Trade). Dimension: 221 x 266 x 14. Weight in Grams: 588. . 2016. Hardcover. . . . .

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Condición: Neu. Neuware - Albrecht Dürer (1471-1528) war ein äußerst produktiver Künstler, Theoretiker und Schriftsteller, der sich in seinen Werken mit Themen von Religion über Kunsttheorie bis hin zu Philosophie beschäftigte. Zu seinem gewaltigen uvre zählen Altarbilder, Porträts, Selbstbildnisse, Aquarelle und Bücher, doch berühmt wurde er vor allem durch seine Holzschnitte, durch die sich die Drucktechnik von einem Handwerk zu einer ganz neuen Kunstform wandelte.Dürers Holzschnitte verblüfften durch ihre Größe ebenso wie durch ihre Feinheit im Detail. Mit Arbeiten wie Die Offenbarung des Johannes und Ehrenpforte Maximilians I. schuf er dichte, diffizile Kompositionen, die viel größer und viel feiner geschnitzt waren als frühere Holzschnitte. Durch eine ambitionierte Bandbreite von Schattierungen und Dynamik kreierte er eine neue Stufe der konzeptionellen, emotionalen und spirituellen Intensität. Seine beiden großen Holzschnittfolgen zum Leiden Christi sind vor allem durch ihre plastische Darstellung der christlichen Erzählung bemerkenswert. Mit seinem Kupferstich Melencolia I hingegen schuf Dürer eine bestürzende Vision emotionaler Langeweile, die oft als maßgebliches frühes Bild eines Zustands der Depression angeführt wird. Dürer holte sich seine Inspiration sowohl bei deutschen, als auch bei italienischen Kollegen, während sich sein eigener Einfluss auf künftige Generationen über ganz Europa erstreckte.In dieser Einführung lernen wir seine komplexe Arbeitsweise kennen, seinen alles verschlingenden Intellekt und die wichtigsten Werke, die sein noch immer gegenwärtiges Erbe begründeten.Über die ReiheSeit der ersten Veröffentlichung im Jahre 1985 hat sich die Basic Art Series zur meistverkauften Kunstbuchreihe aller Zeiten entwickelt. Jeder Titel in TASCHENs Kleiner Reihe - Kunst enthält:eine ausführliche chronologische Zusammenfassung von Leben und Werk des Künstlers, die dessen kulturelle und historische Bedeutung würdigteine prägnant verfasste Biographieinsgesamt rund 100 Farbabbildungen mit erläuternden Bildunterschriften. …

Hardcover. Condición: New. Special order direct from the distributor.

Condición: NEW.

hardcover. Condición: New.

Condición: New. All you need to know about Albrecht Durer, the German Renaissance polymath whose masterful compositions-including Melancholia I and Knight, Death and the Devil-revolutionized woodcut illustration, engraving, and printmaking and left an indelible mark on Eur.

Hardback. Condición: New. A polymath of the German Renaissance, Albrecht Dürer (1471-1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form. Dürer's woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christ's Passion, named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Dürer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state. Ever inquisitive, Dürer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figure's complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy.…

Buch. Condición: Neu. Dürer | Norbert Wolf | Buch | Basic Art Series | 96 S. | Englisch | 2022 | Taschen GmbH | EAN 9783836530811 | Verantwortliche Person für die EU: Taschen Deutschland GmbH, Hohenzollernring 53, 50672 Köln, customerserviceb2b[at]taschen[dot]com | Anbieter: preigu.

Hardback. Condición: New. A polymath of the German Renaissance, Albrecht Dürer (1471-1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form. Dürer's woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christ's Passion, named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Dürer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state. Ever inquisitive, Dürer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figure's complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy.…