Isbn: 9783826090394 - the lars von trier conversations - volume one: about the art of filmmaking, editing, sound design, and costume design conversations with molly malene stensgaard, per streit, and manon rasmussen (15 resultados)

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  • Idioma: Inglés

    Editorial: Königshausen & Neumann, 2025

    382609039X / 9783826090394

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    Editorial: K?nigshausen and Neumann, 2025

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    PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

  • Idioma: Inglés

    Editorial: Königshausen & Neumann, 2025

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  • Idioma: Inglés

    Editorial: K?nigshausen and Neumann, 2025

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    Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK

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    Paperback. Condición: Brand New. 140 pages. 6.18x0.47x9.17 inches. In Stock.

  • Idioma: Inglés

    Editorial: Königshausen & Neumann, 2025

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  • Idioma: Inglés

    Editorial: Königshausen & Neumann, 2025

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  • Idioma: Inglés

    Editorial: Königshausen & Neumann Mai 2025, 2025

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    Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.

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    Taschenbuch. Condición: Neu. Neuware -»This book was born out of my curiosity about filmmaking and filmmakers.«In 2004, Georg Tiefenbach met editor Molly Malene Stensgaard, sound designer Per Streit, and costume designer Manon Rasmussen to talk about their work with writer and director Lars von Trier.It all began with a shared interest in exchanging ideas and led to comprehensive discussions about film as an art form and a technical medium: How are films made What effect do they have on the audience What understanding do filmmakers have of their own art and work Lars von Trier has significantly developed contemporary film further since the 1980s. One of Trier's special skills is to attract exceptional people to his team with whom he has enjoyed working again and again, with some of them even on all of his films. These conversations provide a deep insight into the collaborative work and personal relationships between Lars von Trier and his inner circle of filmmaking. The focus is on the discussion of Trier's films from Breaking the Waves to Dogville. It is about the development from the naturalistic style of the Dogma films to the use of a studio stage with a narrator as voice-over. It is about the fundamental understanding of cinematic language and artistic creation. Making a film is a great collective effort where many different personalities come together to work towards a common goal that is shaped by everyone involved. 113 pp. Englisch.

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    Editorial: Königshausen & Neumann Mai 2025, 2025

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    Librería: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, AlemaniaRheinberg-Buch Andreas Meier eK

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    Taschenbuch. Condición: Neu. Neuware -»This book was born out of my curiosity about filmmaking and filmmakers.«In 2004, Georg Tiefenbach met editor Molly Malene Stensgaard, sound designer Per Streit, and costume designer Manon Rasmussen to talk about their work with writer and director Lars von Trier.It all began with a shared interest in exchanging ideas and led to comprehensive discussions about film as an art form and a technical medium: How are films made What effect do they have on the audience What understanding do filmmakers have of their own art and work Lars von Trier has significantly developed contemporary film further since the 1980s. One of Trier's special skills is to attract exceptional people to his team with whom he has enjoyed working again and again, with some of them even on all of his films. These conversations provide a deep insight into the collaborative work and personal relationships between Lars von Trier and his inner circle of filmmaking. The focus is on the discussion of Trier's films from Breaking the Waves to Dogville. It is about the development from the naturalistic style of the Dogma films to the use of a studio stage with a narrator as voice-over. It is about the fundamental understanding of cinematic language and artistic creation. Making a film is a great collective effort where many different personalities come together to work towards a common goal that is shaped by everyone involved. 113 pp. Englisch.

  • Idioma: Inglés

    Editorial: Königshausen & Neumann Mai 2025, 2025

    382609039X / 9783826090394

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    Librería: Wegmann1855, Zwiesel, AlemaniaWegmann1855

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    Taschenbuch. Condición: Neu. Neuware -»This book was born out of my curiosity about filmmaking and filmmakers.«In 2004, Georg Tiefenbach met editor Molly Malene Stensgaard, sound designer Per Streit, and costume designer Manon Rasmussen to talk about their work with writer and director Lars von Trier.It all began with a shared interest in exchanging ideas and led to comprehensive discussions about film as an art form and a technical medium: How are films made What effect do they have on the audience What understanding do filmmakers have of their own art and work Lars von Trier has significantly developed contemporary film further since the 1980s. One of Trier's special skills is to attract exceptional people to his team with whom he has enjoyed working again and again, with some of them even on all of his films.These conversations provide a deep insight into the collaborative work and personal relationships between Lars von Trier and his inner circle of filmmaking. The focus is on the discussion of Trier's films from Breaking the Waves to Dogville. It is about the development from the naturalistic style of the Dogma films to the use of a studio stage with a narrator as voice-over. It is about the fundamental understanding of cinematic language and artistic creation.Making a film is a great collective effort where many different personalities come together to work towards a common goal that is shaped by everyone involved.

  • Idioma: Inglés

    Editorial: Königshausen & Neumann, 2025

    382609039X / 9783826090394

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    Librería: moluna, Greven, Alemaniamoluna

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    Kartoniert. Condición: New.

  • Idioma: Inglés

    Editorial: Königshausen & Neumann Mai 2025, 2025

    382609039X / 9783826090394

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    Librería: buchversandmimpf2000, Emtmannsberg, BAYE, Alemaniabuchversandmimpf2000

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    Taschenbuch. Condición: Neu. Neuware -»This book was born out of my curiosity about filmmaking and filmmakers.«In 2004, Georg Tiefenbach met editor Molly Malene Stensgaard, sound designer Per Streit, and costume designer Manon Rasmussen to talk about their work with writer and director Lars von Trier.It all began with a shared interest in exchanging ideas and led to comprehensive discussions about film as an art form and a technical medium: How are films made What effect do they have on the audience What understanding do filmmakers have of their own art and work Lars von Trier has significantly developed contemporary film further since the 1980s. One of Trier's special skills is to attract exceptional people to his team with whom he has enjoyed working again and again, with some of them even on all of his films.These conversations provide a deep insight into the collaborative work and personal relationships between Lars von Trier and his inner circle of filmmaking. The focus is on the discussion of Trier's films from Breaking the Waves to Dogville. It is about the development from the naturalistic style of the Dogma films to the use of a studio stage with a narrator as voice-over. It is about the fundamental understanding of cinematic language and artistic creation.Making a film is a great collective effort where many different personalities come together to work towards a common goal that is shaped by everyone involved.Königshausen & Neumann, Leistenstraße 7, 97082 Würzburg 113 pp. Englisch.

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    Taschenbuch. Condición: Neu. Neuware - »This book was born out of my curiosity about filmmaking and filmmakers.«In 2004, Georg Tiefenbach met editor Molly Malene Stensgaard, sound designer Per Streit, and costume designer Manon Rasmussen to talk about their work with writer and director Lars von Trier.It all began with a shared interest in exchanging ideas and led to comprehensive discussions about film as an art form and a technical medium: How are films made What effect do they have on the audience What understanding do filmmakers have of their own art and work Lars von Trier has significantly developed contemporary film further since the 1980s. One of Trier's special skills is to attract exceptional people to his team with whom he has enjoyed working again and again, with some of them even on all of his films. These conversations provide a deep insight into the collaborative work and personal relationships between Lars von Trier and his inner circle of filmmaking. The focus is on the discussion of Trier's films from Breaking the Waves to Dogville. It is about the development from the naturalistic style of the Dogma films to the use of a studio stage with a narrator as voice-over. It is about the fundamental understanding of cinematic language and artistic creation. Making a film is a great collective effort where many different personalities come together to work towards a common goal that is shaped by everyone involved.

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    Taschenbuch. Condición: Neu. The Lars von Trier Conversations - Volume One | About the Art of Filmmaking, Editing, Sound Design, and Costume Design Conversations with Molly Malene Stensgaard, Per Streit, and Manon Rasmussen | Georg Tiefenbach | Taschenbuch | 114 S. | Englisch | 2025 | Königshausen & Neumann | EAN 9783826090394 | Verantwortliche Person für die EU: Verlag Königshausen & Neumann GmbH, Leistenstr. 7, 97082 Würzburg, info[at]koenigshausen-neumann[dot]de | Anbieter: preigu.

  • Idioma: Inglés

    Editorial: Königshausen & Neumann Mai 2025, 2025

    382609039X / 9783826090394

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    Librería: Books-by-Floh, Paderborn, AlemaniaBooks-by-Floh

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    Taschenbuch. Condición: Neu. Neuware -»This book was born out of my curiosity about filmmaking and filmmakers.«In 2004, Georg Tiefenbach met editor Molly Malene Stensgaard, sound designer Per Streit, and costume designer Manon Rasmussen to talk about their work with writer and director Lars von Trier.It all began with a shared interest in exchanging ideas and led to comprehensive discussions about film as an art form and a technical medium: How are films made What effect do they have on the audience What understanding do filmmakers have of their own art and work Lars von Trier has significantly developed contemporary film further since the 1980s. One of Trier's special skills is to attract exceptional people to his team with whom he has enjoyed working again and again, with some of them even on all of his films.These conversations provide a deep insight into the collaborative work and personal relationships between Lars von Trier and his inner circle of filmmaking. The focus is on the discussion of Trier's films from Breaking the Waves to Dogville. It is about the development from the naturalistic style of the Dogma films to the use of a studio stage with a narrator as voice-over. It is about the fundamental understanding of cinematic language and artistic creation.Making a film is a great collective effort where many different personalities come together to work towards a common goal that is shaped by everyone involved. 113 pp. Englisch.