ISBN: 9783689240912 - bildformen des rechts: juridische schauplätze technischer bilder (de gruyter contemporary social sciences handbooks, 24) (12 resultados)

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Taschenbuch. Condición: Neu. Neuware -The omnipresence of AI currently raises questions not only about the promise of truthfulness made by technical media, but also about their legal regulation. Generative models such as Midjourney, Stable Diffusion 3.5, Flux, and Lavida-O generate new visual worlds that make it urgent to redefine legal norms. In legal history, technical images like photography and film have always been actants in the negotiation of copyright, intellectual property rights, or the right to one's own image. When judges wear VR glasses and thus virtualize the courtroom, forensic image evidence is analyzed digitally, or future scenarios in climate lawsuits are imagined with the help of attribution models, operational images help constitute legal infrastructures. The new volume of Bildwelten des Wissens examines, at the intersection of Bildwissenschaft, media theory, and jurisprudence, the legal forms in which technical images are embedded and, conversely, how new image forms in digital environments are putting pressure on legal norms. Connects current debates about copyright, authorship, and intellectual property with the media history of photography, film, and AI art Interdisciplinary and international perspectives from visual and media studies, legal theory, and comic illustration With the first publication of an excerpt from Cornelia Vismann's Schrift Verfassung nach dem Computer (2006/2007) ; Die Omnipräsenz von KI problematisiert aktuell nicht nur das Wahrheitsversprechen technischer Medien, sondern auch ihre rechtliche Regulierung. Generative Modelle wie Midjourney, Stable Diffusion 3.5, Flux oder Lavida-O generieren neue Bildwelten, die eine Neubestimmung der Normen des Rechts dringlich machen. In der Rechtsgeschichte waren technische Bilder wie Fotografie und Film immer schon Aktanten in der Aushandlung von Copyright, Urheberrecht oder des Rechts am eigenen Bild. Wenn Richter VR-Brillen tragen und damit den Gerichtssaal virtualisieren, forensische Bildbeweise digital geführt oder Zukunftszenarien bei Klimaklagen mit Hilfe von Attributionsmodellen imaginiert werden, konstituieren operative Bilder juridische Infrastrukturen mit. Der neue Band der Bildwelten des Wissens untersucht an der Schnittstelle von Bildwissenschaft, Medientheorie und Rechtswissenschaft, in welche Rechtsformen technische Bilder eingelassen sind und wie - umgekehrt - neue Bildformen in digitalen Umgebungen Rechtsnormen unter Druck setzen. Verknüpft aktuelle Debatten zu Copyright, Urheberrecht, Autorschaft und geistigem Eigentum mit der Mediengeschichte von Fotografie, Film und KI-Kunst Interdisziplinäre und internationale Perspektiven aus Bild- und Medienwissenschaft, Rechtstheorie und der Comic-Illustration Mit der Erstveröffentlichung eines Auszugs aus Cornelia Vismanns Schrift Verfassung nach dem Computer (2006/2007). 152 pp. Deutsch.…

Taschenbuch. Condición: Neu. Neuware -The omnipresence of AI currently raises questions not only about the promise of truthfulness made by technical media, but also about their legal regulation. Generative models such as Midjourney, Stable Diffusion 3.5, Flux, and Lavida-O generate new visual worlds that make it urgent to redefine legal norms. In legal history, technical images like photography and film have always been actants in the negotiation of copyright, intellectual property rights, or the right to one's own image. When judges wear VR glasses and thus virtualize the courtroom, forensic image evidence is analyzed digitally, or future scenarios in climate lawsuits are imagined with the help of attribution models, operational images help constitute legal infrastructures. The new volume of Bildwelten des Wissens examines, at the intersection of Bildwissenschaft, media theory, and jurisprudence, the legal forms in which technical images are embedded and, conversely, how new image forms in digital environments are putting pressure on legal norms. - Connects current debates about copyright, authorship, and intellectual property with the media history of photography, film, and AI art - Interdisciplinary and international perspectives from visual and media studies, legal theory, and comic illustration - With the first publication of an excerpt from Cornelia Vismann's Schrift Verfassung nach dem Computer (2006/2007).…

Taschenbuch. Condición: Neu. Neuware - The omnipresence of AI currently raises questions not only about the promise of truthfulness made by technical media, but also about their legal regulation. Generative models such as Midjourney, Stable Diffusion 3.5, Flux, and Lavida-O generate new visual worlds that make it urgent to redefine legal norms. In legal history, technical images like photography and film have always been actants in the negotiation of copyright, intellectual property rights, or the right to one's own image. When judges wear VR glasses and thus virtualize the courtroom, forensic image evidence is analyzed digitally, or future scenarios in climate lawsuits are imagined with the help of attribution models, operational images help constitute legal infrastructures. The new volume of Bildwelten des Wissens examines, at the intersection of Bildwissenschaft, media theory, and jurisprudence, the legal forms in which technical images are embedded and, conversely, how new image forms in digital environments are putting pressure on legal norms. Connects current debates about copyright, authorship, and intellectual property with the media history of photography, film, and AI art Interdisciplinary and international perspectives from visual and media studies, legal theory, and comic illustration With the first publication of an excerpt from Cornelia Vismann's Schrift Verfassung nach dem Computer (2006/2007) ; Die Omnipräsenz von KI problematisiert aktuell nicht nur das Wahrheitsversprechen technischer Medien, sondern auch ihre rechtliche Regulierung. Generative Modelle wie Midjourney, Stable Diffusion 3.5, Flux oder Lavida-O generieren neue Bildwelten, die eine Neubestimmung der Normen des Rechts dringlich machen. In der Rechtsgeschichte waren technische Bilder wie Fotografie und Film immer schon Aktanten in der Aushandlung von Copyright, Urheberrecht oder des Rechts am eigenen Bild. Wenn Richter VR-Brillen tragen und damit den Gerichtssaal virtualisieren, forensische Bildbeweise digital geführt oder Zukunftszenarien bei Klimaklagen mit Hilfe von Attributionsmodellen imaginiert werden, konstituieren operative Bilder juridische Infrastrukturen mit. Der neue Band der Bildwelten des Wissens untersucht an der Schnittstelle von Bildwissenschaft, Medientheorie und Rechtswissenschaft, in welche Rechtsformen technische Bilder eingelassen sind und wie - umgekehrt - neue Bildformen in digitalen Umgebungen Rechtsnormen unter Druck setzen. Verknüpft aktuelle Debatten zu Copyright, Urheberrecht, Autorschaft und geistigem Eigentum mit der Mediengeschichte von Fotografie, Film und KI-Kunst Interdisziplinäre und internationale Perspektiven aus Bild- und Medienwissenschaft, Rechtstheorie und der Comic-Illustration Mit der Erstveröffentlichung eines Auszugs aus Cornelia Vismanns Schrift Verfassung nach dem Computer (2006/2007).…

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Taschenbuch. Condición: Neu. Neuware -The omnipresence of AI currently raises questions not only about the promise of truthfulness made by technical media, but also about their legal regulation. Generative models such as Midjourney, Stable Diffusion 3.5, Flux, and Lavida-O generate new visual worlds that make it urgent to redefine legal norms. In legal history, technical images like photography and film have always been actants in the negotiation of copyright, intellectual property rights, or the right to one's own image. When judges wear VR glasses and thus virtualize the courtroom, forensic image evidence is analyzed digitally, or future scenarios in climate lawsuits are imagined with the help of attribution models, operational images help constitute legal infrastructures. The new volume of Bildwelten des Wissens examines, at the intersection of Bildwissenschaft, media theory, and jurisprudence, the legal forms in which technical images are embedded and, conversely, how new image forms in digital environments are putting pressure on legal norms. - Connects current debates about copyright, authorship, and intellectual property with the media history of photography, film, and AI art - Interdisciplinary and international perspectives from visual and media studies, legal theory, and comic illustration - With the first publication of an excerpt from Cornelia Vismann's Schrift Verfassung nach dem Computer (2006/2007)De Gruyter GmbH, Genthiner Straße 13, 10785 Berlin 152 pp. Deutsch.…

Taschenbuch. Condición: Neu. Bildformen des Rechts | Juridische Schauplätze technischer Bilder | Claudia Blümle (u. a.) | Taschenbuch | 152 S. | Deutsch | 2026 | De Gruyter [9] | EAN 9783689240912 | Verantwortliche Person für die EU: De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

Condición: Sehr gut. Zustand: Sehr gut | Produktart: Bücher | The omnipresence of AI currently raises questions not only about the promise of truthfulness made by technical media, but also about their legal regulation. Generative models such as Midjourney, Stable Diffusion 3.5, Flux, and Lavida-O generate new visual worlds that make it urgent to redefine legal norms. In legal history, technical images like photography and film have always been actants in the negotiation of copyright, intellectual property rights, or the right to one's own image. When judges wear VR glasses and thus virtualize the courtroom, forensic image evidence is analyzed digitally, or future scenarios in climate lawsuits are imagined with the help of attribution models, operational images help constitute legal infrastructures. The new volume of Bildwelten des Wissens examines, at the intersection of Bildwissenschaft, media theory, and jurisprudence, the legal forms in which technical images are embedded and, conversely, how new image forms in digital environments are putting pressure on legal norms. - Connects current debates about copyright, authorship, and intellectual property with the media history of photography, film, and AI art - Interdisciplinary and international perspectives from visual and media studies, legal theory, and comic illustration -  With the first publication of an excerpt from Cornelia Vismann's Schrift Verfassung nach dem Computer (2006/2007).…

Condición: New.

Condición: As New. Unread book in perfect condition.