9783639705713 - Process Based Participatory and Interdisciplinary Artistic Practice: A Practical and Theoretical Exploration Informed by Ethnomethodology and Live Art de Echarte, A... (8 resultados)

Condición: New. pp. 240.

Taschenbuch. Condición: Neu. Process Based Participatory and Interdisciplinary Artistic Practice | A Practical and Theoretical Exploration Informed by Ethnomethodology and Live Art | Arantxa Echarte | Taschenbuch | 240 S. | Englisch | 2014 | Scholars' Press | EAN 9783639705713 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is the result of a project that examined practices derived from socio-anthropological methodology and performative strategies within Live Art, practices that rely on ethnographic fieldwork methods and participant observation positioning. Through the examination of practices in which both practitioners and participants commit to open-ended and unpredictable processes, the book explores forms of artistic practice that are ethical and democratic in terms of authority, participation and authorship. Key projects are: Jeremy Deller s Social Parade (2004), Gillian Wearing s Drunk (1997-99) and Sophie Calle s Gotham Handbook (1998). This examination forms part of a wider discussion of the discursive proposition, made notably in Hal Foster s The Artist as Ethnographer (1996), as to whether a paradigmatic shift has occurred within artistic practice and with what consequences. This book advances a theoretically informed, process-based participatory and interdisciplinary artistic practice. It presents an analysis of such practices, including my own, seeking to demonstrate that this exploration could be relevant to artists, anthropologists and ethnographers alike 240 pp. Englisch.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Echarte ArantxaArantxa Echarte is a contemporary visual practitioner and an Arts Research Consultant based in London. She possesses a PhD (2012) from the University of the West of England, Bristol and her artwork and research have be.

Condición: New. Print on Demand pp. 240.

Condición: New. PRINT ON DEMAND pp. 240.

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book is the result of a project that examined practices derived from socio-anthropological methodology and performative strategies within Live Art, practices that rely on ethnographic fieldwork methods and participant observation positioning. Through the examination of practices in which both practitioners and participants commit to open-ended and unpredictable processes, the book explores forms of artistic practice that are ethical and democratic in terms of authority, participation and authorship. Key projects are: Jeremy Deller's Social Parade (2004), Gillian Wearing's Drunk (1997-99) and Sophie Calle's Gotham Handbook (1998). This examination forms part of a wider discussion of the discursive proposition, made notably in Hal Foster's 'The Artist as Ethnographer' (1996), as to whether a paradigmatic shift has occurred within artistic practice and with what consequences. This book advances a theoretically informed, process-based participatory and interdisciplinary artistic practice. It presents an analysis of such practices, including my own, seeking to demonstrate that this exploration could be relevant to artists, anthropologists and ethnographers alikeVDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 240 pp. Englisch.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book is the result of a project that examined practices derived from socio-anthropological methodology and performative strategies within Live Art, practices that rely on ethnographic fieldwork methods and participant observation positioning. Through the examination of practices in which both practitioners and participants commit to open-ended and unpredictable processes, the book explores forms of artistic practice that are ethical and democratic in terms of authority, participation and authorship. Key projects are: Jeremy Deller s Social Parade (2004), Gillian Wearing s Drunk (1997-99) and Sophie Calle s Gotham Handbook (1998). This examination forms part of a wider discussion of the discursive proposition, made notably in Hal Foster s The Artist as Ethnographer (1996), as to whether a paradigmatic shift has occurred within artistic practice and with what consequences. This book advances a theoretically informed, process-based participatory and interdisciplinary artistic practice. It presents an analysis of such practices, including my own, seeking to demonstrate that this exploration could be relevant to artists, anthropologists and ethnographers alike.