9783330084575 - Portrait of the Invisible: Understanding Conceptual Art in Practice-led Research de Asogwa, Ifeanyichiukwu (6 resultados)

Paperback. Condición: Brand New. 232 pages. 8.66x5.91x0.53 inches. In Stock.

Taschenbuch. Condición: Neu. Portrait of the Invisible | Understanding Conceptual Art in Practice-led Research | Ifeanyichiukwu Asogwa | Taschenbuch | 232 S. | Englisch | 2017 | LAP LAMBERT Academic Publishing | EAN 9783330084575 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Postmodernism is increasingly gaining acceptance as the latest global style, movement, or direction of art practice and academism. Recently, a number of art institutions (universities) in Europe, America, Asia, and Africa, introduced doctorate programme in studio areas, in which art practice is considered as research. Its scope extends to both the practice and theory (writing); highlighting two concepts, conceptualism and practice-led research, in the contemporary art discourse. As a new programme however, standard approach and nomenclatures in this research and art practice are still being nourished. Reflecting on a doctoral research, in which sculpture forms in installation were extracted from the contemporary conceptions of a moribund Omabe tradition to enhance practice, this book demonstrates that method and approach to research in art practice is flexible. Through practice-based research technique, involving: previous collections and documentations of unusual developments around Omabe tradition; reflection on popular statements of and about Omabe; participatory observation of Omabe-related activities; interaction with the key players in the affairs of Omabe. 232 pp. Englisch.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Asogwa IfeanyichiukwuIfeanyichiukwu Fidelis Asogwa was born 15th September, 1968, in Ohodo, Igbo-Etiti Local Government Area, Enugu State of Nigeria to the family of Chief Asogwa Ugwu-nweze (father) and Mrs. Rebecca Okike-shiere (Ugw.

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Postmodernism is increasingly gaining acceptance as the latest global style, movement, or direction of art practice and academism. Recently, a number of art institutions (universities) in Europe, America, Asia, and Africa, introduced doctorate programme in studio areas, in which art practice is considered as research. Its scope extends to both the practice and theory (writing); highlighting two concepts, conceptualism and practice-led research, in the contemporary art discourse. As a new programme however, standard approach and nomenclatures in this research and art practice are still being nourished. Reflecting on a doctoral research, in which sculpture forms in installation were extracted from the contemporary conceptions of a moribund Omabe tradition to enhance practice, this book demonstrates that method and approach to research in art practice is flexible. Through practice-based research technique, involving: previous collections and documentations of unusual developments around Omabe tradition; reflection on popular statements of and about Omabe; participatory observation of Omabe-related activities; interaction with the key players in the affairs of Omabe.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 232 pp. Englisch.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Postmodernism is increasingly gaining acceptance as the latest global style, movement, or direction of art practice and academism. Recently, a number of art institutions (universities) in Europe, America, Asia, and Africa, introduced doctorate programme in studio areas, in which art practice is considered as research. Its scope extends to both the practice and theory (writing); highlighting two concepts, conceptualism and practice-led research, in the contemporary art discourse. As a new programme however, standard approach and nomenclatures in this research and art practice are still being nourished. Reflecting on a doctoral research, in which sculpture forms in installation were extracted from the contemporary conceptions of a moribund Omabe tradition to enhance practice, this book demonstrates that method and approach to research in art practice is flexible. Through practice-based research technique, involving: previous collections and documentations of unusual developments around Omabe tradition; reflection on popular statements of and about Omabe; participatory observation of Omabe-related activities; interaction with the key players in the affairs of Omabe.