Isbn: 9783035806410 - revolving documents - narrations of beginnings, recent methods and cross-mappings of performance art (20 resultados)

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Softcover. Condición: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condición: Très bon. Couverture différente. Edition 2024. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Edition 2024. Ammareal gives back up to 15% of this item's net price to charity organizations.…

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Paperback. Condición: New. A collection of essays that offer an understanding of how performance art can be a tool for dissent against power structures and a means to reach a broad audience outside informed art circles. Challenging dominant histories of the genre, this book focuses on trans-local and transcultural connections and seeks to generate and expand knowledge on different narrations of the beginnings of performance art. It brings together essays by leading international scholars, curators, archivists, and artists to explore the strategies and tools which museums, galleries, theorists, and artists use to understand artistic and activist practice. Written from different perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural contexts, including contributions from Switzerland, Slovakia, the United States, Israel, Germany, former Yugoslavia, the United Kingdom, and Italy.…

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Kartoniert / Broschiert. Condición: New. Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art. It brings together essays of leading interna.

Taschenbuch. Condición: Neu. Neuware - Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art. It brings together essays of leading international scholars, curators, and artists who explore the strategies and epistemic/historiographic tools with which museums, galleries, but also historians and theorists and artists, have recollected, reconstructed and represented, this important artistic and activist practice. Written from queer, feminist, and critical perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural and academic contexts such as: Switzerland, Slovakia, US, Israel, Germany, former Yugoslavia, UK, and Portgual.With contributions by Andrea Bátorová, Sabine Gebhardt Fink, Séverine Fromaigeat, Oriana Fox, Stephen Greer, Dror Harari, Cláudia Madeira and Fernando Matos Oliveira, Andrej Mircev, Dorothea Rust, Sandra Sykora, with an special contribution by Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin and a conversation with Andrea Saemann, Chris Regn, Muda Mathis, and Margarit von Büren, and drawings by Lena Eriksson.…

Taschenbuch. Condición: Neu. Revolving Documents-Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art | Sabine Gebhardt Fink (u. a.) | Taschenbuch | 248 S. | Englisch | 2024 | diaphanes | EAN 9783035806410 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.…

Paperback. Condición: New. A collection of essays that offer an understanding of how performance art can be a tool for dissent against power structures and a means to reach a broad audience outside informed art circles. Challenging dominant histories of the genre, this book focuses on trans-local and transcultural connections and seeks to generate and expand knowledge on different narrations of the beginnings of performance art. It brings together essays by leading international scholars, curators, archivists, and artists to explore the strategies and tools which museums, galleries, theorists, and artists use to understand artistic and activist practice. Written from different perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural contexts, including contributions from Switzerland, Slovakia, the United States, Israel, Germany, former Yugoslavia, the United Kingdom, and Italy.…