Isbn: 9783035803457 - aesthetics of the commons (24 resultados)

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  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore

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    paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices

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    Condición: As New. Unread book in perfect condition.

  • Idioma: Inglés

    Editorial: Diaphanes AG, CH, 2021

    3035803455 / 9783035803457

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    Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA

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    Paperback. Condición: New. What do a feminist server, an art space located in a public park in North London, a so-called pirate library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art plays an important role in imagining and producing a real quite different from what is currently hegemonic, and that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially.  Aesthetics of the Commons examines a series of artistic and cultural projects-drawn from what can loosely be called the (post)digital-that take up this challenge in different ways. What unites them, however, is that they all have a double character. They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are operational in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the commons. In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a thinking tool-in other words, the book's interest lies in what can be made visible by applying the framework of the commons as a heuristic device.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices

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    Cantidad disponible: 7 disponibles

    Condición: New.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US

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    Cantidad disponible: 8 disponibles

    PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand

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    Cantidad disponible: 7 disponibles

    Condición: new.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK

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    Cantidad disponible: 8 disponibles

    PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

  • Idioma: Inglés

    Editorial: Diaphanes AG, 2021

    3035803455 / 9783035803457

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    Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.

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    Condición: New. 2021. Paperback. . . . . .

  • Idioma: Inglés

    Editorial: Diaphanes AG, Zurich, 2021

    3035803455 / 9783035803457

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    Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail

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    Paperback. Condición: new. Paperback. What do a feminist server, an art space located in a public park in North London, a so-called pirate library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art plays an important role in imagining and producing a real quite different from what is currently hegemonic, and that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projectsdrawn from what can loosely be called the (post)digitalthat take up this challenge in different ways. What unites them, however, is that they all have a double character. They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are operational in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the commons. In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a thinking toolin other words, the books interest lies in what can be made visible by applying the framework of the commons as a heuristic device. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books

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    EUR 29,98

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    Cantidad disponible: 3 disponibles

    Condición: New.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

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    EUR 27,62

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    Paperback. Condición: Brand New. 256 pages. 8.25x5.25x1.00 inches. In Stock.

  • Idioma: Inglés

    Editorial: Diaphanes AG, 2021

    3035803455 / 9783035803457

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    Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore

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    Condición: Nuevo

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    Condición: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections

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    Cantidad disponible: 7 disponibles

    Condición: New. In English.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle

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    Condición: New.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK

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    Cantidad disponible: 7 disponibles

    Condición: New.

  • Idioma: Inglés

    Editorial: Diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK

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    Condición: As New. Unread book in perfect condition.

  • Idioma: Inglés

    Editorial: Diaphanes Jan 2021, 2021

    3035803455 / 9783035803457

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    Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.

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    Taschenbuch. Condición: Neu. Neuware -What do a feminist server, an art space located in a public park in North London, a 'pirate' library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projects-drawn from what can loosely be called the (post)digital-that take up this challenge in different ways. What unites them, however, is that they all have a 'double character.' They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are 'operational' in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the 'commons.' In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a 'thinking tool'-in other words, the book's interest lies in what can be made visible by applying the framework of the commons as a heuristic device. 276 pp. Englisch.

  • Idioma: Inglés

    Editorial: Diaphanes Jan 2021, 2021

    3035803455 / 9783035803457

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    Librería: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, AlemaniaRheinberg-Buch Andreas Meier eK

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    Taschenbuch. Condición: Neu. Neuware -What do a feminist server, an art space located in a public park in North London, a 'pirate' library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projects-drawn from what can loosely be called the (post)digital-that take up this challenge in different ways. What unites them, however, is that they all have a 'double character.' They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are 'operational' in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the 'commons.' In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a 'thinking tool'-in other words, the book's interest lies in what can be made visible by applying the framework of the commons as a heuristic device. 276 pp. Englisch.

  • Editorial: University of Chicago press

    3035803455 / 9783035803457

    Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO

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    Cantidad disponible: Más de 20 disponibles

    Condición: New. Brand New.

  • Idioma: Inglés

    Editorial: DIAPHANES AG Jan 2021, 2021

    3035803455 / 9783035803457

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    Librería: buchversandmimpf2000, Emtmannsberg, BAYE, Alemaniabuchversandmimpf2000

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    Taschenbuch. Condición: Neu. Neuware -What do a feminist server, an art space located in a public park in North London, a 'pirate' library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially.Diaphanes Verlag, Limmatstr. 270, 8005 Zürich 276 pp. Englisch.

  • Idioma: Inglés

    Editorial: Diaphanes Jan 2021, 2021

    3035803455 / 9783035803457

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    Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH

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    Taschenbuch. Condición: Neu. Neuware - What do a feminist server, an art space located in a public park in North London, a 'pirate' library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projects-drawn from what can loosely be called the (post)digital-that take up this challenge in different ways. What unites them, however, is that they all have a 'double character.' They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are 'operational' in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the 'commons.' In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a 'thinking tool'-in other words, the book's interest lies in what can be made visible by applying the framework of the commons as a heuristic device.

  • Idioma: Inglés

    Editorial: Diaphanes AG, Zurich, 2021

    3035803455 / 9783035803457

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    Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller

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    EUR 58,95

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    Paperback. Condición: new. Paperback. What do a feminist server, an art space located in a public park in North London, a so-called pirate library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art plays an important role in imagining and producing a real quite different from what is currently hegemonic, and that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projectsdrawn from what can loosely be called the (post)digitalthat take up this challenge in different ways. What unites them, however, is that they all have a double character. They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are operational in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the commons. In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a thinking toolin other words, the books interest lies in what can be made visible by applying the framework of the commons as a heuristic device. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Idioma: Inglés

    Editorial: diaphanes, 2021

    3035803455 / 9783035803457

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    Librería: preigu, Osnabrück, Alemaniapreigu

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    Taschenbuch. Condición: Neu. Aesthetics of the Commons | Felix Stalder (u. a.) | Taschenbuch | 276 S. | Englisch | 2021 | diaphanes | EAN 9783035803457 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.

  • Idioma: Inglés

    Editorial: Diaphanes AG, CH, 2021

    3035803455 / 9783035803457

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    Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK

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    EUR 28,70

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    Paperback. Condición: New. What do a feminist server, an art space located in a public park in North London, a so-called pirate library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art plays an important role in imagining and producing a real quite different from what is currently hegemonic, and that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially.  Aesthetics of the Commons examines a series of artistic and cultural projects-drawn from what can loosely be called the (post)digital-that take up this challenge in different ways. What unites them, however, is that they all have a double character. They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are operational in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the commons. In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a thinking tool-in other words, the book's interest lies in what can be made visible by applying the framework of the commons as a heuristic device.