Isbn: 9783034356251 - from dialogue to performance: the history of a philosophical form (9 resultados)

Condición: New. 2026. 1st Edition. hardcover. . . . . .

Condición: New. 2026. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - 'All the world's a stage,' Shakespeare tells us, 'and all the men and women merely players.' But what does this mean, philosophically Are all actors 'merely' players, or do the best of them undergo a transformation in becoming something other than who they are Are our own identities similarly slippery Who is the real author of the play in which we find ourselves To what degree does the very language we use control our thoughts and speech This book addresses these questions across strikingly different scenarios: ancient Greece, sixteenth-century Italy, and nineteenth- and twentieth-century France and Germany. In each case the contrast between linear and non-linear styles of reasoning is seen to be a major source of conflict, from the contentious exchanges in sixteenth-century Europe between the Church and the supporters of modern science,¿to the nineteenth-century shift in scholarship from straightforward analysis to hermeneutical interpretation, and to the crisis in twentieth-century thought¿forced by the need to think and feel as an embodied self beyond language. This work should find its target audience in advanced undergraduate and graduate philosophy students, and in an educated audience outside of academia.…

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -'All the world's a stage,' Shakespeare tells us, 'and all the men and women merely players.' But what does this mean, philosophically Are all actors 'merely' players, or do the best of them undergo a transformation in becoming something other than who they are Are our own identities similarly slippery Who is the real author of the play in which we find ourselves To what degree does the very language we use control our thoughts and speech This book addresses these questions across strikingly different scenarios: ancient Greece, sixteenth-century Italy, and nineteenth- and twentieth-century France and Germany. In each case the contrast between linear and non-linear styles of reasoning is seen to be a major source of conflict, from the contentious exchanges in sixteenth-century Europe between the Church and the supporters of modern science,¿to the nineteenth-century shift in scholarship from straightforward analysis to hermeneutical interpretation, and to the crisis in twentieth-century thought¿forced by the need to think and feel as an embodied self beyond language. This work should find its target audience in advanced undergraduate and graduate philosophy students, and in an educated audience outside of academia. 148 pp. Englisch.…

Hardcover. Condición: new. Hardcover. All the worlds a stage, Shakespeare tells us, and all the men and women merely players. But what does this mean, philosophically? Are all actors merely players, or do the best of them undergo a transformation in becoming something other than who they are? Are our own identities similarly slippery? Who is the real author of the play in which we find ourselves? To what degree does the very language we use control our thoughts and speech? This book addresses these questions across strikingly different scenarios: ancient Greece, sixteenth-century Italy, and nineteenth- and twentieth-century France and Germany. In each case the contrast between linear and non-linear styles of reasoning is seen to be a major source of conflict, from the contentious exchanges in sixteenth-century Europe between the Church and the supporters of modern science, to the nineteenth-century shift in scholarship from straightforward analysis to hermeneutical interpretation, and to the crisis in twentieth-century thought forced by the need to think and feel as an embodied self beyond language. This work should find its target audience in advanced undergraduate and graduate philosophy students, and in an educated audience outside of academia. In this book, Steven L. Bindeman traces the evolution of the dialogue form throughout the history of philosophy. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: new. Hardcover. All the worlds a stage, Shakespeare tells us, and all the men and women merely players. But what does this mean, philosophically? Are all actors merely players, or do the best of them undergo a transformation in becoming something other than who they are? Are our own identities similarly slippery? Who is the real author of the play in which we find ourselves? To what degree does the very language we use control our thoughts and speech? This book addresses these questions across strikingly different scenarios: ancient Greece, sixteenth-century Italy, and nineteenth- and twentieth-century France and Germany. In each case the contrast between linear and non-linear styles of reasoning is seen to be a major source of conflict, from the contentious exchanges in sixteenth-century Europe between the Church and the supporters of modern science, to the nineteenth-century shift in scholarship from straightforward analysis to hermeneutical interpretation, and to the crisis in twentieth-century thought forced by the need to think and feel as an embodied self beyond language. This work should find its target audience in advanced undergraduate and graduate philosophy students, and in an educated audience outside of academia. In this book, Steven L. Bindeman traces the evolution of the dialogue form throughout the history of philosophy. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: new. Hardcover. All the worlds a stage, Shakespeare tells us, and all the men and women merely players. But what does this mean, philosophically? Are all actors merely players, or do the best of them undergo a transformation in becoming something other than who they are? Are our own identities similarly slippery? Who is the real author of the play in which we find ourselves? To what degree does the very language we use control our thoughts and speech? This book addresses these questions across strikingly different scenarios: ancient Greece, sixteenth-century Italy, and nineteenth- and twentieth-century France and Germany. In each case the contrast between linear and non-linear styles of reasoning is seen to be a major source of conflict, from the contentious exchanges in sixteenth-century Europe between the Church and the supporters of modern science, to the nineteenth-century shift in scholarship from straightforward analysis to hermeneutical interpretation, and to the crisis in twentieth-century thought forced by the need to think and feel as an embodied self beyond language. This work should find its target audience in advanced undergraduate and graduate philosophy students, and in an educated audience outside of academia. In this book, Steven L. Bindeman traces the evolution of the dialogue form throughout the history of philosophy. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -'All the world's a stage,' Shakespeare tells us, 'and all the men and women merely players.' But what does this mean, philosophically Are all actors 'merely' players, or do the best of them undergo a transformation in becoming something other than who they are Are our own identities similarly slippery Who is the real author of the play in which we find ourselves To what degree does the very language we use control our thoughts and speech This book addresses these questions across strikingly different scenarios: ancient Greece, sixteenth-century Italy, and nineteenth- and twentieth-century France and Germany. In each case the contrast between linear and non-linear styles of reasoning is seen to be a major source of conflict, from the contentious exchanges in sixteenth-century Europe between the Church and the supporters of modern science,¿to the nineteenth-century shift in scholarship from straightforward analysis to hermeneutical interpretation, and to the crisis in twentieth-century thought¿forced by the need to think and feel as an embodied self beyond language. This work should find its target audience in advanced undergraduate and graduate philosophy students, and in an educated audience outside of academia. 148 pp. Englisch.…

Buch. Condición: Neu. From Dialogue to Performance | The History of a Philosophical Form | Steven L. Bindeman | Buch | Englisch | 2026 | Peter Lang | EAN 9783034356251 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu Print on Demand.…