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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 114,49
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Librería: Revaluation Books, Exeter, Reino Unido
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Añadir al carritoHardcover. Condición: Brand New. 01 edition. 510 pages. 10.00x7.25x1.25 inches. In Stock.
EUR 138,64
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Añadir al carritoHardback. Condición: New.
Idioma: Inglés
Publicado por Brepols N.V., Turnhout, 2019
ISBN 10: 2503581072 ISBN 13: 9782503581071
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 143,15
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Añadir al carritoHardcover. Condición: new. Hardcover. This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. The point of departure of this book is the recognition of the polysemy of perspective, that is, the plurality of meanings of perspective. To bring forward the polysemy of perspective, this book explores the history of perspectiva in terms of practices, a conglomerate of material, social, literary and reproductive practices, through which knowledge claims in perspective were produced, promoted, legitimated and circulated in and through a variety of sites and institutions. The ways optical knowledge was used by different groups in different places (such as the university classroom, the anatomist's dissection table, the goldsmith's workshop, and the astronomer's observatory) defined the meanings of Renaissance perspective. As this period was characterized by widespread 'optical literacy', perspective was defined in different ways in different places and sites by various groups of practitioners. Most interestingly, sites such as the theatre, the instrument maker's workshop and the courtly garden were home to practices of perspective which have remained on the margin, or even completely invisible, in the historiographies of optics and perspective. The book also brings out the differences between codifications of perspectiva and practice. There were a variety of non-Albertian constructions to create the illusion of space, and other types of optical knowledge were as important to artists as the geometry of perspective. This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 114,01
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Añadir al carritoCondición: New. 2019. Hardcover. . . . . .
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Añadir al carritoHardback. Condición: New.
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Añadir al carritoBuch. Condición: Neu. Neuware.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 213,68
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Añadir al carritoCondición: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Brepols N.V., Turnhout, 2019
ISBN 10: 2503581072 ISBN 13: 9782503581071
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 213,85
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Añadir al carritoHardcover. Condición: new. Hardcover. This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. The point of departure of this book is the recognition of the polysemy of perspective, that is, the plurality of meanings of perspective. To bring forward the polysemy of perspective, this book explores the history of perspectiva in terms of practices, a conglomerate of material, social, literary and reproductive practices, through which knowledge claims in perspective were produced, promoted, legitimated and circulated in and through a variety of sites and institutions. The ways optical knowledge was used by different groups in different places (such as the university classroom, the anatomist's dissection table, the goldsmith's workshop, and the astronomer's observatory) defined the meanings of Renaissance perspective. As this period was characterized by widespread 'optical literacy', perspective was defined in different ways in different places and sites by various groups of practitioners. Most interestingly, sites such as the theatre, the instrument maker's workshop and the courtly garden were home to practices of perspective which have remained on the margin, or even completely invisible, in the historiographies of optics and perspective. The book also brings out the differences between codifications of perspectiva and practice. There were a variety of non-Albertian constructions to create the illusion of space, and other types of optical knowledge were as important to artists as the geometry of perspective. This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.