Isbn: 9782370741288 - helena rubinstein: madame’s collection (11 resultados)

Paperback. Condición: Good.

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Softcover, 240 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: new. Paperback. Assembled over the course of her life, "Madame's" collection, half real, half mythical, mirrored her own self-construction.Helena Rubinstein was the founder of the highly successful, international cosmetics empire which bore her name. "Madame" - as she liked to be called - acquired a vast quantity of works, furniture, and artifacts of every type, in the process becoming a legendary patron and arbiter of taste. The most remarkable and innovative components of this astonishing collection, dispersed after her death at a historic series of auctions in 1966, were its African holdings, with the remainder being made up of Oceanic, Indonesian, and pre-Hispanic art.It is the history of this collection, its content, and above all its spirit, that Helena Rubinstein: Madame's Collection reconstructs. The aim, as well as the approach, of the exhibition is entirely novel. Paradoxically, until now, the story of Helena Rubinstein's collection of non-Western art has had to be read between the lines: clues can be gleaned from a handful of texts, but the main sources are the countless features the international press devoted to the interiors that Madame occupied.In a long-term investigation, Helene Joubert, head of the African heritage unit, hunted down, identified, and scientifically documented half of the nearly four hundred pieces in the collection. Sixty-five of them are reproduced in this catalogue, including the famous "Bangwa Queen", photographed by Man Ray and shown in 1935 at the Museum of Modern Art in New York at the legendary African Negro Art exhibition. These works conjure up an evocative portrait of Helena Rubinstein, creating an authentic and intimate image of a personality whose global fame simultaneouslyfunctioned as a mask, mirror, and doppelganger. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover. Quarto. Softcover. Matte blue covers with flaps and purple lettering. Glued binding. 239 pages : color illustrations, facsimiles, portraits, photographs ; 26 cm. An extraordinary figure, the first 20th century business woman, a self-made and emancipated woman, a visionary. There are no shortage of superlatives to describe the incredible rise to fame of Helena Rubinstein (1870-1965), dubbed the Empress of beauty by Cocteau, but her role as an experienced collector and a pioneer in the recognition of African and Oceanic arts in Europe and North America is often overlooked. Primarily amassed in Paris through her various encounters, "Madame's collection", now dispersed, comprised over 400 pieces of non-European art including precious Kota and Fang reliquary guardians, exceptional Baoulé, Bamana, Senoufo and Doghon pieces stood alongside works by contemporary painters and sculptors such as Chagall, Braque and Picasso, as well as the array of other spheres covered by the collection. "Businesswoman and founder of a vast cosmetics empire, Helena Rubinstein (1872-1965) spent much of her life assembling an eclectic art collection that made her one of the most important collectors and patrons of the first half of the 20th century. Including wonderful examples of African art, the dazzling ensemble also featured Amerindian, Pacific, and Indonesian artifacts. Following her death, the collections "Madame" had so dramatically displayed in her many homes were disposed of at several historic auctions. Testifying to the key place these objects occupied in Helena Rubinstein's existence and retracing their long journey, this book at last tells the true story of a major collection. VG+. Some light bumping to the head of the spine. Otherwise clean and unmarked.…

Softcover. A gray matte softcover book with French flaps. The title is printed in purple across the front cover and down the spine. The front cover features black-and-white illustrations. Pages: (13), 14-239, (1). Profusely illustrated with full-color and black-and-white images. An extraordinary figure, the first 20th century business woman, a self-made and emancipated woman, a visionary. There are no shortage of superlatives to describe the incredible rise to fame of Helena Rubinstein (1870-1965), dubbed the Empress of beauty by Cocteau, but her role as an experienced collector and a pioneer in the recognition of African and Oceanic arts in Europe and North America is often overlooked. Primarily amassed in Paris through her various encounters, "Madame's collection", now dispersed, comprised over 400 pieces of non-European art including precious Kota and Fang reliquary guardians, exceptional Baoulé, Bamana, Senoufo and Doghon pieces stood alongside works by contemporary painters and sculptors such as Chagall, Braque and Picasso, as well as the array of other spheres covered by the collection. "Businesswoman and founder of a vast cosmetics empire, Helena Rubinstein (1872-1965) spent much of her life assembling an eclectic art collection that made her one of the most important collectors and patrons of the first half of the 20th century. Including wonderful examples of African art, the dazzling ensemble also featured Amerindian, Pacific, and Indonesian artifacts. Following her death, the collections "Madame" had so dramatically displayed in her many homes were disposed of at several historic auctions. Testifying to the key place these objects occupied in Helena Rubinstein's existence and retracing their long journey, this book at last tells the true story of a major collection. Contents are as follows: Recollections of the Helena Rubinstein sale of African and Oceanic art / David Nash -- Madame's collection : Africa at its heart / Hélène Joubert -- Frederic-Henri Lem's mid-twentieth century case for African art and its study / Susan Elizabeth Gagliardi -- Equatorial African treasures from the Rubinstein collection / Charlotte Grand-Dufay -- Masks, mirrors, and mise en scène. The collection and the image / Yaëlle Biro -- Madame and me / Suzanne Slesin -- Helena Rubinstein: the power of an art collection / Julie Verlaine -- To collect "Au Féminin" / Susan Kloman -- A conversation with Estrellita B. Brodsky / Catherine Grenier. VG+: A book in excellent condition, with bright pages and solid binding.…

Paperback. Condición: Brand New. 01 edition. 240 pages. 10.00x7.50x1.00 inches. In Stock.

Paperback. Condición: new. Paperback. Assembled over the course of her life, "Madame's" collection, half real, half mythical, mirrored her own self-construction.Helena Rubinstein was the founder of the highly successful, international cosmetics empire which bore her name. "Madame" - as she liked to be called - acquired a vast quantity of works, furniture, and artifacts of every type, in the process becoming a legendary patron and arbiter of taste. The most remarkable and innovative components of this astonishing collection, dispersed after her death at a historic series of auctions in 1966, were its African holdings, with the remainder being made up of Oceanic, Indonesian, and pre-Hispanic art.It is the history of this collection, its content, and above all its spirit, that Helena Rubinstein: Madame's Collection reconstructs. The aim, as well as the approach, of the exhibition is entirely novel. Paradoxically, until now, the story of Helena Rubinstein's collection of non-Western art has had to be read between the lines: clues can be gleaned from a handful of texts, but the main sources are the countless features the international press devoted to the interiors that Madame occupied.In a long-term investigation, Helene Joubert, head of the African heritage unit, hunted down, identified, and scientifically documented half of the nearly four hundred pieces in the collection. Sixty-five of them are reproduced in this catalogue, including the famous "Bangwa Queen", photographed by Man Ray and shown in 1935 at the Museum of Modern Art in New York at the legendary African Negro Art exhibition. These works conjure up an evocative portrait of Helena Rubinstein, creating an authentic and intimate image of a personality whose global fame simultaneouslyfunctioned as a mask, mirror, and doppelganger. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Couverture souple. Condición: Comme neuf. Paris, 2019. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée sous jaquette illustrée Format in-4°(.26,1 x 19,2 cm ).-------- 240 pages. ******************* Présentation éditeur : "" "" *******************.

Taschenbuch. Condición: Neu. Neuware - Assembled over the course of her life, 'Madame's' collection, half real, half mythical, mirrored her own self-construction.Helena Rubinstein was the founder of the highly successful, international cosmetics empire which bore her name. 'Madame' - as she liked to be called - acquired a vast quantity of works, furniture, and artifacts of every type, in the process becoming a legendary patron and arbiter of taste. The most remarkable and innovative components of this astonishing collection, dispersed after her death at a historic series of auctions in 1966, were its African holdings, with the remainder being made up of Oceanic, Indonesian, and pre-Hispanic art.It is the history of this collection, its content, and above all its spirit, that Helena Rubinstein: Madame's Collection reconstructs. The aim, as well as the approach, of the exhibition is entirely novel. Paradoxically, until now, the story of Helena Rubinstein's collection of non-Western art has had to be read between the lines: clues can be gleaned from a handful of texts, but the main sources are the countless features the international press devoted to the interiors that Madame occupied.In a long-term investigation, Hélène Joubert, head of the African heritage unit, hunted down, identified, and scientifically documented half of the nearly four hundred pieces in the collection. Sixty-five of them are reproduced in this catalogue, including the famous 'Bangwa Queen', photographed by Man Ray and shown in 1935 at the Museum of Modern Art in New York at the legendary African Negro Art exhibition. These works conjure up an evocative portrait of Helena Rubinstein, creating an authentic and intimate image of a personality whose global fame simultaneouslyfunctioned as a mask, mirror, and doppelganger.…

Condición: New. KlappentextrnrnAssembled over the course of her life, Madame s collection, half real, half mythical, mirrored her own self-construction.Helena Rubinstein was the founder of the highly successful, international cosmetics empire which bo.