Isbn: 9781956313383 - art for art house: the posters of peter strausfeld (7 resultados)

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  • Idioma: Inglés

    Editorial: RIT Press, 2025

    1956313389 / 9781956313383

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    Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore

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    Condición: Usado - Bueno

    EUR 30,17

    Envío por EUR 5,27 
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    Cantidad disponible: 1 disponibles

    paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

  • Idioma: Inglés

    Editorial: Syracus University Press, 2025

    1956313389 / 9781956313383

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    Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO

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    Condición: Nuevo

    EUR 36,58

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    Cantidad disponible: Más de 20 disponibles

    Condición: New. Brand New.

  • Idioma: Inglés

    Editorial: RIT Press, 2025

    1956313389 / 9781956313383

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    Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books

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    Condición: Nuevo

    EUR 55,20

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    Cantidad disponible: Más de 20 disponibles

    Condición: New.

  • Idioma: Inglés

    Editorial: RIT Cary Graphic Arts Press, 2025

    1956313389 / 9781956313383

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    Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail

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    Condición: Nuevo

    EUR 58,23

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    Cantidad disponible: 1 disponibles

    Paperback. Condición: new. Paperback. Between 1947 and 1980, Peter Strausfeld, a German refugee interned on the Isle of Man during World War II, created unique, compelling posters for London's Academy Cinema-the city's premier art house movie theater. Founded by Elsie Cohen in 1931, the Academy specialized in international films that eschewed classic Hollywood narratives, highlighting works by now-famous directors like Federico Fellini, Akira Kurosawa, Francois Truffaut, Ingmar Bergman, Andrzej Wajda, and Satyajit Ray. While these films now hold cult status for cinema aficionados, in the early to mid-twentieth century, art house remained a novel and daring form of cinema that few theaters showcased.Throughout his longstanding relationship with the Academy and its director George Hoellering, Strausfeld created over 300 bold, predominantly single-color linocut compositions with a deceptively simple hand-printed feel. Printed in editions of 100 to 300 copies, they populated London's subway system and represented not just the niche market for the cinema but also that which was occupied by the films themselves. This book accompanies and expands upon an exhibition of the same name at Poster House in New York City. It is the first publication in English dedicated to Strausfeld, highlighting his unique approach to localized cinema advertising and his contribution to broader movie history. The first publication in English dedicated to Strausfeld, highlighting his unique approach to localized cinema advertising and his contribution to broader movie history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Condición: Nuevo

    EUR 68,62

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    Cantidad disponible: 2 disponibles

    Paperback. Condición: Brand New. 134 pages. 11.01x0.31x8.52 inches. In Stock.

  • Idioma: Inglés

    Editorial: RIT Press, 2025

    1956313389 / 9781956313383

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    Librería: moluna, Greven, Alemaniamoluna

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    Condición: Nuevo

    EUR 54,04

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    Cantidad disponible: Más de 20 disponibles

    Condición: New.

  • Idioma: Inglés

    Editorial: Rochester Institute Of Technology, Rit Press Nov 2025, 2025

    1956313389 / 9781956313383

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    Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH

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    Condición: Nuevo

    EUR 102,64

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    Cantidad disponible: 2 disponibles

    Taschenbuch. Condición: Neu. Neuware - Between 1947 and 1980, Peter Strausfeld, a German refugee interned on the Isle of Man during World War II, created unique, compelling posters for London's Academy Cinema-the city's premier art house movie theater. Founded by Elsie Cohen in 1931, the Academy specialized in international films that eschewed classic Hollywood narratives, highlighting works by now-famous directors like Federico Fellini, Akira Kurosawa, François Truffaut, Ingmar Bergman, Andrzej Wajda, and Satyajit Ray. While these films now hold cult status for cinema aficionados, in the early to mid-twentieth century, art house remained a novel and daring form of cinema that few theaters showcased.Throughout his longstanding relationship with the Academy and its director George Hoellering, Strausfeld created over 300 bold, predominantly single-color linocut compositions with a deceptively simple hand-printed feel. Printed in editions of 100 to 300 copies, they populated London's subway system and represented not just the niche market for the cinema but also that which was occupied by the films themselves. This book accompanies and expands upon an exhibition of the same name at Poster House in New York City. It is the first publication in English dedicated to Strausfeld, highlighting his unique approach to localized cinema advertising and his contribution to broader movie history.