ISBN: 9781941753651 - huong ngo: ungrafting (17 resultados)

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback. Condición: New. Ngô tackles the legacy of French colonialism in Vietnam through its invasive introduction of foreign trees and graftsHuong Ngô (born 1979) is a Hong Kong-born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting-a procedure that involves cutting and splicing different species into a single plant-serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô's exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production. …

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Ngo tackles the legacy of French colonialism in Vietnam through its invasive introduction of foreign trees and graftsHuong Ngo (born 1979) is a Hong Kongborn artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngo turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, graftinga procedure that involves cutting and splicing different species into a single plantserves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyen Phan, and conversations between Ngo and Aline Lo and Evyn Le Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngos exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

paperback. Condición: New. Special order direct from the distributor.

Paperback. Condición: Brand New. 112 pages. 9.25x6.75x0.50 inches. In Stock.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 112 pages. 9.25x6.75x0.50 inches. In Stock.

Condición: New. In English.

Taschenbuch. Condición: Neu. Neuware - Ngô tackles the legacy of French colonialism in Vietnam through its invasive introduction of foreign trees and graftsHuong Ngô (born 1979) is a Hong Kong-born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting--a procedure that involves cutting and splicing different species into a single plant--serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô's exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.…

Paperback. Condición: new. Paperback. Ngo tackles the legacy of French colonialism in Vietnam through its invasive introduction of foreign trees and graftsHuong Ngo (born 1979) is a Hong Kongborn artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngo turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, graftinga procedure that involves cutting and splicing different species into a single plantserves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyen Phan, and conversations between Ngo and Aline Lo and Evyn Le Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngos exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: New.

Paperback. Condición: New. Ngô tackles the legacy of French colonialism in Vietnam through its invasive introduction of foreign trees and graftsHuong Ngô (born 1979) is a Hong Kong-born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting-a procedure that involves cutting and splicing different species into a single plant-serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô's exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production. …