Isbn: 9781931788557 - atta kim: the museum project: photographs by atta kim (23 resultados)

Hardcover. Condición: Very Good. Jumbo-sized. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE.

Hardcover. Condición: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Hardcover. Condición: Acceptable. JUMBO. HARDCOVER Jumbo-sized. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. First edition. NEW clothbound hardcover in dust jacket in the publisher's shrink wrap. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Images of people presented as museum objects. Photographs by Atta Kim; essay by Yu Yeon Kim. 96 pages; 75 color plates; 13.75 x 12 inches. Due to size and weight, international and expedited shipping will be more than quoted. …

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. First. 13.68 X 0.66 X 12.14 inches; 96 pages.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Oversized Hardcover. Condición: Good.

Hardcover. Condición: new. Hardcover. In "The Museum Project," Korean photographer Atta Kim commandeers average scenes--city streets, department stores, freight depots and forests--and turns them into exhibition spaces. On display are people crammed into acrylic boxes, stacked in sets, on end, or sometimes alone. In selecting his subjects and isolating them in their boxes, Kim aims to "detach them from reality; to display and deconstruct at the same time my own concept of the world." Kim compares his efforts to that of an archaeologist, sifting through the cultural strata in order to unearth and hold up exemplary objects for our contemplation. "The Museum Project" is comprised of a number of series, such as "War Memorial," "Sex," "Suicide," and other human typologies, each intended to highlight a particular mode of behavior or belief. In certain series, the subjects are isolated from their natural settings, each display case simply framed and offset by backdrops in primary colors. The resulting images are curious and startling, straddling the indeterminate ground between performance, photography, and an alternate form of anthropology. "The subject of history is, finally, nothing but human beings," Kim says. "[The] great order of. the cosmos is that all kinds of acts conducted by human beings are always watched by someone." Atta Kim was born in Korea in 1956. He graduated from Changwon University with a Bachelor of Science degree and has been actively photographing since the mid-1980s. He has had solo shows at the Samsung Photo Gallery, Seoul; the Nikon Salon Gallery, Tokyo; the Yechong Gallery, Seoul; and has been included in numerous group exhibitions, including shows at the Museum of Contemporary Photography in Chicago; The Odens Foto Triennale in Odens, Denmark; the Australian Centre for Photography; the twenty-fifth Sao Paolo Bienal; and FotoFest in Houston. She examines how the work relates to Eastern philosophy and Buddhism, as well as how it reflects the pressure cooker of contemporary Korean society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: NEW. Estado de la sobrecubierta: NEW. 1st. Cloth, 96 pages, chiefly illustrations (chiefly colour); 31 x 35 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "In The Museum Project, Korean photographer Atta Kim commandeers average scenes -- city streets, department stores, freight depots, and forests -- and turns them into exhibition spaces. On display are people crammed into acrylic boxes, stacked in sets, on end, or sometimes alone. In selecting his subjects and isolating them in their boxes, Kim aims to 'detach them from reality; to display and deconstruct at the same time my own concept of the world.' Kim compares his efforts to that of an archaeologist, sifting through the cultural strata in order to unearth and hold up exemplary objects for our contemplation. The Museum Project is comprised of a number of series, such as 'War Memorial,' 'Sex,' 'Suicide,' and other human typologies, each intended to highlight a particular mode of behavior or belief. In certain series, the subjects are isolated from their natural settings, each display case simply framed and offset by backdrops in primary colors. The resulting images are curious and startling, straddling the indeterminate ground between performance, photography, and an alternate form of anthropology. 'The subject of history is, finally, nothing but human beings,' Kim says. '[The] great order of . the cosmos is that all kinds of acts conducted by human beings are always watched by someone.' / Atta Kim was born in Korea in 1956. He graduated from Changwon University with a Bachelor of Science degree and has been actively photographing since the mid-1980s. He has had solo shows at the Samsung Photo Gallery, Seoul; the Nikon Salon Gallery, Tokyo; the Yechong Gallery, Seoul; and has been included in numerous group exhibitions, including shows at the Museum of Contemporary Photography in Chicago; The Odens Foto Triennale in Odens, Denmark; the Australian Centre for Photography; the twenty-fifth S o Paolo Bienal; and FotoFest in Houston." - Publisher. Size: Oblong. Collectible.…

Condición: New.

Large oblong 4to, 96pp. Colour illustrations. A very good hardback copy in like dustjacket. Essay by Yu Yeon Kim.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Brand New. new title edition. 96 pages. 11.75x13.50x0.75 inches. In Stock.

Hardcover. Condición: New. In The Museum Project, Korean photographer Atta Kim commandeers average scenes-city streets, department stores, freight depots, and forests-and turns them into exhibition spaces. On display are people crammed into acrylic boxes, stacked in sets, on end, or sometimes alone. In selecting his subjects and isolating them in their boxes, Kim aims to detach them from reality; to display and deconstruct at the same time my own concept of the world. Kim compares his efforts to that of an archaeologist, sifting through the cultural strata in order to unearth and hold up exemplary objects for our contemplation. The Museum Project is comprised of a number of series, such as War Memorial, Sex, Suicide, and other human typologies, each intended to highlight a particular mode of behavior or belief. In certain series, the subjects are isolated from their natural settings, each display case simply framed and offset by backdrops in primary colors. The resulting images are curious and startling, straddling the indeterminate ground between performance, photography, and an alternate form of anthropology. The subject of history is, finally, nothing but human beings, Kim says. [The] great order of . . . the cosmos is that all kinds of acts conducted by human beings are always watched by someone. …

Condición: New. KlappentextrnrnIn The Museum Project, Korean photographer Atta Kim commandeers average scenes--city streets, department stores, freight depots and forests--and turns them into exhibition spaces. On display are people crammed into acrylic boxes.

Buch. Condición: Neu. Neuware - In 'The Museum Project,' Korean photographer Atta Kim commandeers average scenes--city streets, department stores, freight depots and forests--and turns them into exhibition spaces. On display are people crammed into acrylic boxes, stacked in sets, on end, or sometimes alone. In selecting his subjects and isolating them in their boxes, Kim aims to 'detach them from reality; to display and deconstruct at the same time my own concept of the world.' Kim compares his efforts to that of an archaeologist, sifting through the cultural strata in order to unearth and hold up exemplary objects for our contemplation. 'The Museum Project' is comprised of a number of series, such as 'War Memorial,' 'Sex,' 'Suicide,' and other human typologies, each intended to highlight a particular mode of behavior or belief. In certain series, the subjects are isolated from their natural settings, each display case simply framed and offset by backdrops in primary colors. The resulting images are curious and startling, straddling the indeterminate ground between performance, photography, and an alternate form of anthropology. 'The subject of history is, finally, nothing but human beings,' Kim says. '[The] great order of. the cosmos is that all kinds of acts conducted by human beings are always watched by someone.' Atta Kim was born in Korea in 1956. He graduated from Changwon University with a Bachelor of Science degree and has been actively photographing since the mid-1980s. He has had solo shows at the Samsung Photo Gallery, Seoul; the Nikon Salon Gallery, Tokyo; the Yechong Gallery, Seoul; and has been included in numerous group exhibitions, including shows at the Museum of Contemporary Photography in Chicago; The Odens Foto Triennale in Odens, Denmark; the Australian Centre for Photography; the twenty-fifth Sao Paolo Bienal; and FotoFest in Houston.…

30x35 cm. 96 p. überw. Ill. OPp., OU. Schönes Exemplar.

dj. First Edition. First edition and first printing. Oblong hardcover. 96 pages. A collection of color photographs from Korean photographer Atta Kim. Features an essay by Yu Yeon Kim. Includes 75 four color images. A clean very near fine copy in a very near fine dust jacket. Signed by Kim on the half title page in 2006. A very nice copy and uncommon signed. Signed.…

quer-Folio, 96 S. durchgehend mit Farbfotos, Orig.-Pappband mit Orig.-Umschlag. Erste Ausgabe.- Schönes Exemplar.

Hardcover. Condición: New. In The Museum Project, Korean photographer Atta Kim commandeers average scenes--city streets, department stores, freight depots, and forests--and turns them into exhibition spaces. On display are people crammed into acrylic boxes, stacked in sets, on end, or sometimes alone. In selecting his subjects and isolating them in their boxes, Kim aims to "detach them from reality; to display and deconstruct at the same time my own concept of the world." Kim compares his efforts to that of an archaeologist, sifting through the cultural strata in order to unearth and hold up exemplary objects for our contemplation. The Museum Project is comprised of a number of series, such as "War Memorial," "Sex," "Suicide," and other human typologies, each intended to highlight a particular mode of behavior or belief. In certain series, the subjects are isolated from their natural settings, each display case simply framed and offset by backdrops in primary colors. The resulting images are curious and startling, straddling the indeterminate ground between performance, photography, and an alternate form of anthropology. "The subject of history is, finally, nothing but human beings," Kim says. "[The] great order of . . . the cosmos is that all kinds of acts conducted by human beings are always watched by someone." Atta Kim was born in Korea in 1956. He graduated from Changwon University with a Bachelor of Science degree and has been actively photographing since the mid-1980s. He has had solo shows at the Samsung Photo Gallery, Seoul; the Nikon Salon Gallery, Tokyo; the Yechong Gallery, Seoul; and has been included in numerous group exhibitions, including shows at the Museum of Contemporary Photography in Chicago; The Odens Foto Triennale in Odens, Denmark; the Australian Centre for Photography; the twenty-fifth São Paolo Bienal; and FotoFest in Houston. Essay by Yu Yeon Kim. Hardcover, 13.5 x 11.75 in./96 pgs / 75 color.…

Hardcover. Condición: New. In The Museum Project, Korean photographer Atta Kim commandeers average scenes--city streets, department stores, freight depots, and forests--and turns them into exhibition spaces. On display are people crammed into acrylic boxes, stacked in sets, on end, or sometimes alone. In selecting his subjects and isolating them in their boxes, Kim aims to "detach them from reality; to display and deconstruct at the same time my own concept of the world." Kim compares his efforts to that of an archaeologist, sifting through the cultural strata in order to unearth and hold up exemplary objects for our contemplation. The Museum Project is comprised of a number of series, such as "War Memorial," "Sex," "Suicide," and other human typologies, each intended to highlight a particular mode of behavior or belief. In certain series, the subjects are isolated from their natural settings, each display case simply framed and offset by backdrops in primary colors. The resulting images are curious and startling, straddling the indeterminate ground between performance, photography, and an alternate form of anthropology. "The subject of history is, finally, nothing but human beings," Kim says. "[The] great order of . . . the cosmos is that all kinds of acts conducted by human beings are always watched by someone." Atta Kim was born in Korea in 1956. He graduated from Changwon University with a Bachelor of Science degree and has been actively photographing since the mid-1980s. He has had solo shows at the Samsung Photo Gallery, Seoul; the Nikon Salon Gallery, Tokyo; the Yechong Gallery, Seoul; and has been included in numerous group exhibitions, including shows at the Museum of Contemporary Photography in Chicago; The Odens Foto Triennale in Odens, Denmark; the Australian Centre for Photography; the twenty-fifth São Paolo Bienal; and FotoFest in Houston. Essay by Yu Yeon Kim. Hardcover, 13.5 x 11.75 in./96 pgs / 75 color.…