9781906497255 - On the Edge of Utopia: Performance and Ritual at Burning Man (Enactments) de Bowditch, Rachel (21 resultados)

Condición: New. pp. 364.

Condición: New. Brand New. Soft Cover International Edition. Different ISBN and Cover Image. Priced lower than the standard editions which is usually intended to make them more affordable for students abroad. The core content of the book is generally the same as the standard edition. The country selling restrictions may be printed on the book but is no problem for the self-use. This Item maybe shipped from US or any other country as we have multiple locations worldwide.

Condición: New. pp. 364.

Condición: New. pp. 364.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Hardback. Condición: New. During the week before Labor Day every year, nearly fifty thousand people gather in Nevada's Black Rock Desert and build Black Rock City. At the center of Black Rock City is a forty-foot wooden effigy of a man, an icon around which art, performance, and community revolve. Since 1986, the Burning Man Festival has evolved from founder Larry Harvey's personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale. In "On the Edge of Utopia", Rachel Bowditch - performer, theater director, scholar, and Burning Man participant - explores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle, the profane to the sublime. Bowditch argues that Burning Man can be understood as a contemporary galaxy of happenings, a revival of the ancient Roman Saturnalia, a site for rehearsals of utopia, and a secular pilgrimage. As Burning Man continues to grow, it will create new paradigms for performance, installation art, community, and invented rituals that bridge ancient traditions to the twenty-first century.

Hardcover. Condición: New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl, & Aramex, UPS, & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 7-12 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India, United states & United Kingdom. Depending on your location and availability.

Condición: As New. Unread book in perfect condition.

Condición: New. Since 1986, the Burning Man Festival has evolved from founder Larry Harvey's personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale. This work explores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle. Series: SB - Enactments. Num Pages: 364 pages, 70 halftones. BIC Classification: 1KBBWN; AB; ASZP. Category: (G) General (US: Trade). Dimension: 243 x 163 x 38. Weight in Grams: 850. . 2010. Hardcover. . . . .

Hardcover. Condición: new. Hardcover. During the week before Labor Day every year, 35,000 people gather in Nevadas Black Rock Desert and build Black Rock City. At the center of Black Rock City is a 40-foot wooden effigy of a man, an icon around which art, performance, and community revolve. Since 1986, the Burning Man Festival named for this effigy has evolved from founder Larry Harveys personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale. In On the Edge of Utopia, Rachel Bowditch performer, theatre director, scholar, and Burning Man participantexplores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle, the profane to the sublime. Bowditch argues that Burning Man can be understood as a contemporary galaxy of happenings, a revival of the ancient Roman Saturnalia, a site for rehearsals of utopia, and a secular pilgrimage. As Burning Man continues to grow, it will create new paradigms for performance, installation art, community, and invented rituals that bridge ancient traditions to the twenty-first century. Since 1986, the Burning Man Festival has evolved from founder Larry Harvey's personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale. This work explores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New.

Hardcover. Condición: Brand New. 365 pages. 9.25x6.00x1.50 inches. In Stock.

Condición: New. Since 1986, the Burning Man Festival has evolved from founder Larry Harvey's personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale. This work explores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle. Series: SB - Enactments. Num Pages: 364 pages, 70 halftones. BIC Classification: 1KBBWN; AB; ASZP. Category: (G) General (US: Trade). Dimension: 243 x 163 x 38. Weight in Grams: 850. . 2010. Hardcover. . . . . Books ship from the US and Ireland.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. During the week before Labor Day every year, 35,000 people gather in Nevadas Black Rock Desert and build Black Rock City. At the center of Black Rock City is a 40-foot wooden effigy of a man, an icon around which art, performance, and community revolve. Since 1986, the Burning Man Festival named for this effigy has evolved from founder Larry Harveys personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale. In On the Edge of Utopia, Rachel Bowditch performer, theatre director, scholar, and Burning Man participantexplores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle, the profane to the sublime. Bowditch argues that Burning Man can be understood as a contemporary galaxy of happenings, a revival of the ancient Roman Saturnalia, a site for rehearsals of utopia, and a secular pilgrimage. As Burning Man continues to grow, it will create new paradigms for performance, installation art, community, and invented rituals that bridge ancient traditions to the twenty-first century. Since 1986, the Burning Man Festival has evolved from founder Larry Harvey's personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale. This work explores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New. During the week before Labor Day every year, nearly fifty thousand people gather in Nevada's Black Rock Desert and build Black Rock City. At the center of Black Rock City is a forty-foot wooden effigy of a man, an icon around which art, performance, and community revolve. Since 1986, the Burning Man Festival has evolved from founder Larry Harvey's personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale. In "On the Edge of Utopia", Rachel Bowditch - performer, theater director, scholar, and Burning Man participant - explores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle, the profane to the sublime. Bowditch argues that Burning Man can be understood as a contemporary galaxy of happenings, a revival of the ancient Roman Saturnalia, a site for rehearsals of utopia, and a secular pilgrimage. As Burning Man continues to grow, it will create new paradigms for performance, installation art, community, and invented rituals that bridge ancient traditions to the twenty-first century.