9781859182925 - The Field, The: 5 (Ireland into Film S.) de Herr, Cheryl (12 resultados)

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: As New. Clean, no marks, barely used Ireland Into Film paperback edition, Cork University Press. As shown, paperback has slight handling wear on front corners. Original owner's identification label is affixed to front flyleaf. No marked, creased, or torn bright white pages. An excellent copy. Book will be carefully packaged for safe delivery. Paper Dragon is a 5-Star seller of popular books and does not actively solicit buyer ratings. WRB.

Soft cover. Condición: Very Good. new unused minor shelf wear only.

Condición: New.

Paperback. Condición: new. Paperback. John B. Keane's popular play "The Field" (1965), based on a boundary dispute and murder in County Kerry, inspired the 1990 film scripted and directed by Jim Sheridan. Both works address the impact of dislocating social change on agricultural communities while insisting on darker power struggles within traditional life. To Keane's acute portrayal of the mid-century dismantling of rural society, Sheridan adds not only his characteristic attention to the varieties of social injustice spawned by modernization, but also liberal allusions to Irish myth, literature, and cinema. Drawing on fresh interviews, archival research, and new directions in the philosophy of film studies, Cheryl Herr grounds this reading of "The Field" in the conflict between embodied communal practices and the eternal threat of the outsider. This story is based on John B. Keane's popular play "The Field". "The Field" centres around a boundary dispute and murder in County Kerry, inspired by Jim Sheridan. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. 2002. illustrated edition. Paperback. This story is based on John B. Keane's popular play "The Field". "The Field" centres around a boundary dispute and murder in County Kerry, inspired by Jim Sheridan. Series: Ireland into Film S. Num Pages: 86 pages, Illustrations. BIC Classification: APF; FA. Category: (G) General (US: Trade). Dimension: 189 x 136 x 6. Weight in Grams: 135. . . . . . Books ship from the US and Ireland.

Condición: New. 2002. illustrated edition. Paperback. This story is based on John B. Keane's popular play "The Field". "The Field" centres around a boundary dispute and murder in County Kerry, inspired by Jim Sheridan. Series: Ireland into Film S. Num Pages: 86 pages, Illustrations. BIC Classification: APF; FA. Category: (G) General (US: Trade). Dimension: 189 x 136 x 6. Weight in Grams: 135. . . . . .

First Edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Series; Ireland into film ; 5. Physical description; 85 pages : illustrations ; 19 cm. Notes; Includes bibliographical references (pages 83-85). Contents; 1. Keane and The Field -- 2. Fieldwork: a Practice Approach to Film -- 3. Sheridan and The Field. Subjects; Keane, John B. (1928-2002). Field (Motion picture). Sheridan, Jim. Film adaptations. Motion pictures and literature. Criticism and interpretation. 20th century. 21st century. Illustrated. 1 Kg.

Paperback. Condición: Brand New. 85 pages. 7.25x5.25x0.25 inches. In Stock.

Condición: New. Brand New.

Condición: New. This story is based on John B. Keane s popular play The Field . The Field centres around a boundary dispute and murder in County Kerry, inspired by Jim Sheridan.&Uumlber den AutorCheryl Herr is Professor of English at the Univers.

Taschenbuch. Condición: Neu. Neuware - John B. Keane's popular play The Field (1965), based on a boundary dispute and murder in County Kerry, inspired the 1990 film scripted and directed by Jim Sheridan. Both works address the impact of dislocating social change on agricultural communities while insisting on darker power struggles within traditional life. To Keane's acute portrayal of the mid-century dismantling of rural society, Sheridan adds not only his characteristic attention to the varieties of social injustice spawned by modernization, but also liberal allusions to Irish myth, literature, and cinema. Drawing on fresh interviews, archival research, and new directions in the philosophy of film studies, Cheryl Herr grounds this reading of The Field in the conflict between embodied communal practices and the eternal threat of the outsider.