ISBN: 9781851245932 - the forms of nameless things: experimental photographs by william henry fox talbot (27 resultados)

Condición: As New. Unread book in perfect condition.

Hardback. Condición: Like New. This book features 24 of William Henry Fox Talbot's experimental prints. Offered to the reader as enigmatic physical artefacts, an accompanying essay illustrated with comparative images places these photographs in a broad historical context, revealing what relevance Talbots experiments have to contemporary concepts of the art of photography.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: New.

Hardback. Condición: Like New. This book features 24 of William Henry Fox Talbot's experimental prints. Offered to the reader as enigmatic physical artefacts, an accompanying essay illustrated with comparative images places these photographs in a broad historical context, revealing what relevance Talbots experiments have to contemporary concepts of the art of photography.…

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condición: VG. Light shelfwear/bumping. Quarto. Hardcover. Illustrated boards. No jacket, as issued. 79 pages : illustrations (chiefly colour) ; 27 cm. William Henry Fox Talbot, the English inventor of photography, created around 15,000 photographs in the nineteenth century, most of them attempts to produce compelling scientific documents or pictorial records of the world around him. However, among those that have survived are also prints in which an image has been obscured, obliterated or simply failed to register. Borrowing its intriguing title from a poem written by Talbot, this book features twenty-four of these prints, his most experimental photographs. Originally intended as test prints or creative exercises, all that remains on these shaped pieces of photographic paper are chemical stains or imprinted patterns or shapes. Offered to the reader as enigmatic physical artefacts, these failed or ruined photographs are here reanimated as objects of beauty, mystery and promise, as artworks that speak of photography's most fundamental attributes and potentials.An accompanying essay illustrated with comparative images places these photographs in a broad historical context leading up to the present, revealing what relevance Talbot's experiments have to contemporary concepts of the art of photography. -- publisher's statement.…

Hardback. Condición: New. William Henry Fox Talbot, the English inventor of photography, created around 15,000 photographs in the nineteenth century, most of them attempts to produce compelling scientific documents or pictorial records of the world around him. However, among those that have survived are also prints in which an image has been obscured, obliterated or simply failed to register. Borrowing its intriguing title from a poem written by Talbot, this book features twenty-four of these prints, his most experimental photographs. Originally intended as test prints or creative exercises, all that remains on these shaped pieces of photographic paper are chemical stains or imprinted patterns or shapes. Offered to the reader as enigmatic physical artefacts, these failed or ruined photographs are here reanimated as objects of beauty, mystery and promise, as artworks that speak of photography's most fundamental attributes and potentials. An accompanying essay illustrated with comparative images places these photographs in a broad historical context leading up to the present, revealing what relevance Talbot's experiments have to contemporary concepts of the art of photography.…

Condición: new.

Hardcover. Condición: new. Hardcover. William Henry Fox Talbot, the English inventor of photography, created around 15,000 photographs in the nineteenth century, most of them attempts to produce compelling scientific documents or pictorial records of the world around him. However, among those that have survived are also prints in which an image has been obscured, obliterated or simply failed to register. Borrowing its intriguing title from a poem written by Talbot, this book features twenty-four of these prints, his most experimental photographs. Originally intended as test prints or creative exercises, all that remains on these shaped pieces of photographic paper are chemical stains or imprinted patterns or shapes. Offered to the reader as enigmatic physical artefacts, these failed or ruined photographs are here reanimated as objects of beauty, mystery and promise, as artworks that speak of photographys most fundamental attributes and potentials.An accompanying essay illustrated with comparative images places these photographs in a broad historical context leading up to the present, revealing what relevance Talbots experiments have to contemporary concepts of the art of photography. This book features 24 of William Henry Fox Talbot's experimental prints. Offered to the reader as enigmatic physical artefacts, an accompanying essay illustrated with comparative images places these photographs in a broad historical context, revealing what relevance Talbots experiments have to contemporary concepts of the art of photography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. 2022. Hardcover. . . . . .

Condición: New.

Condición: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. In English.

Condición: New.

Hardcover. Condición: Brand New. 80 pages. 10.00x9.50x0.50 inches. In Stock.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: New. Brand New.

Buch. Condición: Neu. Neuware - This collection features twenty-four of Fox Talbot's most experimental photographs. William Henry Fox Talbot, the English inventor of photography, created around 15,000 photographs in the nineteenth century, most of them attempts to produce compelling scientific documents or pictorial records of the world around him. However, among his surviving works are also prints in which an image has been obscured, obliterated, or simply failed to register. All that remains on these pieces of photographic paper are chemical stains or imprinted patterns or shapes. Borrowing its intriguing title from a poem written by Talbot, this book features twenty-four of these prints, originally intended as test prints or creative exercises. Offered to the reader as enigmatic physical artifacts, these failed or ruined photographs are here reanimated as objects of beauty, mystery, and promise, as artworks that speak of photography's most fundamental attributes and potentials. An accompanying essay places these photographs in a broad historical context, revealing what relevance they have to the contemporary art of photography.…

Condición: NEW.

Hardcover. Condición: new. Hardcover. William Henry Fox Talbot, the English inventor of photography, created around 15,000 photographs in the nineteenth century, most of them attempts to produce compelling scientific documents or pictorial records of the world around him. However, among those that have survived are also prints in which an image has been obscured, obliterated or simply failed to register. Borrowing its intriguing title from a poem written by Talbot, this book features twenty-four of these prints, his most experimental photographs. Originally intended as test prints or creative exercises, all that remains on these shaped pieces of photographic paper are chemical stains or imprinted patterns or shapes. Offered to the reader as enigmatic physical artefacts, these failed or ruined photographs are here reanimated as objects of beauty, mystery and promise, as artworks that speak of photographys most fundamental attributes and potentials.An accompanying essay illustrated with comparative images places these photographs in a broad historical context leading up to the present, revealing what relevance Talbots experiments have to contemporary concepts of the art of photography. This book features 24 of William Henry Fox Talbot's experimental prints. Offered to the reader as enigmatic physical artefacts, an accompanying essay illustrated with comparative images places these photographs in a broad historical context, revealing what relevance Talbots experiments have to contemporary concepts of the art of photography. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: New. This book features 24 of William Henry Fox Talbot s experimental prints. Offered to the reader as enigmatic physical artefacts, an accompanying essay illustrated with comparative images places these photographs in a broad historical context, revealing what .

Buch. Condición: Neu. The Forms of Nameless Things - Experimental Photographs by William Henry Fox Talbot | Experimental Photographs by William Henry Fox Talbot | Geoffrey Batchen | Buch | Gebunden | Englisch | 2022 | Bodleian Library | EAN 9781851245932 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Hardback. Condición: New. William Henry Fox Talbot, the English inventor of photography, created around 15,000 photographs in the nineteenth century, most of them attempts to produce compelling scientific documents or pictorial records of the world around him. However, among those that have survived are also prints in which an image has been obscured, obliterated or simply failed to register. Borrowing its intriguing title from a poem written by Talbot, this book features twenty-four of these prints, his most experimental photographs. Originally intended as test prints or creative exercises, all that remains on these shaped pieces of photographic paper are chemical stains or imprinted patterns or shapes. Offered to the reader as enigmatic physical artefacts, these failed or ruined photographs are here reanimated as objects of beauty, mystery and promise, as artworks that speak of photography's most fundamental attributes and potentials. An accompanying essay illustrated with comparative images places these photographs in a broad historical context leading up to the present, revealing what relevance Talbot's experiments have to contemporary concepts of the art of photography.…