Isbn: 9781844650019 - philosophy of music: an introduction (20 resultados)

paperback. Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condición: Fine.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; vii, 185 pages ; 21 cm. Notes; Includes bibliographical references and index. Contents; Introduction 1 Overture and beginnings; Early speculations; Eduard Hanslick; Edmund Gurney; The legacy 2 The work of music; What makes music art?; The work of music 3 Meaning; Music and language; Arousalism; The basis for expressive descriptions; The limits of musical description; Meaning; Profundity in music 4 Value; Criteria; The ideal observer theory; The consensus among connoisseurs; The problem of irreconcilable differences of judgement; The crux for the realist; Are verdicts essentially particular?; The concept of "interest" The verdict on verdicts Coda Notes Bibliography and discography Index. Subjects; Music Philosophy and aesthetics 20th-21st centuries. 1 Kg.…

First Edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; vii, 185 pages ; 21 cm. Notes; Includes bibliographical references and index. Contents; Introduction 1 Overture and beginnings; Early speculations; Eduard Hanslick; Edmund Gurney; The legacy 2 The work of music; What makes music art?; The work of music 3 Meaning; Music and language; Arousalism; The basis for expressive descriptions; The limits of musical description; Meaning; Profundity in music 4 Value; Criteria; The ideal observer theory; The consensus among connoisseurs; The problem of irreconcilable differences of judgement; The crux for the realist; Are verdicts essentially particular?; The concept of "interest" The verdict on verdicts Coda Notes Bibliography and discography Index. Subjects; Music Philosophy and aesthetics 20th-21st centuries. 1 Kg.…

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Softcover. Condición: New. First Edition. Free shipping. Dispatch on all orders before 3pm same day. | SHOP & WAREHOUSE OVERSTOCK - LOWEST PRICE ONLINE! This book is in New condition. | Philosophy of Music: An Introduction | Publication Date: 2004-11-16 00:00:00 | Language: english | Pages: 192 | Format: Softcover | Weight: 0.56 pounds | ISBN: 9781844650019 | Seller SKU: U1-S-ST-new_HK_24820-ND.…

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: New.

Condición: New. This lively and lucid introduction to the philosophy of music concentrates on the issues that illuminate musical listening and practice. It examines the conceptual debates relevant to the understanding and performing of music and grounds the philosophy to practical matters throughout. Num Pages: 256 pages. BIC Classification: AVA; HPN. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 216 x 138 x 15. Weight in Grams: 252. . 2004. 1st Edition. paperback. . . . .…

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 256 pages. 8.25x5.50x0.50 inches. In Stock.

Condición: New. This lively and lucid introduction to the philosophy of music concentrates on the issues that illuminate musical listening and practice. It examines the conceptual debates relevant to the understanding and performing of music and grounds the philosophy to practical matters throughout. Num Pages: 256 pages. BIC Classification: AVA; HPN. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 216 x 138 x 15. Weight in Grams: 252. . 2004. 1st Edition. paperback. . . . . Books ship from the US and Ireland.…

Kartoniert / Broschiert. Condición: New. Sharpe, R.A.Philosophy of Music is for anyone who has ever wondered whether or not music means anything or why some music is thought to be more significant than other music. It is a lively and lucid introduction to the aesthetics of music and to the iss.

Taschenbuch. Condición: Neu. Neuware - Philosophy of Music is for anyone who has ever wondered whether or not music means anything or why some music is thought to be more significant than other music. It is a lively and lucid introduction to the aesthetics of music and to the issues that illuminate musical listening, understanding and practice. The book assumes no philosophical training on the part of its readers, only an interest in music and our reactions to it. It provides an authoritative analysis of the central issues, enlivened with a real sense of enthusiasm for the subject and its importance. At the heart of the book lie three key questions: What is the work of music Can it have meaning Can music have value R. A. Sharpe guides the reader through the philosophical arguments and conceptual debates surrounding these questions while anchoring the discussion throughout to instances and examples from Western classical music and jazz. Unlike some other accounts of the philosophy of music, which view music as a branch of metaphysics, raising questions about sounds, tones and musical movement, Sharpe's approach is problem-orientated and the questions he raises are predominantly questions about the value of music, about the individuality of our assessments and about the way in which we prize music for its power to move us. He argues persuasively, and controversially for a philosopher, that when it comes to music philosophical analysis has its limitations and that one should not be surprised that the aesthetics of music can harbour contradictions and that our judgement of the value of music may be impossible to make internally consistent. This engaging and stimulating book will be of wide interest to music-lovers, critics, practitioners alike as well as students of aesthetics looking for a non-technical treatment of the subject.…

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