Isbn: 9781838855932 - major labels: a history of popular music in seven genres (22 resultados)

hardcover. Condición: Very Good. Major Labels: A History of Popular Music in Seven Genres This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Estado de la sobrecubierta: 42796897. 1785920324. 8/5/2026 8:58:44 AM.

hardcover. Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. …

Hardcover. Condición: NEW. Estado de la sobrecubierta: NEW. Main.

Condición: New.

Hardback. Condición: New. Main. From his own adolescence, when his allegiance was to punk rock, to his work as one of the essential voices of our time on music and culture at the New York Times and the New Yorker, Kelefa Sanneh has made a deep study of how our popular music unites and divides us. Distilling a career's worth of knowledge, Sanneh explores the tribes music forms, and how its genres, shape-shifting across the years, give us a way to track larger forces and concerns.He debunks cherished myths, reappraises beloved heroes and upends familiar ideas of musical greatness, arguing that sometimes the best popular music isn't transcendent: it expresses our grudges as well as our hopes, and is motivated by greed as well as inspiration. Throughout, race is a powerful touchstone: just as there's always been a 'Black' audience and a 'white' audience (with some overlap) there is Black music and white music and a whole lot of expropriation.This is a book to shock and awe the deepest music nerd, and at the same time to work as a heady gateway drug for the uninitiated. …

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New. 2021. Hardcover. . . . . .

Hardcover. Condición: New. New book.

hardcover. Condición: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.

Hardback. Condición: New. New copy - Usually dispatched within 3 working days.

Condición: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Condición: New. Shipped from the UK within 2 business days of order being placed.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Buch. Condición: Neu. Neuware - A comprehensive and celebratory journey through the history of popular music, from the former New York Times music critic.

Gebunden. Condición: New. A comprehensive and celebratory journey through the history of popular music, from the former New York Times music critic&Uumlber den AutorrnrnKelefa Sanneh has been a New Yorker staff writer since 2008, when he left his posit.

Hardback. Condición: New. Main. From his own adolescence, when his allegiance was to punk rock, to his work as one of the essential voices of our time on music and culture at the New York Times and the New Yorker, Kelefa Sanneh has made a deep study of how our popular music unites and divides us. Distilling a career's worth of knowledge, Sanneh explores the tribes music forms, and how its genres, shape-shifting across the years, give us a way to track larger forces and concerns.He debunks cherished myths, reappraises beloved heroes and upends familiar ideas of musical greatness, arguing that sometimes the best popular music isn't transcendent: it expresses our grudges as well as our hopes, and is motivated by greed as well as inspiration. Throughout, race is a powerful touchstone: just as there's always been a 'Black' audience and a 'white' audience (with some overlap) there is Black music and white music and a whole lot of expropriation.This is a book to shock and awe the deepest music nerd, and at the same time to work as a heady gateway drug for the uninitiated. …