9781776561780 - the domain de hipkins, gavin (12 resultados)
Idioma: Inglés
Editorial: Te Herenga Waka University Press, Wellington, 2017
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 44,77
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Hardcover. Condición: new. Hardcover. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it,… Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography. With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons. Accompanying a major survey of Gavin Hipkins' work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice but critical approaches to photography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Book Haven, Wellington, WLG, Nueva ZelandaBook Haven
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EUR 22,93
Envío por EUR 32,55Se envía de Nueva Zelanda a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardback. Condición: Good. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a gr…eat variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Heavy; Large; No DJ. Cover a little chipped and sunned. 240 pages.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 56,63
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Condición: As New. Unread book in perfect condition.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 58,06
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Condición: New.
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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
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EUR 60,40
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Hardback. Condición: New. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is…a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'.Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography.With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 68,36
Envío por EUR 9,50Se envía de Irlanda a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New.
Idioma: Inglés
Editorial: Te Herenga Waka University Press, Wellington, 2017
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 48,64
Envío por EUR 31,69Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it,… Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography. With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons. Accompanying a major survey of Gavin Hipkins' work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice but critical approaches to photography. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Editorial: Te Herenga Waka University Press, Wellington, 2017
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 43,33
Envío por EUR 43,25Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it,… Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography. With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons. Accompanying a major survey of Gavin Hipkins' work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice but critical approaches to photography. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 84,47
Envío por EUR 8,99Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New.
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Librería: Rarewaves USA United, HEBRON, KY, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 62,90
Envío por EUR 42,83Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is…a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'.Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography.With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons.
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Librería: moluna, Greven, Alemaniamoluna
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 67,06
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Accompanying a major survey of Gavin Hipkins work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins ever-evolving practic.
Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 49,47
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Brand New.
