9781617033063 - samuel fuller: interviews (conversations with filmmakers series) de fuller, samuel (17 resultados)
Idioma: Inglés
Editorial: MP-MPP University Press of Mississippi 2012
Serie: Conversations with Filmmakers, Libro 67 de 126. Libro 67 de 126 - Conversations with Filmmakers
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Idioma: Inglés
Editorial: University Press of Mississippi, US 2012
Serie: Conversations with Filmmakers, Libro 67 de 126. Libro 67 de 126 - Conversations with Filmmakers
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Hardback. Condición: New. In the early twentieth century, the art world was captivated by the imaginative, totally original paintings of Henri Rousseau, who, seemingly without formal art training, produced works that astonished not only the public but great artists such as Pablo Picasso. Samuel Fuller (1912-1997) is known as the… ""Rousseau of the cinema,"" a mostly ""B"" genre Hollywood moviemaker deeply admired by ""A"" filmmakers as diverse as Jim Jarmusch, Martin Scorsese, Francois Truffaut, Jean-Luc Godard, and John Cassavetes, all of them dazzled by Fuller's wildly idiosyncratic primitivist style. A high-school dropout who became a New York City tabloid crime reporter in his teens, Fuller went to Hollywood and made movies post-World War II that were totally in line with his exploitative newspaper work: bold, blunt, pulpy, excitable. The images were as shocking, impolite, and in-your-face as a Weegee photograph of a gangster bleeding on a sidewalk. Fuller, who made twenty-three features between 1949 and 1989, is the very definition of a ""cult"" director, appreciated by those with a certain bent of subterranean taste, a penchant for what critic Manny Farber famously labeled as ""termite art."" Here are some of the crazy, lurid, comic-book titles of his movies: Shock Corridor, The Naked Kiss, Verboten!, Pickup on South Street. Fuller isn't for everybody. His fans have to appreciate low-budget genre films, including westerns and war movies, and make room for some hard-knuckle, ugly bursts of violence. They also have to make allowance for lots of broad, crass acting, and scripts (all Fuller-written) that can be stiff, sometimes campy, often laboriously didactic. Fuller is for those who love cinema--images that jump, shout, dance. As he put it in his famous cigar-chomping cameo, acting in Jean-Luc Godard's Pierrot le fou (1965): ""Film is like a battleground . . . love, hate, violence, death. In a single word: emotion."" After directing, Sam Fuller's greatest skill was conversation. He could talk, talk, talk, from his amazing experiences fighting in World War II to the time his brother-in-law dated Marilyn Monroe, and vivid stories about his moviemaking. Samuel Fuller: Interviews, edited by Gerald Peary, is not only informative about the filmmaker's career but sheer fun, following the wild, totally uninhibited stream of Fuller's chatter. He was an incredible storyteller, and, no matter the interview, he had stories galore for all sorts of readers, not just academics and film historians.
Idioma: Inglés
Editorial: University Press of Mississippi 2012
Serie: Conversations with Filmmakers, Libro 67 de 126. Libro 67 de 126 - Conversations with Filmmakers
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Editorial: University Press of Mississippi 2012
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Condición: New. Samuel Fuller (1912-1997) is known as the "Rousseau of the cinema," a mostly "B" genre Hollywood moviemaker deeply admired by "A" filmmakers. Fuller, who made 23 features between 1949 and 1989, is the very definition of a "cult" director, appreciated by those with a certain bent of subterranean taste. This volume… tells his story. Editor(s): Peary, Gerald. Series: Conversations with Filmmakers Series. Num Pages: 160 pages, black & white illustrations. BIC Classification: APB; APF; APFA; BGF. Category: (G) General (US: Trade). Dimension: 238 x 154 x 17. Weight in Grams: 410. . 2012. Hardcover. . . . .
Idioma: Inglés
Editorial: University Press of Mississippi 2012
Serie: Conversations with Filmmakers, Libro 67 de 126. Libro 67 de 126 - Conversations with Filmmakers
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Editorial: University Press of Mississippi 2012
Serie: Conversations with Filmmakers, Libro 67 de 126. Libro 67 de 126 - Conversations with Filmmakers
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Condición: New. Samuel Fuller (1912-1997) is known as the "Rousseau of the cinema," a mostly "B" genre Hollywood moviemaker deeply admired by "A" filmmakers. Fuller, who made 23 features between 1949 and 1989, is the very definition of a "cult" director, appreciated by those with a certain bent of subterranean taste. This volume… tells his story. Editor(s): Peary, Gerald. Series: Conversations with Filmmakers Series. Num Pages: 160 pages, black & white illustrations. BIC Classification: APB; APF; APFA; BGF. Category: (G) General (US: Trade). Dimension: 238 x 154 x 17. Weight in Grams: 410. . 2012. Hardcover. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Editorial: Univ Pr of Mississippi 2012
Serie: Conversations with Filmmakers, Libro 67 de 126. Libro 67 de 126 - Conversations with Filmmakers
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Hardcover. Condición: Brand New. 160 pages. 9.25x6.25x0.75 inches. In Stock.
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Editorial: University Press of Mississippi, US 2012
Serie: Conversations with Filmmakers, Libro 67 de 126. Libro 67 de 126 - Conversations with Filmmakers
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Hardback. Condición: New. In the early twentieth century, the art world was captivated by the imaginative, totally original paintings of Henri Rousseau, who, seemingly without formal art training, produced works that astonished not only the public but great artists such as Pablo Picasso. Samuel Fuller (1912-1997) is known as the… ""Rousseau of the cinema,"" a mostly ""B"" genre Hollywood moviemaker deeply admired by ""A"" filmmakers as diverse as Jim Jarmusch, Martin Scorsese, Francois Truffaut, Jean-Luc Godard, and John Cassavetes, all of them dazzled by Fuller's wildly idiosyncratic primitivist style. A high-school dropout who became a New York City tabloid crime reporter in his teens, Fuller went to Hollywood and made movies post-World War II that were totally in line with his exploitative newspaper work: bold, blunt, pulpy, excitable. The images were as shocking, impolite, and in-your-face as a Weegee photograph of a gangster bleeding on a sidewalk. Fuller, who made twenty-three features between 1949 and 1989, is the very definition of a ""cult"" director, appreciated by those with a certain bent of subterranean taste, a penchant for what critic Manny Farber famously labeled as ""termite art."" Here are some of the crazy, lurid, comic-book titles of his movies: Shock Corridor, The Naked Kiss, Verboten!, Pickup on South Street. Fuller isn't for everybody. His fans have to appreciate low-budget genre films, including westerns and war movies, and make room for some hard-knuckle, ugly bursts of violence. They also have to make allowance for lots of broad, crass acting, and scripts (all Fuller-written) that can be stiff, sometimes campy, often laboriously didactic. Fuller is for those who love cinema--images that jump, shout, dance. As he put it in his famous cigar-chomping cameo, acting in Jean-Luc Godard's Pierrot le fou (1965): ""Film is like a battleground . . . love, hate, violence, death. In a single word: emotion."" After directing, Sam Fuller's greatest skill was conversation. He could talk, talk, talk, from his amazing experiences fighting in World War II to the time his brother-in-law dated Marilyn Monroe, and vivid stories about his moviemaking. Samuel Fuller: Interviews, edited by Gerald Peary, is not only informative about the filmmaker's career but sheer fun, following the wild, totally uninhibited stream of Fuller's chatter. He was an incredible storyteller, and, no matter the interview, he had stories galore for all sorts of readers, not just academics and film historians.
Idioma: Inglés
Editorial: University Press of Mississippi 2012
Serie: Conversations with Filmmakers, Libro 67 de 126. Libro 67 de 126 - Conversations with Filmmakers
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Editorial: Univ Pr of Mississippi 2012
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Editorial: University Press of Mississippi 2012
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Condición: New. Print on Demand pp. 168 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.
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Editorial: University Press of Mississippi 2012
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Condición: New. Print on Demand pp. 168 Index.
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Editorial: University Press of Mississippi 2012
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorGerald Peary is professor of communication and journalism at Suffolk University in Boston, and film critic for the Boston Phoenix.Klappentextrnrn Show it! Two little words. It s better than five hun.
Idioma: Inglés
Editorial: University Press Of Mississippi 2012
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Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'Show it! Two little words. It's better than five hundred words of discussion.'In the early twentieth century, the art world was captivated by the totally original paintings of Henri Rousseau, who, seemingly without formal art training, produce…d works that astonished not only the public but great artists such as Pablo Picasso. Samuel Fuller (1912-1997) is known as the 'Rousseau of the cinema,' a mostly 'B' genre Hollywood moviemaker deeply admired by 'A' filmmakers as diverse as Jim Jarmusch, Martin Scorsese, François Truffaut, Jean-Luc Godard, and John Cassavetes, all of them dazzled by Fuller's wildly idiosyncratic primitivist style.A high-school dropout who became a New York City tabloid crime reporter in his teens, Fuller went to Hollywood and made movies post-World War II that were totally in line with his exploitative newspaper work: bold, blunt, pulpy, exciting. Behind the camera between 1949 and 1989 for twenty-three features (such as Shock Corridor, The Naked Kiss, Verboten!, Pickup on South Street) Fuller is the very definition of a 'cult' director. He is most appreciated by those with a certain bent of subterranean taste, a penchant for what critic Manny Farber famously labeled 'termite art.' Samuel Fuller: Interviews, edited by Gerald Peary, is not only informative about the filmmaker's career but sheer fun, following the wild stream of Fuller's uninhibited chatter.Gerald Peary, Cambridge, Massachusetts, a professor of communication and journalism at Suffolk University in Boston, is a film critic for the Boston Phoenix and the editor of John Ford: Interviews and Quentin Tarantino: Interviews. He is the series editor of the Conversations with Filmmakers series volumes.
Idioma: Inglés
Editorial: University Press of Mississippi 2012
Serie: Conversations with Filmmakers, Libro 67 de 126. Libro 67 de 126 - Conversations with Filmmakers
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Buch. Condición: Neu. Samuel Fuller | Interviews | Samuel Fuller | Buch | Einband - fest (Hardcover) | Englisch | 2012 | University Press of Mississippi | EAN 9781617033063 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
