9781611495331 - George Moore: Influence and Collaboration (16 resultados)

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Paperback. Condición: New. "Nearly every major figure of his era," writes his biographer Adrian Frazier, "worked with Moore, tangled with Moore, took his impression from, or left it on, George Moore." The Anglo-Irish novelist George Moore (1852-1933) espoused multiple identities. An agent provocateur whether as an art critic, novelist, short fiction writer or memoirist, always probing and provocative, often deliberately controversial, the personality at the core of this book invented himself as he reinvented his contemporary world. Moore's key role-as observer-participant and as satirist-within many literary and aesthetic movements at the end of the Victorian period and into the twentieth century owed considerably to the structures and manners of collaboration that he embraced. This book throws into relief the multiple ways in which Moore's work can serve as a counterbalance to established understandings of late nineteenth and early twentieth-century literary aesthetics both through innovative scholarly readings of Moore's work and through illustrative case studies of Moore's collaborative practice by making available, for the first time, two manuscript plays he co-authored with Pearl Craigie (John Oliver Hobbes) in 1894. It is this collaborative practice in conjunction with his cosmopolitan outlook that turned Moore into a key player in the fin-de-siècle formation of an international aesthetic community.This book explores the full range of Moore's collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London; from gossip to the culture of the barmaid; from the worship of Balzac to the fraught engagement with Yeats; from music to Celtic cultural translation. Moore's reputation as a collaborator with the most significant artistic individuals of his time in Britain, Ireland and France in particular, but also in Europe more widely, provides a rich exposition of modes of exchange and influence in the period, and a unique and distinctive perspective on Moore himself.

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Paperback. Condición: Brand New. reprint edition. 302 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback. Condición: New. "Nearly every major figure of his era," writes his biographer Adrian Frazier, "worked with Moore, tangled with Moore, took his impression from, or left it on, George Moore." The Anglo-Irish novelist George Moore (1852-1933) espoused multiple identities. An agent provocateur whether as an art critic, novelist, short fiction writer or memoirist, always probing and provocative, often deliberately controversial, the personality at the core of this book invented himself as he reinvented his contemporary world. Moore's key role-as observer-participant and as satirist-within many literary and aesthetic movements at the end of the Victorian period and into the twentieth century owed considerably to the structures and manners of collaboration that he embraced. This book throws into relief the multiple ways in which Moore's work can serve as a counterbalance to established understandings of late nineteenth and early twentieth-century literary aesthetics both through innovative scholarly readings of Moore's work and through illustrative case studies of Moore's collaborative practice by making available, for the first time, two manuscript plays he co-authored with Pearl Craigie (John Oliver Hobbes) in 1894. It is this collaborative practice in conjunction with his cosmopolitan outlook that turned Moore into a key player in the fin-de-siècle formation of an international aesthetic community.This book explores the full range of Moore's collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London; from gossip to the culture of the barmaid; from the worship of Balzac to the fraught engagement with Yeats; from music to Celtic cultural translation. Moore's reputation as a collaborator with the most significant artistic individuals of his time in Britain, Ireland and France in particular, but also in Europe more widely, provides a rich exposition of modes of exchange and influence in the period, and a unique and distinctive perspective on Moore himself.

Paperback. Condición: new. Paperback. Nearly every major figure of his era, writes his biographer Adrian Frazier, worked with Moore, tangled with Moore, took his impression from, or left it on, George Moore. The Anglo-Irish novelist George Moore (18521933) espoused multiple identities. An agent provocateur whether as an art critic, novelist, short fiction writer or memoirist, always probing and provocative, often deliberately controversial, the personality at the core of this book invented himself as he reinvented his contemporary world. Moores key roleas observer-participant and as satiristwithin many literary and aesthetic movements at the end of the Victorian period and into the twentieth century owed considerably to the structures and manners of collaboration that he embraced. This book throws into relief the multiple ways in which Moores work can serve as a counterbalance to established understandings of late nineteenth and early twentieth-century literary aesthetics both through innovative scholarly readings of Moores work and through illustrative case studies of Moores collaborative practice by making available, for the first time, two manuscript plays he co-authored with Pearl Craigie (John Oliver Hobbes) in 1894. It is this collaborative practice in conjunction with his cosmopolitan outlook that turned Moore into a key player in the fin-de-siecle formation of an international aesthetic community.This book explores the full range of Moores collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London; from gossip to the culture of the barmaid; from the worship of Balzac to the fraught engagement with Yeats; from music to Celtic cultural translation. Moores reputation as a collaborator with the most significant artistic individuals of his time in Britain, Ireland and France in particular, but also in Europe more widely, provides a rich exposition of modes of exchange and influence in the period, and a unique and distinctive perspective on Moore himself. George Moore: Influence and Collaboration explores in sustained form for the first time the nature of Moores interactions with other European writers and artists of the fin de siecle. This book explores the full range of Moores collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Condición: new. Paperback. Nearly every major figure of his era, writes his biographer Adrian Frazier, worked with Moore, tangled with Moore, took his impression from, or left it on, George Moore. The Anglo-Irish novelist George Moore (18521933) espoused multiple identities. An agent provocateur whether as an art critic, novelist, short fiction writer or memoirist, always probing and provocative, often deliberately controversial, the personality at the core of this book invented himself as he reinvented his contemporary world. Moores key roleas observer-participant and as satiristwithin many literary and aesthetic movements at the end of the Victorian period and into the twentieth century owed considerably to the structures and manners of collaboration that he embraced. This book throws into relief the multiple ways in which Moores work can serve as a counterbalance to established understandings of late nineteenth and early twentieth-century literary aesthetics both through innovative scholarly readings of Moores work and through illustrative case studies of Moores collaborative practice by making available, for the first time, two manuscript plays he co-authored with Pearl Craigie (John Oliver Hobbes) in 1894. It is this collaborative practice in conjunction with his cosmopolitan outlook that turned Moore into a key player in the fin-de-siecle formation of an international aesthetic community.This book explores the full range of Moores collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London; from gossip to the culture of the barmaid; from the worship of Balzac to the fraught engagement with Yeats; from music to Celtic cultural translation. Moores reputation as a collaborator with the most significant artistic individuals of his time in Britain, Ireland and France in particular, but also in Europe more widely, provides a rich exposition of modes of exchange and influence in the period, and a unique and distinctive perspective on Moore himself. George Moore: Influence and Collaboration explores in sustained form for the first time the nature of Moores interactions with other European writers and artists of the fin de siecle. This book explores the full range of Moores collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorEdited by Ann Heilmann and Mark LlewellynInhaltsverzeichnisContentsAcknowledgmentsContributorsIntroduction Ann Heilmann and Mark LlewellynPart One: Influence Chapter 1: The Fin de S.

Taschenbuch. Condición: Neu. George Moore | Influence and Collaboration | Ann Heilmann (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2016 | University of Delaware Press | EAN 9781611495331 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - George Moore: Influence and Collaboration explores in sustained form for the first time the nature of Moore's interactions with other European writers and artists of the fin de siècle. This book explores the full range of Moore's collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London.