9781606068618 - Arthur Tress: Rambles, Dreams, and Shadows (18 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2023. hardcover. . . . . .

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: new.

Condición: New. 2023. hardcover. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Arthur Tress (b. 1940) is a singular figure in the landscape of postwar American photography. His seminal series, The Dream Collector, depicts Tress's interests in dreams, nightmares, fantasies, and the unconscious and established him as one of the foremost proponents of magical realism at a time when few others were doing staged photography.This volume presents the first critical look at Tress's early career, contextualizing the highly imaginative, fantastic work he became known for while also examining his other interrelated series: Appalachia: People and Places,; Open Space in the Inner City,; Shadow,;and Theater of the Mind. James A. Ganz, Mazie M. Harris, and Paul Martineau plumb Tress's work and archives, studying ephemera, personal correspondence, unpublished notes, diaries, contact sheets, and more to uncover how he went from earning his living as a social documentarian in Appalachia to producing surreal work of "imaginative fiction." This abundantly illustrated volume imparts a fuller understanding of Tress's career and the New York photographic scene of the 1960s and 1970s."Along with several others of his cohort, Arthur Tress spearheaded the resurgence of the directorial mode in the 1970s, as well as his generation's engagement with previously taboo subject matter. With his unique blend of documentary and surrealist approaches, he has made a major contribution to his medium."-A. D. Coleman, photography critic and historian.

Condición: New.

Hardcover. Condición: new. Hardcover. This richly illustrated volume is the first critical look at the early career of Arthur Tress, a key proponent of magical realism and staged photography. Arthur Tress (b. 1940) is a singular figure in the landscape of postwar American photography. His seminal series, The Dream Collector, depicts Tress's interests in dreams, nightmares, fantasies, and the unconscious and established him as one of the foremost proponents of magical realism at a time when few others were doing staged photography. This volume presents the first critical look at Tress's early career, contextualizing the highly imaginative, fantastic work he became known for while also examining his other interrelated series: Appalachia: People and Places; Open Space in the Inner City; Shadow; and Theater of the Mind. James A. Ganz, Mazie M. Harris, and Paul Martineau plumb Tress's work and archives, studying ephemera, personal correspondence, unpublished notes, diaries, contact sheets, and more to uncover how he went from earning his living as a social documentarian in Appalachia to producing surreal work of "imaginative fiction." This abundantly illustrated volume imparts a fuller understanding of Tress's career and the New York photographic scene of the 1960s and 1970s. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 31, 2023, to February 18, 2024. Arthur Tress (b. 1940) is a singular figure in the landscape of postwar American photography. This abundantly illustrated catalogue contextualizes the highly imaginative, fantastic work Tress became known for. It also imparts a fuller understanding of his career and the New York photographic scene of the 1960s and 1970s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Brand New. 264 pages. 11.00x9.50x1.00 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. Arthur Tress (b. 1940) is a singular figure in the landscape of postwar American photography. His seminal series, The Dream Collector, depicts Tress's interests in dreams, nightmares, fantasies, and the unconscious and established him as one of the foremost proponents of magical realism at a time when few others were doing staged photography.This volume presents the first critical look at Tress's early career, contextualizing the highly imaginative, fantastic work he became known for while also examining his other interrelated series: Appalachia: People and Places,; Open Space in the Inner City,; Shadow,;and Theater of the Mind. James A. Ganz, Mazie M. Harris, and Paul Martineau plumb Tress's work and archives, studying ephemera, personal correspondence, unpublished notes, diaries, contact sheets, and more to uncover how he went from earning his living as a social documentarian in Appalachia to producing surreal work of "imaginative fiction." This abundantly illustrated volume imparts a fuller understanding of Tress's career and the New York photographic scene of the 1960s and 1970s."Along with several others of his cohort, Arthur Tress spearheaded the resurgence of the directorial mode in the 1970s, as well as his generation's engagement with previously taboo subject matter. With his unique blend of documentary and surrealist approaches, he has made a major contribution to his medium."-A. D. Coleman, photography critic and historian.

Hardcover. Condición: new. Hardcover. This richly illustrated volume is the first critical look at the early career of Arthur Tress, a key proponent of magical realism and staged photography. Arthur Tress (b. 1940) is a singular figure in the landscape of postwar American photography. His seminal series, The Dream Collector, depicts Tress's interests in dreams, nightmares, fantasies, and the unconscious and established him as one of the foremost proponents of magical realism at a time when few others were doing staged photography. This volume presents the first critical look at Tress's early career, contextualizing the highly imaginative, fantastic work he became known for while also examining his other interrelated series: Appalachia: People and Places; Open Space in the Inner City; Shadow; and Theater of the Mind. James A. Ganz, Mazie M. Harris, and Paul Martineau plumb Tress's work and archives, studying ephemera, personal correspondence, unpublished notes, diaries, contact sheets, and more to uncover how he went from earning his living as a social documentarian in Appalachia to producing surreal work of "imaginative fiction." This abundantly illustrated volume imparts a fuller understanding of Tress's career and the New York photographic scene of the 1960s and 1970s. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 31, 2023, to February 18, 2024. Arthur Tress (b. 1940) is a singular figure in the landscape of postwar American photography. This abundantly illustrated catalogue contextualizes the highly imaginative, fantastic work Tress became known for. It also imparts a fuller understanding of his career and the New York photographic scene of the 1960s and 1970s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.