9781597115476 - Aperture 250 : We Make Pictures in Order to Live Spring 2023 /anglais de XXX (30 resultados)

Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

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Paperback. Condición: new. Paperback. This spring,Aperturemagazine presents issue #250, "We Make Pictures in Order to Live," which explores the relationship between photography and storytelling across generations and geographies. Featuring visual stories that excite, surprise, and illuminate daily life, this issue's title is a nod to the late, celebrated writer Joan Didion, who declared, "We tell ourselves stories in order to live." Aperture contributors explore the quiet poetry- or clamorous disorder-of the everyday, and attest that making photographs is a way of being aliveIn a sweeping introductory essay, Brian Dillon asks how we might view Didion through photography, and what images come to mind when we think of her writing. Thessaly La Force profiles Bieke Depoorter, who sees documentary photography both as a listening exercise and a form of investigation, blurring the lines between authorship, fiction, and truth. Alistair O'Neill takes stock of Nick Waplington's vibrant records of subcultures on both sides of the Atlantic. Lena Fritsch writes about the "exquisite world-making" of photographer Eikoh Hosoe's collaborative practice. Tiana Reid reconsiders Charles "Teenie" Harris's vivid, midcentury portraits of Black life in Pittsburgh, several of which are published for the first time in this issue.Among the portfolios, Casey Gerald discusses Adraint Bereal's images depicting the agony and ecstasy of being a Black college student in the US today. Yvonne Venegas searches for family ghosts in the Mexican landscape, which poet and novelist Daniel Saldaa Pars describes as "an exercise in freedom and intelligence." Kamayani Sharma looks at Gauri Gill's images of a community masquerade in the Indian state of Maharashtra, and its potential to reverse power dynamics inherent in seeing and being seen.Durga Chew-Bose meditates on the photographs of Mary Manning-also featured on the cover- and their poetic sensitivity toward story and the everyday. For Endnote, Aperture poses six questions for the painter Jordan Casteel.In The PhotoBook Review-included within every issue of Aperture-Bruno Ceschel speaks with photographer, bookmaker, and publisher Alejandro Cartagena about his work. Lou Stoppard reviews a trio of photobooksabout domestic spaces, and Aperture's editors review a range of recent publications. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. This spring Aperture magazine presents "We Make Pictures in Order to Live" an issue that nods to the late, celebrated writer Joan Didion and looks at photography's relationship to storytelling. "We live entirely, especially if we are writers," Didion writes in her iconic essay "The White Album," "by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria which is our actual experience." Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O'Neill, as well as features on Adraint Bereal and Charles "Teenie" Harris.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. This spring Aperture magazine presents "We Make Pictures in Order to Live" an issue that nods to the late, celebrated writer Joan Didion and looks at photography's relationship to storytelling. "We live entirely, especially if we are writers," Didion writes in her iconic essay "The White Album," "by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria which is our actual experience." Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O'Neill, as well as features on Adraint Bereal and Charles "Teenie" Harris.

Condición: New.

Condición: new.

Condición: New. In.

Condición: New. 2023. Paperback. . . . . .

Paperback. Condición: New.

Paperback. Condición: Brand New. 136 pages. 12.01x9.25x0.60 inches. In Stock.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

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Condición: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

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Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Paperback. Condición: Brand New. 136 pages. 12.01x9.25x0.60 inches. In Stock.

Condición: New.

Condición: NEW.

Paperback. Condición: New. This spring Aperture magazine presents "We Make Pictures in Order to Live" an issue that nods to the late, celebrated writer Joan Didion and looks at photography's relationship to storytelling. "We live entirely, especially if we are writers," Didion writes in her iconic essay "The White Album," "by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria which is our actual experience." Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O'Neill, as well as features on Adraint Bereal and Charles "Teenie" Harris.

Condición: New. KlappentextThis spring,&#160Aperture&#160magazine presents issue #250, &#8220We Make Pictures in Order to Live,&#8221 which explores the relationship between photography and storytelling across generations and geographies. .

Paperback. Condición: new. Paperback. This spring,Aperturemagazine presents issue #250, "We Make Pictures in Order to Live," which explores the relationship between photography and storytelling across generations and geographies. Featuring visual stories that excite, surprise, and illuminate daily life, this issue's title is a nod to the late, celebrated writer Joan Didion, who declared, "We tell ourselves stories in order to live." Aperture contributors explore the quiet poetry- or clamorous disorder-of the everyday, and attest that making photographs is a way of being aliveIn a sweeping introductory essay, Brian Dillon asks how we might view Didion through photography, and what images come to mind when we think of her writing. Thessaly La Force profiles Bieke Depoorter, who sees documentary photography both as a listening exercise and a form of investigation, blurring the lines between authorship, fiction, and truth. Alistair O'Neill takes stock of Nick Waplington's vibrant records of subcultures on both sides of the Atlantic. Lena Fritsch writes about the "exquisite world-making" of photographer Eikoh Hosoe's collaborative practice. Tiana Reid reconsiders Charles "Teenie" Harris's vivid, midcentury portraits of Black life in Pittsburgh, several of which are published for the first time in this issue.Among the portfolios, Casey Gerald discusses Adraint Bereal's images depicting the agony and ecstasy of being a Black college student in the US today. Yvonne Venegas searches for family ghosts in the Mexican landscape, which poet and novelist Daniel Saldaa Pars describes as "an exercise in freedom and intelligence." Kamayani Sharma looks at Gauri Gill's images of a community masquerade in the Indian state of Maharashtra, and its potential to reverse power dynamics inherent in seeing and being seen.Durga Chew-Bose meditates on the photographs of Mary Manning-also featured on the cover- and their poetic sensitivity toward story and the everyday. For Endnote, Aperture poses six questions for the painter Jordan Casteel.In The PhotoBook Review-included within every issue of Aperture-Bruno Ceschel speaks with photographer, bookmaker, and publisher Alejandro Cartagena about his work. Lou Stoppard reviews a trio of photobooksabout domestic spaces, and Aperture's editors review a range of recent publications. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. Neuware - This spring,Aperturemagazine presents issue #250, "We Make Pictures in Order to Live," which explores the relationship between photography and storytelling across generations and geographies. Featuring visual stories that excite, surprise, and illuminate daily life, this issue's title is a nod to the late, celebrated writer Joan Didion, who declared, "We tell ourselves stories in order to live." Aperture contributors explore the quiet poetry or clamorous disorderof the everyday, and attest that making photographs is a way of being alive.

Paperback. Condición: New. This spring Aperture magazine presents "We Make Pictures in Order to Live" an issue that nods to the late, celebrated writer Joan Didion and looks at photography's relationship to storytelling. "We live entirely, especially if we are writers," Didion writes in her iconic essay "The White Album," "by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria which is our actual experience." Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O'Neill, as well as features on Adraint Bereal and Charles "Teenie" Harris.

Taschenbuch. Condición: Neu. We Make Pictures in Order to Live | Aperture 250 | Aperture | Taschenbuch | Kartoniert / Broschiert | Englisch | 2023 | Aperture | EAN 9781597115476 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Condición: new. Paperback. This spring,Aperturemagazine presents issue #250, "We Make Pictures in Order to Live," which explores the relationship between photography and storytelling across generations and geographies. Featuring visual stories that excite, surprise, and illuminate daily life, this issue's title is a nod to the late, celebrated writer Joan Didion, who declared, "We tell ourselves stories in order to live." Aperture contributors explore the quiet poetry- or clamorous disorder-of the everyday, and attest that making photographs is a way of being aliveIn a sweeping introductory essay, Brian Dillon asks how we might view Didion through photography, and what images come to mind when we think of her writing. Thessaly La Force profiles Bieke Depoorter, who sees documentary photography both as a listening exercise and a form of investigation, blurring the lines between authorship, fiction, and truth. Alistair O'Neill takes stock of Nick Waplington's vibrant records of subcultures on both sides of the Atlantic. Lena Fritsch writes about the "exquisite world-making" of photographer Eikoh Hosoe's collaborative practice. Tiana Reid reconsiders Charles "Teenie" Harris's vivid, midcentury portraits of Black life in Pittsburgh, several of which are published for the first time in this issue.Among the portfolios, Casey Gerald discusses Adraint Bereal's images depicting the agony and ecstasy of being a Black college student in the US today. Yvonne Venegas searches for family ghosts in the Mexican landscape, which poet and novelist Daniel Saldaa Pars describes as "an exercise in freedom and intelligence." Kamayani Sharma looks at Gauri Gill's images of a community masquerade in the Indian state of Maharashtra, and its potential to reverse power dynamics inherent in seeing and being seen.Durga Chew-Bose meditates on the photographs of Mary Manning-also featured on the cover- and their poetic sensitivity toward story and the everyday. For Endnote, Aperture poses six questions for the painter Jordan Casteel.In The PhotoBook Review-included within every issue of Aperture-Bruno Ceschel speaks with photographer, bookmaker, and publisher Alejandro Cartagena about his work. Lou Stoppard reviews a trio of photobooksabout domestic spaces, and Aperture's editors review a range of recent publications. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.