Sinopsis
This spring Aperture magazine presents “We Make Pictures in Order to Live” an issue that nods to the late, celebrated writer Joan Didion and looks at photography’s relationship to storytelling. “We live entirely, especially if we are writers,” Didion writes in her iconic essay “The White Album,” “by the imposition of a narrative line upon disparate images, by the ‘ideas’ with which we have learned to freeze the shifting phantasmagoria which is our actual experience.” Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O’Neill, as well as features on Adraint Bereal and Charles “Teenie” Harris.
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De la contraportada
This spring Aperture magazine presents “We Make Pictures in Order to Live” an issue that nods to the late, celebrated writer Joan Didion and looks at photography’s relationship to storytelling. “We live entirely, especially if we are writers,” Didion writes in her iconic essay “The White Album,” “by the imposition of a narrative line upon disparate images, by the ‘ideas’ with which we have learned to freeze the shifting phantasmagoria which is our actual experience.” Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O’Neill, as well as features on Adraint Bereal and Charles “Teenie” Harris.
"Sobre este título" puede pertenecer a otra edición de este libro.
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We Make Pictures in Order to Live: Aperture 250 (Aperture Magazine, 250)
Librería: Big River Books, Powder Springs, GA, Estados Unidos de America
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Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting. Nº de ref. del artículo: 1EYKD500EXS3_ns
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We Make Pictures in Order to Live Aperture 250 (Aperture Magazine, 250)
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Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! Nº de ref. del artículo: OTF-S-9781597115476
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We Make Pictures in Order to Live: Aperture 250 (Aperture Magazine, 250)
Librería: California Books, Miami, FL, Estados Unidos de America
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Aperture 250 (Paperback)
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
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Paperback. Condición: new. Paperback. This spring,Aperturemagazine presents issue #250, "We Make Pictures in Order to Live," which explores the relationship between photography and storytelling across generations and geographies. Featuring visual stories that excite, surprise, and illuminate daily life, this issue's title is a nod to the late, celebrated writer Joan Didion, who declared, "We tell ourselves stories in order to live." Aperture contributors explore the quiet poetry- or clamorous disorder-of the everyday, and attest that making photographs is a way of being aliveIn a sweeping introductory essay, Brian Dillon asks how we might view Didion through photography, and what images come to mind when we think of her writing. Thessaly La Force profiles Bieke Depoorter, who sees documentary photography both as a listening exercise and a form of investigation, blurring the lines between authorship, fiction, and truth. Alistair O'Neill takes stock of Nick Waplington's vibrant records of subcultures on both sides of the Atlantic. Lena Fritsch writes about the "exquisite world-making" of photographer Eikoh Hosoe's collaborative practice. Tiana Reid reconsiders Charles "Teenie" Harris's vivid, midcentury portraits of Black life in Pittsburgh, several of which are published for the first time in this issue.Among the portfolios, Casey Gerald discusses Adraint Bereal's images depicting the agony and ecstasy of being a Black college student in the US today. Yvonne Venegas searches for family ghosts in the Mexican landscape, which poet and novelist Daniel Saldaa Pars describes as "an exercise in freedom and intelligence." Kamayani Sharma looks at Gauri Gill's images of a community masquerade in the Indian state of Maharashtra, and its potential to reverse power dynamics inherent in seeing and being seen.Durga Chew-Bose meditates on the photographs of Mary Manning-also featured on the cover- and their poetic sensitivity toward story and the everyday. For Endnote, Aperture poses six questions for the painter Jordan Casteel.In The PhotoBook Review-included within every issue of Aperture-Bruno Ceschel speaks with photographer, bookmaker, and publisher Alejandro Cartagena about his work. Lou Stoppard reviews a trio of photobooksabout domestic spaces, and Aperture's editors review a range of recent publications. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781597115476
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Aperture 250
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Calificación del vendedor: 5 de 5 estrellas
Paperback. Condición: New. This spring Aperture magazine presents "We Make Pictures in Order to Live" an issue that nods to the late, celebrated writer Joan Didion and looks at photography's relationship to storytelling. "We live entirely, especially if we are writers," Didion writes in her iconic essay "The White Album," "by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria which is our actual experience." Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O'Neill, as well as features on Adraint Bereal and Charles "Teenie" Harris. Nº de ref. del artículo: LU-9781597115476
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Aperture 250
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: CW-9781597115476
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Aperture 250
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: CW-9781597115476
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Aperture 250
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Paperback. Condición: New. This spring Aperture magazine presents "We Make Pictures in Order to Live" an issue that nods to the late, celebrated writer Joan Didion and looks at photography's relationship to storytelling. "We live entirely, especially if we are writers," Didion writes in her iconic essay "The White Album," "by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria which is our actual experience." Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O'Neill, as well as features on Adraint Bereal and Charles "Teenie" Harris. Nº de ref. del artículo: LU-9781597115476
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Aperture 250: Spring 2023
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Aperture 250 : We Make Pictures in Order to Live Spring 2023 /anglais
Librería: Majestic Books, Hounslow, Reino Unido
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