Isbn: 9781554584697 - image and identity: reflections on canadian film and culture (film and media studies) (9 resultados)

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  • Idioma: Inglés

    Editorial: Wilfrid Laurier University Press, 2006

    1554584698 / 9781554584697

    Serie: Libro 4 de 21 - Film and Media Studies

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    Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de AmericaThriftBooks-Dallas

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    Condición: Usado - Regular

    EUR 32,08

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    Cantidad disponible: 1 disponibles

    Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

  • Idioma: Inglés

    Editorial: Wilfrid Laurier University Press 1/1/2006, 2006

    1554584698 / 9781554584697

    Serie: Libro 4 de 21 - Film and Media Studies

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    Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores

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    Condición: Nuevo

    EUR 49,08

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    Cantidad disponible: 5 disponibles

    Paperback or Softback. Condición: New. Image and Identity: Reflections on Canadian Film and Culture. Book.

  • Idioma: Inglés

    Editorial: Wilfrid Laurier University Press, 2006

    1554584698 / 9781554584697

    Serie: Libro 4 de 21 - Film and Media Studies

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    Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK

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    Condición: Nuevo

    EUR 54,75

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    Cantidad disponible: Más de 20 disponibles

    PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

  • Idioma: Inglés

    Editorial: Wilfrid Laurier University Press, CA, 2006

    1554584698 / 9781554584697

    Serie: Libro 4 de 21 - Film and Media Studies

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    Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA

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    Condición: Nuevo

    EUR 62,47

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    Cantidad disponible: Más de 20 disponibles

    Paperback. Condición: New. What do images of the body, which recent poets and filmmakers have given us, tell us about ourselves, about the way we think and about the culture in which we live? In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural context. Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so, artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. The works of Brakhage, Artaud, Schneeman, Cohen and others lie naked under Elder's razor-sharp dissecting knife and he exposes the essence of their work, cutting deeply into the themes and theses from which the works are derived. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.

  • Idioma: Inglés

    Editorial: Wilfrid Laurier University Press, 2006

    1554584698 / 9781554584697

    Serie: Libro 4 de 21 - Film and Media Studies

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    Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections

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    Condición: Nuevo

    EUR 54,18

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    Cantidad disponible: Más de 20 disponibles

    Condición: New. In English.

  • Idioma: Inglés

    Editorial: Wilfrid Laurier University Press, 2012

    1554584698 / 9781554584697

    Serie: Libro 4 de 21 - Film and Media Studies

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

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    Condición: Nuevo

    EUR 69,02

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    Cantidad disponible: 2 disponibles

    Paperback. Condición: Brand New. reprint edition. 483 pages. 9.00x6.00x1.25 inches. In Stock.

  • Idioma: Inglés

    Editorial: WILFRID LAURIER UNIV PR, 2006

    1554584698 / 9781554584697

    Serie: Libro 4 de 21 - Film and Media Studies

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    Librería: moluna, Greven, Alemaniamoluna

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    Condición: Nuevo

    EUR 53,92

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    Condición: New. &Uumlber den AutorrnrnR. Bruce Elder is an award-winning filmmaker and teaches media at Ryerson University. His book Harmony & Dissent (WLU Press, 2008) received the prestigious Robert Motherwell Book Prize and was named a Choi.

  • Idioma: Inglés

    Editorial: Wilfrid Laurier University Press Jan 2006, 2006

    1554584698 / 9781554584697

    Serie: Libro 4 de 21 - Film and Media Studies

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    Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH

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    Condición: Nuevo

    EUR 101,28

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    Cantidad disponible: 2 disponibles

    Taschenbuch. Condición: Neu. Neuware - What do images of the body, which recent poets and filmmakers have given us, tell us about ourselves, about the way we think and about the culture in which we live In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural context. Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so, artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. The works of Brakhage, Artaud, Schneeman, Cohen and others lie naked under Elder's razor-sharp dissecting knife and he exposes the essence of their work, cutting deeply into the themes and theses from which the works are derived. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.

  • Idioma: Inglés

    Editorial: Wilfrid Laurier University Press, CA, 2006

    1554584698 / 9781554584697

    Serie: Libro 4 de 21 - Film and Media Studies

    • Tapa blanda

    Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK

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    Condición: Nuevo

    EUR 59,82

    Envío por EUR 75,90 
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    Cantidad disponible: Más de 20 disponibles

    Paperback. Condición: New. What do images of the body, which recent poets and filmmakers have given us, tell us about ourselves, about the way we think and about the culture in which we live? In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural context. Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so, artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. The works of Brakhage, Artaud, Schneeman, Cohen and others lie naked under Elder's razor-sharp dissecting knife and he exposes the essence of their work, cutting deeply into the themes and theses from which the works are derived. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.