Isbn: 9781531500894 - a gray realm the ocean (poets out loud) (27 resultados)

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Paperback or Softback. Condición: New. A Gray Realm the Ocean. Book.

Paperback. Condición: New. The poems in Jennifer Atkinson's A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve. Composed in response to the artists' multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don't so much describe the art as revel in it. No patriarchal anxiety here-the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term-respecting the achieved calm of Agnes Martin's "Night Sea" and the flare and smolder of Ana Mendieta's "earth-body" work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa's cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir's un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists-their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking-conscious, attentive looking-and the mysterious nature of abstraction. …

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paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

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Paperback. Condición: New. The poems in Jennifer Atkinson's A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve. Composed in response to the artists' multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don't so much describe the art as revel in it. No patriarchal anxiety here-the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term-respecting the achieved calm of Agnes Martin's "Night Sea" and the flare and smolder of Ana Mendieta's "earth-body" work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa's cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir's un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists-their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking-conscious, attentive looking-and the mysterious nature of abstraction. …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condición: new. Paperback. The poems in Jennifer Atkinson's A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve.Composed in response to the artists' multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don't so much describe the art as revel in it. No patriarchal anxiety here-the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term-respecting the achieved calm of Agnes Martin's "Night Sea" and the flare and smolder of Ana Mendieta's "earth-body" work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa's cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir's un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists-their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking-conscious, attentive looking-and the mysterious nature of abstraction. "The poems in A Gray Realm the Ocean were all written under the influence of art-specifically, abstract visual art by women. Although all these poems were, of course and as usual, affected by other poems and poets, each was also written in response to a particular artist's work"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: Brand New. 96 pages. 8.50x5.50x0.25 inches. In Stock.

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Condición: New. 2022. 1st Edition. Paperback. . . . . .

Condición: New. In English.

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Condición: New. 1st edition NO-PA16APR2015-KAP.

Condición: New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. The poems in Jennifer Atkinson's A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve. Composed in response to the artists' multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don't so much describe the art as revel in it. No patriarchal anxiety here-the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term-respecting the achieved calm of Agnes Martin's "Night Sea" and the flare and smolder of Ana Mendieta's "earth-body" work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa's cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir's un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists-their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking-conscious, attentive looking-and the mysterious nature of abstraction. …

Condición: New. &Uumlber den AutorJennifer Atkinson (Author) Jennifer Atkinson published five books of poetry before A Gray Realm the Ocean, most recently The Thinking Eye and Canticle of the Night Path, both.

Paperback. Condición: new. Paperback. The poems in Jennifer Atkinson's A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve.Composed in response to the artists' multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don't so much describe the art as revel in it. No patriarchal anxiety here-the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term-respecting the achieved calm of Agnes Martin's "Night Sea" and the flare and smolder of Ana Mendieta's "earth-body" work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa's cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir's un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists-their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking-conscious, attentive looking-and the mysterious nature of abstraction. "The poems in A Gray Realm the Ocean were all written under the influence of art-specifically, abstract visual art by women. Although all these poems were, of course and as usual, affected by other poems and poets, each was also written in response to a particular artist's work"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Taschenbuch. Condición: Neu. A Gray Realm the Ocean | Jennifer Atkinson | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2022 | Fordham University Press | EAN 9781531500894 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Paperback. Condición: New. The poems in Jennifer Atkinson's A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve. Composed in response to the artists' multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don't so much describe the art as revel in it. No patriarchal anxiety here-the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term-respecting the achieved calm of Agnes Martin's "Night Sea" and the flare and smolder of Ana Mendieta's "earth-body" work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa's cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir's un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists-their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking-conscious, attentive looking-and the mysterious nature of abstraction. …

Paperback. Condición: Brand New. 96 pages. 8.50x5.50x0.25 inches. In Stock. This item is printed on demand.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The poems in Jennifer Atkinson's A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve. Composed in response to the artists' multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don't so much describe the art as revel in it. No patriarchal anxiety here-the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term-respecting the achieved calm of Agnes Martin's 'Night Sea' and the flare and smolder of Ana Mendieta's 'earth-body' work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa's cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir's un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists-their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking-conscious, attentive looking-and the mysterious nature of abstraction. 94 pp. Englisch.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The poems in Jennifer Atkinson's A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve. Composed in response to the artists' multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don't so much describe the art as revel in it. No patriarchal anxiety here-the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term-respecting the achieved calm of Agnes Martin's 'Night Sea' and the flare and smolder of Ana Mendieta's 'earth-body' work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa's cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir's un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists-their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking-conscious, attentive looking-and the mysterious nature of abstraction.…