9781524898779 - how comics are made: a visual history from the drawing board to the printed page de fleishman, glenn (33 resultados)

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Librería: Big River Books, Powder Springs, GA, Estados Unidos de AmericaBig River Books
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EUR 20,63
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Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

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Librería: BooksRun, Philadelphia, PA, Estados Unidos de AmericaBooksRun
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EUR 25,03
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Hardcover. Condición: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 25,58
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Condición: New.

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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 27,94
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. "No one, before now, has written a history of the comic strip as a technological artifact-not, at least, in such depth, and on such a sound foundation of research."?- Michael Chabon, author, The Amazing Adventures of Kavalier and ClayIf you love comics, you'll love this visual history of comic strips fe…aturing all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique angle-how they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artist's hand and makes it way through transformations into print and onto a digital screen. You'll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And you'll find out about metal etching, Dragon's Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers' switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in print-or on screen.

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Librería: Lakeside Books, Benton Harbor, MI, Estados Unidos de AmericaLakeside Books
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EUR 24,67
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Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores
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EUR 29,76
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Hardback or Cased Book. Condición: New. How Comics Are Made: A Visual History from the Drawing Board to the Printed Page. Book.

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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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EUR 32,15
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Condición: New.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 30,33
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Condición: As New. Unread book in perfect condition.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 24,78
Envío por EUR 8,92Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 15 disponibles
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 34,99
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Hardcover. Condición: new. Hardcover. No one, before now, has written a history of the comic strip as a technological artifactnot, at least, in such depth, and on such a sound foundation of research. Michael Chabon, author, The Amazing Adventures of Kavalier & ClayIf you love comics, youll love this visual history of comic strip…s featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique anglehow they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artists hand and makes it way through transformations into print and onto a digital screen. Youll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And youll find out about metal etching, Dragons Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in printor on screen. If you love comic strips, youll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and a forward by bestselling author Michael Chabon. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 37,00
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 10 disponibles
Hardback. Condición: New. "No one, before now, has written a history of the comic strip as a technological artifact-not, at least, in such depth, and on such a sound foundation of research."?- Michael Chabon, author, The Amazing Adventures of Kavalier and ClayIf you love comics, you'll love this visual history of comic strips fe…aturing all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique angle-how they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artist's hand and makes it way through transformations into print and onto a digital screen. You'll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And you'll find out about metal etching, Dragon's Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers' switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in print-or on screen.

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- Primera edición
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 30,31
Envío por EUR 9,50Se envía de Irlanda a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. 2025. 1st Edition. hardcover. . . . . .

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Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de AmericaHennessey + Ingalls
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EUR 35,72
Envío por EUR 6,50Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: New.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 26,05
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Condición: New.

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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 31,06
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

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Librería: Russell Books, Victoria, BC, CanadaRussell Books
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EUR 28,58
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hardcover. Condición: New. Special order direct from the distributor.

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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 31,99
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Condición: New. In.

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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 37,33
Envío por EUR 9,10Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 30,26
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Condición: As New. Unread book in perfect condition.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 37,47
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Hardcover. Condición: Brand New. 288 pages. 10.75x8.50x0.75 inches. In Stock.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 50,66
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Hardcover. Condición: Brand New. 288 pages. 10.75x8.50x0.75 inches. In Stock.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 50,66
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Hardcover. Condición: Brand New. 288 pages. 10.75x8.50x0.75 inches. In Stock.

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Librería: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, AlemaniaRheinberg-Buch Andreas Meier eK
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EUR 45,00
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Buch. Condición: Neu. Neuware -'No one, before now, has written a history of the comic strip as a technological artifact--not, at least, in such depth, and on such a sound foundation of research.' - Michael Chabon, author, The Amazing Adventures of Kavalier & Clay 288 pp. Englisch.

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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.
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EUR 45,00
Envío por EUR 23,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Buch. Condición: Neu. Neuware -'No one, before now, has written a history of the comic strip as a technological artifact--not, at least, in such depth, and on such a sound foundation of research.' - Michael Chabon, author, The Amazing Adventures of Kavalier & Clay 288 pp. Englisch.

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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 30,70
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Hardcover. Condición: new. Hardcover. No one, before now, has written a history of the comic strip as a technological artifactnot, at least, in such depth, and on such a sound foundation of research. Michael Chabon, author, The Amazing Adventures of Kavalier & ClayIf you love comics, youll love this visual history of comic strip…s featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique anglehow they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artists hand and makes it way through transformations into print and onto a digital screen. Youll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And youll find out about metal etching, Dragons Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in printor on screen. If you love comic strips, youll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and a forward by bestselling author Michael Chabon. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Librería: Speedyhen, Hertfordshire, Reino UnidoSpeedyhen
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EUR 26,85
Envío por EUR 47,95Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Condición: NEW.

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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 38,67
Envío por EUR 43,35Se envía dentro de Estados Unidos de AmericaCantidad disponible: 10 disponibles
Hardback. Condición: New. "No one, before now, has written a history of the comic strip as a technological artifact-not, at least, in such depth, and on such a sound foundation of research."?- Michael Chabon, author, The Amazing Adventures of Kavalier and ClayIf you love comics, you'll love this visual history of comic strips fe…aturing all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique angle-how they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artist's hand and makes it way through transformations into print and onto a digital screen. You'll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And you'll find out about metal etching, Dragon's Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers' switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in print-or on screen.

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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 51,68
Envío por EUR 32,08Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. No one, before now, has written a history of the comic strip as a technological artifactnot, at least, in such depth, and on such a sound foundation of research. Michael Chabon, author, The Amazing Adventures of Kavalier & ClayIf you love comics, youll love this visual history of comic strip…s featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique anglehow they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artists hand and makes it way through transformations into print and onto a digital screen. Youll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And youll find out about metal etching, Dragons Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in printor on screen. If you love comic strips, youll love this visual history of comic strips featuring all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and a forward by bestselling author Michael Chabon. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Librería: moluna, Greven, Alemaniamoluna
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 34,35
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: New.

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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 26,06
Envío por EUR 76,02Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. "No one, before now, has written a history of the comic strip as a technological artifact-not, at least, in such depth, and on such a sound foundation of research."?- Michael Chabon, author, The Amazing Adventures of Kavalier and ClayIf you love comics, you'll love this visual history of comic strips fe…aturing all of the methods, techniques, and wizardry that made the funny pages such an important staple of American life. Featuring interviews with dozens of the century's most famous cartoonists and hundreds of rare archival images.How Comics Are Made covers the entire history of newspaper comics from a unique angle-how they were made and printed. This book combines years of research and dozens of interviews with cartoonists, historians, and production people to tell the story of how a comic starts with an artist's hand and makes it way through transformations into print and onto a digital screen. You'll see reproductions of art and artifacts that have never appeared in print anywhere, and some historic comics will appear for the first time ever in any medium in this book. And you'll find out about metal etching, Dragon's Blood (a real thing), flong (also a real thing), and the massively, almost impossibly complicated path that original artwork took to get onto newsprint in the days of metal relief printing. The book is divided by time and transitions, from the start of consistently appearing daily and weekly comics in newspapers: The Early Days: From the Yellow Kid in the 1890s to the 1910s Syndication in Metal: When it became affordable to make hundreds or thousands of copies of daily strips to send around the country (or world), from the 1910s to 1970s Flatland: Newspapers' switch from relief to flat printing and the shift to purely photographic transformations from the 1950s to the 1980s Pixel Perfect: The transition from photographic to digital, from scanning to digital creation, from the 1970s to 2000s and through the present day Webcomics and Beyond: Look, ma, no ink! Digital comics read online and sometimes put on press to make books Each section features interviews with artists, reproductions of original cartoon art, printing and coloring artifacts, and the way cartoons appeared in print-or on screen.