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Idioma: Inglés
Publicado por Ashgate Publishing Company, 2016
ISBN 10: 1472427173 ISBN 13: 9781472427175
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Añadir al carritoCondición: New. pp. 249.
Idioma: Inglés
Publicado por Ashgate Publishing Company, 2016
ISBN 10: 1472427173 ISBN 13: 9781472427175
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Original o primera edición
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Añadir al carritoCondición: New. Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. The key figure in this process was Michael Costa. This book provides insight into the politics and changing aesthetics of the Victorian musical world. Series Editor(s): Zon, Professor Bennett. Series: Music in Nineteenth-Century Britain. Num Pages: 244 pages, Includes 37 b&w illustrations. BIC Classification: AVGC5; AVH; AVRB. Category: (P) Professional & Vocational. Dimension: 167 x 243 x 23. Weight in Grams: 616. . 2016. 1st Edition. hardcover. . . . .
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Añadir al carritoHardcover. Condición: Brand New. new edition edition. 244 pages. 9.80x7.60x0.87 inches. In Stock.
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Añadir al carritoCondición: New. Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. The key figure in this process was Michael Costa. This book provides insight into the politics and changing aesthetics of the Victorian musical world. Series Editor(s): Zon, Professor Bennett. Series: Music in Nineteenth-Century Britain. Num Pages: 244 pages, Includes 37 b&w illustrations. BIC Classification: AVGC5; AVH; AVRB. Category: (P) Professional & Vocational. Dimension: 167 x 243 x 23. Weight in Grams: 616. . 2016. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Taylor & Francis Ltd, London, 2016
ISBN 10: 1472427173 ISBN 13: 9781472427175
Librería: CitiRetail, Stevenage, Reino Unido
EUR 171,32
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Añadir al carritoHardcover. Condición: new. Hardcover. Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. Yet this was arguably the most radical change of all: from a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form, but also higher standards of training and discipline, a new orchestral lay-out and a more focused rehearsal regime. The resulting rise in standards of performance was arguably the greatest achievement of English music in the otherwise rather barren mid-Victorian period. The key figure in this process was Michael Costa, who built for himself unprecedented contractual powers and used his awesome personal authority to impose reform on the three main institutions of mid-Victorian music: the opera houses, the Philharmonic and the Sacred Harmonic Society. He was a central figure in the battles between the two rival opera houses, between the Philharmonic and the New Philharmonic, and between the venerable Ancient Concerts and the mass festival events of the Sacred Harmonic Society. Costas uniquely powerful position in the operatic, symphonic and choral world and the rapidity with which he was forgotten after his death provide a fascinating insight into the politics and changing aesthetics of the Victorian musical world. Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. The key figure in this process was Michael Costa. This book provides insight into the politics and changing aesthetics of the Victorian musical world. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Librería: moluna, Greven, Alemania
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Añadir al carritoGebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Sir John Goulden retired in 2000 from a distinguished career in the British Diplomatic Service, during which he served as Ambassador to Turkey and Permanent Representative to Nato (1995-2000). On retirement he began to pursue his interes.
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Idioma: Inglés
Publicado por Ashgate Publishing Company, 2016
ISBN 10: 1472427173 ISBN 13: 9781472427175
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 245,72
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Añadir al carritoCondición: New. PRINT ON DEMAND pp. 249.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
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Añadir al carritoBuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Among the major changes that swept through the music industry during the mid-nineteenth century was how musical performances were managed and directed. From a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form, but also higher standards, a new orchestral lay-out and a more focused rehearsal regime. The key figure in this process was Michael Costa whose uniquely powerful position in the operatic, symphonic and choral worlds provide a fascinating insight into the politics and changing aesthetics of the Victorian musical landscape.