9781441115546 - Media, Masculinities, and the Machine: Fl, Transformers, and Fantasizing Technology at its Limits de Fleming, PhD Dan (7 resultados)

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Condición: Fine. New and unread with light shelfwear/scuff to cover corners. Otherwise a new book. Shipped from the UK within 2 business days of order being placed.

Hardcover. Condición: Brand New. 1st edition. 248 pages. 9.50x6.25x1.00 inches. In Stock.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. By employing the method of autoethnography to find out what boys and men want and say , this book offers a timely contribution to our understanding of contemporary cultural attachments, as well as informative accounts of two instances united by their app.

Buch. Condición: Neu. Media, Masculinities, and the Machine | F1, Transformers, and Fantasizing Technology at Its Limits | Dan Fleming (u. a.) | Buch | Gebunden | Englisch | 2011 | Continnuum-3PL | EAN 9781441115546 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Media, Masculinities, and the Machine identifies a distinctive phenomenon in today's media culture - the contemporary male fantasy of 'suiting up' and pushing technology to its limits. The authors deconstruct this fantasy using two in-depth studies from American, British and global media: the social imagining of hi-tech in the long-running Transformers franchise and global Formula One motorsport, with links to numerous other areas of contemporary culture. By drawing on non-representational theory and the latest theories of affect while employing the method of autoethnography to explore what boys and men 'want' and say, the book offers a timely contribution to our understanding of contemporary cultural attachments. The book provides informative accounts of two instances united by their apparent gender focus and by their interest in ways of imagining high-tech. Tracking their theme through TV, cinema, toys, magazines, merchandising, and the culture of the gadget, the authors raise important questions about mediated masculinities today and propose a new theoretical framework for uncovering what is going on.