9781438477305 - the slapstick camera: hollywood and the comedy of self-reference (suny series, horizons of cinema) de hilsabeck, burke (12 resultados)
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Editorial: State University of New York Press, US 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Paperback. Condición: New. Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium.Slapstick film comedy may be grounded in idiocy and failure, but the genre is far more sophisticated than it initially appears. In this book, Burke Hilsabeck suggests that slapstick is often a…nimated by a philosophical impulse to understand the cinema. He looks closely at movies and gags that represent the conditions and conventions of cinema production and demonstrates that film comedians display a canny and sometimes profound understanding of their medium-from Buster Keaton's encounter with the film screen in Sherlock Jr. (1924) to Harpo Marx's lip-sync turn with a phonograph in Monkey Business (1931) to Jerry Lewis's film-on-film performance in The Errand Boy (1961). The Slapstick Camera follows the observation of philosopher Stanley Cavell that self-reference is one way in which "film exists in a state of philosophy." By moving historically across the studio era, the book looks at a series of comedies that play with the changing technologies and economic practices behind film production and describes how comedians offered their own understanding of the nature of film and filmmaking. Hilsabeck locates the hidden intricacies of Hollywood cinema in a place where one might least expect them-the clowns, idiots, and scoundrels of slapstick comedy.
Idioma: Inglés
Editorial: State University of New York Press, Albany, NY 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Paperback. Condición: new. Paperback. Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium.Slapstick film comedy may be grounded in idiocy and failure, but the genre is far more sophisticated than it initially appears. In this book, Burke Hilsabeck suggests that slapstick… is often animated by a philosophical impulse to understand the cinema. He looks closely at movies and gags that represent the conditions and conventions of cinema production and demonstrates that film comedians display a canny and sometimes profound understanding of their medium-from Buster Keaton's encounter with the film screen in Sherlock Jr. (1924) to Harpo Marx's lip-sync turn with a phonograph in Monkey Business (1931) to Jerry Lewis's film-on-film performance in The Errand Boy (1961). The Slapstick Camera follows the observation of philosopher Stanley Cavell that self-reference is one way in which "film exists in a state of philosophy." By moving historically across the studio era, the book looks at a series of comedies that play with the changing technologies and economic practices behind film production and describes how comedians offered their own understanding of the nature of film and filmmaking. Hilsabeck locates the hidden intricacies of Hollywood cinema in a place where one might least expect them-the clowns, idiots, and scoundrels of slapstick comedy. Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Editorial: State University of New York Press 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Idioma: Inglés
Editorial: State University of New York Press 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Idioma: Inglés
Editorial: State University of New York Press, Albany, NY 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Paperback. Condición: new. Paperback. Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium.Slapstick film comedy may be grounded in idiocy and failure, but the genre is far more sophisticated than it initially appears. In this book, Burke Hilsabeck suggests that slapstick… is often animated by a philosophical impulse to understand the cinema. He looks closely at movies and gags that represent the conditions and conventions of cinema production and demonstrates that film comedians display a canny and sometimes profound understanding of their medium-from Buster Keaton's encounter with the film screen in Sherlock Jr. (1924) to Harpo Marx's lip-sync turn with a phonograph in Monkey Business (1931) to Jerry Lewis's film-on-film performance in The Errand Boy (1961). The Slapstick Camera follows the observation of philosopher Stanley Cavell that self-reference is one way in which "film exists in a state of philosophy." By moving historically across the studio era, the book looks at a series of comedies that play with the changing technologies and economic practices behind film production and describes how comedians offered their own understanding of the nature of film and filmmaking. Hilsabeck locates the hidden intricacies of Hollywood cinema in a place where one might least expect them-the clowns, idiots, and scoundrels of slapstick comedy. Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Editorial: State University of New York Press, US 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Paperback. Condición: New. Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium.Slapstick film comedy may be grounded in idiocy and failure, but the genre is far more sophisticated than it initially appears. In this book, Burke Hilsabeck suggests that slapstick is often a…nimated by a philosophical impulse to understand the cinema. He looks closely at movies and gags that represent the conditions and conventions of cinema production and demonstrates that film comedians display a canny and sometimes profound understanding of their medium-from Buster Keaton's encounter with the film screen in Sherlock Jr. (1924) to Harpo Marx's lip-sync turn with a phonograph in Monkey Business (1931) to Jerry Lewis's film-on-film performance in The Errand Boy (1961). The Slapstick Camera follows the observation of philosopher Stanley Cavell that self-reference is one way in which "film exists in a state of philosophy." By moving historically across the studio era, the book looks at a series of comedies that play with the changing technologies and economic practices behind film production and describes how comedians offered their own understanding of the nature of film and filmmaking. Hilsabeck locates the hidden intricacies of Hollywood cinema in a place where one might least expect them-the clowns, idiots, and scoundrels of slapstick comedy.
Idioma: Inglés
Editorial: State University of New York Press 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Condición: New. Print on Demand pp. 220.
Idioma: Inglés
Editorial: State University of New York Press 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Condición: New. Print on Demand pp. 220.
Idioma: Inglés
Editorial: State University of New York Press 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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Condición: New. PRINT ON DEMAND pp. 220.
Idioma: Inglés
Editorial: SUNY Press 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorBurke Hilsabeck is Assistant Professor of English at the University of Northern Colorado.KlappentextDemonstrates that slapstick film comedies display a canny and sometimes profound un.
Idioma: Inglés
Editorial: SUNY Press 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium.
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Editorial: SUNY Press 2021
Serie: SUNY series, Horizons of Cinema, Libro 46 de 71. Libro 46 de 71 - SUNY series, Horizons of Cinema
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Taschenbuch. Condición: Neu. The Slapstick Camera | Hollywood and the Comedy of Self-Reference | Burke Hilsabeck | Taschenbuch | SUNY series, Horizons of Cinema | Kartoniert / Broschiert | Englisch | 2021 | SUNY Press | EAN 9781438477305 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]…libri[dot]de | Anbieter: preigu Print on Demand.
