9781108843867 - Italian Opera in Global and Transnational Perspective: Reimagining Italianità in the Long Nineteenth Century (13 resultados)

Condición: New.

Condición: New. In.

Condición: New.

Condición: New. New edition NO-PA16APR2015-KAP.

Condición: New.

Hardcover. Condición: new. Hardcover. This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianita) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies. As Italian opera gained an international following during the nineteenth century, the idea of operatic Italianness constantly evolved as a result of transnational exchanges between composers, promoters, musicians and audiences. This book explores the processes involved in constructing these shifting national identities and interprets their effects. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Brand New. 320 pages. 9.61x6.69x0.81 inches. In Stock. This item is printed on demand.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condición: new. Hardcover. This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianita) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies. As Italian opera gained an international following during the nineteenth century, the idea of operatic Italianness constantly evolved as a result of transnational exchanges between composers, promoters, musicians and audiences. This book explores the processes involved in constructing these shifting national identities and interprets their effects. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.

Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. As Italian opera gained an international following during the nineteenth century, the idea of operatic Italianness constantly evolved as a result of transnational exchanges between composers, promoters, musicians and audiences. This book explores the proces.

Hardcover. Condición: new. Hardcover. This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianita) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies. As Italian opera gained an international following during the nineteenth century, the idea of operatic Italianness constantly evolved as a result of transnational exchanges between composers, promoters, musicians and audiences. This book explores the processes involved in constructing these shifting national identities and interprets their effects. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.