Isbn: 9781032403724 - music performers' lived experiences: theory, method, interpretation: volume one: 1 (sempre studies in the psychology of music) (15 resultados)

Condición: New.

Condición: New.

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Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New. In English.

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Hardcover. Condición: Brand New. 296 pages. 9.18x6.12x9.21 inches. In Stock.

Hardcover. Condición: new. Hardcover. The two volumes on Music Performers Lived Experiences seeks to widen this research area through close investigations of a variety of rich, complex and nuanced experiences classical music performers have qua performers, as they interact with musical scores, instruments, performance traditions, other musicking individuals, wider artistic and cultural discourses, norms and beliefs.The two volumes aim to humanise music performers and contribute towards shaping a more performer-centred discipline of Music Performance Studies. The first volume, Music Performers Lived Experiences: Theory, Method, Interpretation, brings together internationally renowned scholars, who capture and scrutinise, through a variety of methods, a wide range of experiences performers haveas well as the personally meaningful lived experience narratives performers constructpresenting vivid portraits of music performers as artists situated in unique socio-cultural, historical, embodied and discursive contexts. The topics discussed include the construction of the idea of the composer from lived experiences of performing, manifestations of wisdom in the ways performers make sense of their experiences, joys of sight-reading, performer agency, lived experience as the basis of performance analysis, emotional labour of working with controversial repertoire, performance anxiety dreams of music performers, experience of working across musical genres, the nature of intersubjective experiences in music-making, absorption, and subjective bodily sensations in performance.Readers will come away from the book with fresh insights about and an enhanced understanding of the infinitely rich lifeworld of music performers.Chapter 9 of this book is freely available as a downloadable Open Access PDF at under a Creative Commons (CC BY) 4.0 license. The Music Performers Lived Experiences seeks to widen this research area through close investigations of a variety of rich, and nuanced experiences classical music performers have qua performers, as they interact with musical scores and wider artistic and cultural discourses, norms and beliefs. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condición: new. Hardcover. The two volumes on Music Performers Lived Experiences seeks to widen this research area through close investigations of a variety of rich, complex and nuanced experiences classical music performers have qua performers, as they interact with musical scores, instruments, performance traditions, other musicking individuals, wider artistic and cultural discourses, norms and beliefs.The two volumes aim to humanise music performers and contribute towards shaping a more performer-centred discipline of Music Performance Studies. The first volume, Music Performers Lived Experiences: Theory, Method, Interpretation, brings together internationally renowned scholars, who capture and scrutinise, through a variety of methods, a wide range of experiences performers haveas well as the personally meaningful lived experience narratives performers constructpresenting vivid portraits of music performers as artists situated in unique socio-cultural, historical, embodied and discursive contexts. The topics discussed include the construction of the idea of the composer from lived experiences of performing, manifestations of wisdom in the ways performers make sense of their experiences, joys of sight-reading, performer agency, lived experience as the basis of performance analysis, emotional labour of working with controversial repertoire, performance anxiety dreams of music performers, experience of working across musical genres, the nature of intersubjective experiences in music-making, absorption, and subjective bodily sensations in performance.Readers will come away from the book with fresh insights about and an enhanced understanding of the infinitely rich lifeworld of music performers.Chapter 9 of this book is freely available as a downloadable Open Access PDF at under a Creative Commons (CC BY) 4.0 license. The Music Performers Lived Experiences seeks to widen this research area through close investigations of a variety of rich, and nuanced experiences classical music performers have qua performers, as they interact with musical scores and wider artistic and cultural discourses, norms and beliefs. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Mine Dogantan-Dack is a musicologist and concert pianist. Mine has published many articles on the phenomenology of live performing, dynamics of chamber music performance, pianistic touch, methodology in artistic research, history of musi. …

Hardcover. Condición: new. Hardcover. The two volumes on Music Performers Lived Experiences seeks to widen this research area through close investigations of a variety of rich, complex and nuanced experiences classical music performers have qua performers, as they interact with musical scores, instruments, performance traditions, other musicking individuals, wider artistic and cultural discourses, norms and beliefs.The two volumes aim to humanise music performers and contribute towards shaping a more performer-centred discipline of Music Performance Studies. The first volume, Music Performers Lived Experiences: Theory, Method, Interpretation, brings together internationally renowned scholars, who capture and scrutinise, through a variety of methods, a wide range of experiences performers haveas well as the personally meaningful lived experience narratives performers constructpresenting vivid portraits of music performers as artists situated in unique socio-cultural, historical, embodied and discursive contexts. The topics discussed include the construction of the idea of the composer from lived experiences of performing, manifestations of wisdom in the ways performers make sense of their experiences, joys of sight-reading, performer agency, lived experience as the basis of performance analysis, emotional labour of working with controversial repertoire, performance anxiety dreams of music performers, experience of working across musical genres, the nature of intersubjective experiences in music-making, absorption, and subjective bodily sensations in performance.Readers will come away from the book with fresh insights about and an enhanced understanding of the infinitely rich lifeworld of music performers.Chapter 9 of this book is freely available as a downloadable Open Access PDF at under a Creative Commons (CC BY) 4.0 license. The Music Performers Lived Experiences seeks to widen this research area through close investigations of a variety of rich, and nuanced experiences classical music performers have qua performers, as they interact with musical scores and wider artistic and cultural discourses, norms and beliefs. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …