Isbn: 9781032231631 - contemporary visual poetry: women writing the posthuman (perspectives on the non-human in literature and culture) (17 resultados)

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Hardback. Condición: New. This book examines contemporary visual poetry and how conceptual writing, poem-objects, and computational texts shape a posthumanist understanding that is "situated". First, the eye is theorised with respect to ethical understanding. When visual poets reclaim vision, visual poetics becomes a feminist praxis. In Paula Claire and Maggie O'Sullivan, visual poetry becomes an ecological practice concerned with connectivity in the entanglements of natureculture. In O'Sullivan, Campanello, Bergvall, and Philip, spatial and temporal sense (de)formation sustains radical forms of voicing and eyewitness. Finally, works by Mez Breeze and Stephanie Strickland expand our understanding of visual poetry in digital (electronic, virtual reality, and artificial intelligence) contexts in which technology and affect are intimately connected. These visual texts open up Braidotti's question with respect to how we are to "visualize the subject as a transversal entity encompassing the human, our genetic neighbours the animals and the earth as a whole, and to do so within an understandable language".…

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Hardback. Condición: New. This book examines contemporary visual poetry and how conceptual writing, poem-objects, and computational texts shape a posthumanist understanding that is "situated". First, the eye is theorised with respect to ethical understanding. When visual poets reclaim vision, visual poetics becomes a feminist praxis. In Paula Claire and Maggie O'Sullivan, visual poetry becomes an ecological practice concerned with connectivity in the entanglements of natureculture. In O'Sullivan, Campanello, Bergvall, and Philip, spatial and temporal sense (de)formation sustains radical forms of voicing and eyewitness. Finally, works by Mez Breeze and Stephanie Strickland expand our understanding of visual poetry in digital (electronic, virtual reality, and artificial intelligence) contexts in which technology and affect are intimately connected. These visual texts open up Braidotti's question with respect to how we are to "visualize the subject as a transversal entity encompassing the human, our genetic neighbours the animals and the earth as a whole, and to do so within an understandable language".…

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Hardcover. Condición: new. Hardcover. This book examines contemporary visual poetry and how conceptual writing, poem-objects, and computational texts shape a posthumanist understanding that is situated. First, the eye is theorised with respect to ethical understanding. When visual poets reclaim vision, visual poetics becomes a feminist praxis. In Paula Claire and Maggie OSullivan, visual poetry becomes an ecological practice concerned with connectivity in the entanglements of natureculture. In OSullivan, Campanello, Bergvall, and Philip, spatial and temporal sense (de)formation sustains radical forms of voicing and eyewitness. Finally, works by Mez Breeze and Stephanie Strickland expand our understanding of visual poetry in digital (electronic, virtual reality, and artificial intelligence) contexts in which technology and affect are intimately connected. These visual texts open up Braidottis question with respect to how we are to visualize the subject as a transversal entity encompassing the human, our genetic neighbours the animals and the earth as a whole, and to do so within an understandable language. This book includes conceptual printed works, poem-objects, texts for performance, and computational poetry that shape a posthumanist understanding which is situated. Part of the material turn, it fashions modes of complex embodiment in relation to the global crises of our moment: environmental, economic and ethical. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardcover. Condición: new. Hardcover. This book examines contemporary visual poetry and how conceptual writing, poem-objects, and computational texts shape a posthumanist understanding that is situated. First, the eye is theorised with respect to ethical understanding. When visual poets reclaim vision, visual poetics becomes a feminist praxis. In Paula Claire and Maggie OSullivan, visual poetry becomes an ecological practice concerned with connectivity in the entanglements of natureculture. In OSullivan, Campanello, Bergvall, and Philip, spatial and temporal sense (de)formation sustains radical forms of voicing and eyewitness. Finally, works by Mez Breeze and Stephanie Strickland expand our understanding of visual poetry in digital (electronic, virtual reality, and artificial intelligence) contexts in which technology and affect are intimately connected. These visual texts open up Braidottis question with respect to how we are to visualize the subject as a transversal entity encompassing the human, our genetic neighbours the animals and the earth as a whole, and to do so within an understandable language. This book includes conceptual printed works, poem-objects, texts for performance, and computational poetry that shape a posthumanist understanding which is situated. Part of the material turn, it fashions modes of complex embodiment in relation to the global crises of our moment: environmental, economic and ethical. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Fiona Becket is professor of contemporary poetics in the School of English, University of Leeds. She has written books and articles on aspects of modernist literature, visual poetry, and poetics.This book examines contemporary visual po.…

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Hardcover. Condición: new. Hardcover. This book examines contemporary visual poetry and how conceptual writing, poem-objects, and computational texts shape a posthumanist understanding that is situated. First, the eye is theorised with respect to ethical understanding. When visual poets reclaim vision, visual poetics becomes a feminist praxis. In Paula Claire and Maggie OSullivan, visual poetry becomes an ecological practice concerned with connectivity in the entanglements of natureculture. In OSullivan, Campanello, Bergvall, and Philip, spatial and temporal sense (de)formation sustains radical forms of voicing and eyewitness. Finally, works by Mez Breeze and Stephanie Strickland expand our understanding of visual poetry in digital (electronic, virtual reality, and artificial intelligence) contexts in which technology and affect are intimately connected. These visual texts open up Braidottis question with respect to how we are to visualize the subject as a transversal entity encompassing the human, our genetic neighbours the animals and the earth as a whole, and to do so within an understandable language. This book includes conceptual printed works, poem-objects, texts for performance, and computational poetry that shape a posthumanist understanding which is situated. Part of the material turn, it fashions modes of complex embodiment in relation to the global crises of our moment: environmental, economic and ethical. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…