Isbn: 9780971384484 - george segal: bronze /anglais (14 resultados)

Soft cover. Condición: Near Fine. No Jacket. 1st Edition. Small ink nu0961461543 to front end paper.

Softcover with dustjacket, 80 pages, very good condition, pages lightly yellowed at edges; no internal marks. Foreign shipping may be extra.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback. Condición: Fine. 1st. 77 pages, illustrations; 23 x 27 cm. Catalogue of an exhibition held at Mitchell-Innes & Nash, April 23-June 14, 2003. Firm binding, clean inside copy. *** "In the late 1960s, George Segal began 'double-casting' his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, 'Segal's plaster sculpture presents an existential situation; the surrogate figure, more fragile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment.'" - Publisher. *** CONTENTS: "Segal Casting" by Carroll Janis; "George Segal's Bronzes" by Joan Pachner. Size: Oblong. Collectible.…

Paperback. Condición: New. In the late 1960s, George Segal began "double-casting" his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, "Segal's plaster sculpture presents an existential situation; the surrogate figure, more fagile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment.".…

Paperback. Condición: new. Paperback. In the late 1960s, George Segal began double-casting his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, Segal's plaster sculpture presents an existential situation; the surrogate figure, more fagile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. None. 77 pages. Softcover. Extensive b&w photography throughout. Includes extensive notes and documentation. Some shelf wear, otherwise clean, tight copy. Record # 468678.

Softcover. black, glued covers w/ white & grey printing. pictorial dustjacket. 77 pgs w/ b&w illustrations. content as follows: Catalog of an exhibition held at Mitchell-Innes & Nash, Apr. 23-June 14, 2003. VG light scratches to covers. pgs clean & unmarked. tight binding. dustjacket has light scratches; light creasing to edges.…

Paperback. Condición: Brand New. 81 pages. 9.00x10.50x0.25 inches. In Stock.

Condición: New. KlappentextIn the late 1960s, George Segal began double-casting his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturali.

Paperback. Condición: New. In the late 1960s, George Segal began "double-casting" his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, "Segal's plaster sculpture presents an existential situation; the surrogate figure, more fagile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment.".…

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Condición: Neu. Neuware - In the late 1960s, George Segal began 'double-casting' his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, 'Segal's plaster sculpture presents an existential situation; the surrogate figure, more fagile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment.'.…