9780932171573 - Picturing (Terra Foundation Essays) de Hunter, Matthew; Kelsey, Robin (16 resultados)

Condición: New. Brand New.

Softcover. Condición: VG-. Color-illus. wraps with turquoise lettering on white spine. 216 pp. with color and duotone illus. numbered by chapter. Scholarly essays by Michael Gaudio, Ulla Haselstein, Matthew C. Hunter, Elizabeth W. Hutshinson, and Robin Kelsey covering topics on Joshua Reynolds, Eadweard Muybridge, Cezanne and Stein, a portrait of Dr. Franklin, and more. Introduction by Rachael Z. DeLue.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Paperback. Condición: New. The history of American art is a history of objects, but it is also a history of ideas about how we create and consume these objects. As Picturing convincingly shows, the critical tradition in American art has given rise to profound thinking about the nature and capacity of images and formed responses to some of most pressing problems of picturing: What is an image, and why make one? What do images do?             The first volume in a new series on critical concerns in the history of American art, Picturing brings together essays by a distinguished international group of scholars who discuss the creation and consumption of images from the early modern period through the end of the twentieth century. Some of the contributions focus on art critical texts, like Gertrude Stein's portrait of Cézanne, while others have as their point of departure particular artworks, from a portrait of Benjamin Franklin to Eadweard Muybridge's nineteenth-century photographs of the California Coast. Works that addressed images and image making were not confined to the academy; they spilled out into poetry, literature, theater, and philosophy, and the essays' considerations likewise range freely, from painting to natural history illustrations, travel narratives, and popular fiction. Together, the contributions demonstrate a rich deliberation that thoroughly debunks the notion that American art is merely derivative of a European tradition. With a wealth of new research and full-color illustrations, Picturing significantly expands the terrain of scholarship on American art.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. A matte softcover book with illustrated from and back covers. The inside covers are a deep blue. Pages: (9), 10-216. Profusely illustrated with color images. "The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts that have shaped American art and culture over time. Exploring and illuminating a selection of ideas that have been particularly salient within the production and consumption of art in the United States over three centuries, the Terra Foundation Essays present original research by an international roster of established and emerging scholars who consider American art in its multiple, trans-geographic contexts. The essays in each volume expand the conceptual and methodological terrain of scholarship on American art, offering comparative models and conceptual tools relevant to all scholars of art history and visual culture, as well as other disciplines within the humanities." VG+: A copy in excellent condition. Looks like it has rarely, if ever, been taken from the shelf.

Condición: New. Editor(s): DeLue, Rachael Z. Num Pages: 216 pages, illustrations. BIC Classification: 1KBB; AC. Category: (P) Professional & Vocational. Dimension: 241 x 171 x 15. Weight in Grams: 590. . 2016. Illustrated. Paperback. . . . .

Paperback. Condición: new. Paperback. The history of American art is a history of objects, but it is also a history of ideas about how we create and consume these objects. As Picturing convincingly shows, the critical tradition in American art has given rise to profound thinking about the nature and capacity of images and formed responses to some of most pressing problems of picturing: What is an image, and why make one? What do images do? The first volume in a new series on critical concerns in the history of American art, Picturing brings together essays by a distinguished international group of scholars who discuss the creation and consumption of images from the early modern period through the end of the twentieth century. Some of the contributions focus on art critical texts, like Gertrude Steins portrait of Cezanne, while others have as their point of departure particular artworks, from a portrait of Benjamin Franklin to Eadweard Muybridges nineteenth-century photographs of the California Coast. Works that addressed images and image making were not confined to the academy; they spilled out into poetry, literature, theater, and philosophy, and the essays considerations likewise range freely, from painting to natural history illustrations, travel narratives, and popular fiction. Together, the contributions demonstrate a rich deliberation that thoroughly debunks the notion that American art is merely derivative of a European tradition. With a wealth of new research and full-color illustrations, Picturing significantly expands the terrain of scholarship on American art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. Editor(s): DeLue, Rachael Z. Num Pages: 216 pages, illustrations. BIC Classification: 1KBB; AC. Category: (P) Professional & Vocational. Dimension: 241 x 171 x 15. Weight in Grams: 590. . 2016. Illustrated. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condición: New.

Paperback. Condición: Brand New. 216 pages. 9.30x6.70x0.60 inches. In Stock.

Condición: New. pp. 216.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: new. Paperback. The history of American art is a history of objects, but it is also a history of ideas about how we create and consume these objects. As Picturing convincingly shows, the critical tradition in American art has given rise to profound thinking about the nature and capacity of images and formed responses to some of most pressing problems of picturing: What is an image, and why make one? What do images do? The first volume in a new series on critical concerns in the history of American art, Picturing brings together essays by a distinguished international group of scholars who discuss the creation and consumption of images from the early modern period through the end of the twentieth century. Some of the contributions focus on art critical texts, like Gertrude Steins portrait of Cezanne, while others have as their point of departure particular artworks, from a portrait of Benjamin Franklin to Eadweard Muybridges nineteenth-century photographs of the California Coast. Works that addressed images and image making were not confined to the academy; they spilled out into poetry, literature, theater, and philosophy, and the essays considerations likewise range freely, from painting to natural history illustrations, travel narratives, and popular fiction. Together, the contributions demonstrate a rich deliberation that thoroughly debunks the notion that American art is merely derivative of a European tradition. With a wealth of new research and full-color illustrations, Picturing significantly expands the terrain of scholarship on American art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. The history of American art is a history of objects, but it is also a history of ideas about how we create and consume these objects. As Picturing convincingly shows, the critical tradition in American art has given rise to profound thinking about the nature and capacity of images and formed responses to some of most pressing problems of picturing: What is an image, and why make one? What do images do?             The first volume in a new series on critical concerns in the history of American art, Picturing brings together essays by a distinguished international group of scholars who discuss the creation and consumption of images from the early modern period through the end of the twentieth century. Some of the contributions focus on art critical texts, like Gertrude Stein's portrait of Cézanne, while others have as their point of departure particular artworks, from a portrait of Benjamin Franklin to Eadweard Muybridge's nineteenth-century photographs of the California Coast. Works that addressed images and image making were not confined to the academy; they spilled out into poetry, literature, theater, and philosophy, and the essays' considerations likewise range freely, from painting to natural history illustrations, travel narratives, and popular fiction. Together, the contributions demonstrate a rich deliberation that thoroughly debunks the notion that American art is merely derivative of a European tradition. With a wealth of new research and full-color illustrations, Picturing significantly expands the terrain of scholarship on American art.