Isbn: 9780893814069 - photography in the modern era: european documents and critical writings, 1913-1940 (16 resultados)

Hard Cover. Condición: As New. Estado de la sobrecubierta: As New. First Edition. First Printing in unclipped dust jacket, Fine in Fine, no remainder mark, pristine unread copy; 8vo; xviii + 350pp.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Near fine copy in a near fine dust wrapper. Clean.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condición: New.

8vo, 350pp. A very good hardback copy in like dust jacket. Previous owner's name.

Hardcover. Condición: new. Hardcover. The decade between the world wars witnessed an astonishing flowering of photography in Europe-- marked particularly by the unprecedented work of such figures as Man Ray, Laszlo Moholy-Nagy, and Alexander Rodchenko. Alongside the visual experiments ran a fascinating public discussion in which critics, artists, and the photographers themselves struggled to define the nature and possibilities of photography in the modern era. The seventy-one essays and documents collected in this book provide a concise, provocative introduction to the ideas and personalities that animated avant-garde photography during these years of artistic ferment and that continue to influence the medium today. By turns poetic, analytical, and fiercely ideological, these diverse writings give expression to a very wide range of original ideas. Moholy-Nagy calls on photographers to create a powerful abstract vision that will transform our ability to see. Albert Renger-Patzsch argues for a quite different goal, a photography of revelatory realism that lays bare the essence of the subject before the lens. The French writer Pierre Mac Orlan explores psychologically compelling notions: that photography realizes all that is curiously inhuman and creates death for a second. Photography is widely characterized as a modern machine-age art that supersedes the traditional fine arts. In the Soviet Union an extraordinary interchange pits the avant-gardist Rodchenko against opponents who insist that social usefulness is photography's primary responsibility. While shedding important new light on the directions taken by photography during the twentieth century, these essays also illuminate such major movements as Futurism, Constructivism, Surrealism, and the New Objectivity. Most of the selections were not previously available in English and have been translated especially for this volume. Each appears with an informative headnote by Christopher Phillips, who in an introductory essay provides a lucid overview of the period and the context in which the writings first appeared. With its wealth of new material, this collection is an essential resource for all those studying photography or seeking to understand the visual culture of this century. This book is published on the occasion of the exhibition The New Vision: Photography Between the World Wars, Ford Motor Company Collection at The Metropolitan Museum of Art, held at The Metropolitan Museum of Art, September 23-December 31, 1989. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

hardcover. Condición: Very Good. Hardcover. Very Good / Very Good dust jacket. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. For any additional information or pictures, please inquire.

Cloth. Condición: Very Good. Estado de la sobrecubierta: Very Good. Black hardcover with title blindstamped on spine. Condition: Very good, with very light shelfwear. Binding sound, no inscripitons. Dustjacket condition: Very good, with very light shelfwear. Not price-clipped. 350pp. This book was published to accompany the exhibition entitled "The New Vision: Photography between the World Wars, Ford Motor Company Collection at the Museum of Modern Art" held from September 23 to December 31, 1989. There are seventy-one essays and documents in this book which provide a concise introduction to the ideas and personalities that animated avant-garde photography during the years between World War I and World War II. The personalities mentioned include Man Ray, Laszlo Moholy-Nagy, Tristan Tzara and Jean Cocteau, amongst many others.…

Hardcover. Condición: Brand New. 350 pages. 9.50x6.75x1.50 inches. In Stock.

Condición: New.

Condición: New.

Condición: New. KlappentextrnrnThe decade between the world wars witnessed an astonishing flowering of photography in Europe-- marked particularly by the unprecedented work of such figures as Man Ray, Laszlo Moholy-Nagy, and Alexander Rodchenko. Alongside the v.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Buch. Condición: Neu. Neuware - The decade between the world wars witnessed an astonishing flowering of photography in Europe-- marked particularly by the unprecedented work of such figures as Man Ray, Laszlo Moholy-Nagy, and Alexander Rodchenko. Alongside the visual experiments ran a fascinating public discussion in which critics, artists, and the photographers themselves struggled to define the nature and possibilities of photography in the modern era. The seventy-one essays and documents collected in this book provide a concise, provocative introduction to the ideas and personalities that animated avant-garde photography during these years of artistic ferment and that continue to influence the medium today. By turns poetic, analytical, and fiercely ideological, these diverse writings give expression to a very wide range of original ideas. Moholy-Nagy calls on photographers to create a powerful abstract vision that will transform our ability to see. Albert Renger-Patzsch argues for a quite different goal, a photography of revelatory realism that lays bare the essence of the subject before the lens. The French writer Pierre Mac Orlan explores psychologically compelling notions: that photography realizes 'all that is curiously inhuman' and 'creates death for a second.' Photography is widely characterized as a modern machine-age art that supersedes the traditional fine arts. In the Soviet Union an extraordinary interchange pits the avant-gardist Rodchenko against opponents who insist that social usefulness is photography's primary responsibility. While shedding important new light on the directions taken by photography during the twentieth century, these essays also illuminate such major movements as Futurism, Constructivism, Surrealism, and the New Objectivity. Most of the selections were not previously available in English and have been translated especially for this volume. Each appears with an informative headnote by Christopher Phillips, who in an introductory essay provides a lucid overview of the period and the context in which the writings first appeared. With its wealth of new material, this collection is an essential resource for all those studying photography or seeking to understand the visual culture of this century. This book is published on the occasion of the exhibition 'The New Vision: Photography Between the World Wars, Ford Motor Company Collection at The Metropolitan Museum of Art,' held at The Metropolitan Museum of Art, September 23-December 31, 1989.…

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. First Edition. 350 pages in very good, clean condition. Lightly stained on the bottom and fore-edge. Black cloth, embossed titles on the spine. Corners not bumped. White DJ, illustrated, black titles. No wear. Not price clipped. FINE/NEAR FINE. Book. …