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  • Buskirk, Martha; Rutledge, Virginia

    Idioma: Inglés

    Publicado por Guggenheim Museum, New York, 2021

    ISBN 10: 0892075562 ISBN 13: 9780892075560

    Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America

    Miembro de asociación: ABAA ILAB

    Calificación del vendedor: 4 de 5 estrellas Valoración 4 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 26,82

    Envío por EUR 11,27
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    Cantidad disponible: 1 disponibles

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    Hardcover. Condición: As new. Quarto. Hardcover. Illustrated paper boards. 327 pages : illustrations (some color) ; 28 cm. "Based upon the research of the Panza Collection Initiative, a ten-year study project, Object Lessons focuses on four works by key figures of 1960s minimalism and conceptual art: Dan Flavin, Donald Judd, Robert Morris, and Lawrence Weiner. Authors Francesca Esmay, Ted Mann, and Jeffrey Weiss present each work from several vantages: an exhaustive chronological account conveys the surprisingly complicated history of the work's realization, acquisition, ownership and display. An overview addresses the broad practical and conceptual implications of this information for the historical identity of the work and its consequences for the work's future. A conservation narrative establishes the role of fabricators and the material and technical standards for the production of the object. Together, the authors explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of minimal art. A separate section, with contributions by Martha Buskirk and Virginia Rutledge, examines the topic of decommission, a new category of collection classification for works that are contested or compromised and are therefore no longer viable for display. Throughout, the book is illustrated with photographs of the works, the exhibitions in which they appeared and related drawings and proposals. Rounding out this volume are extensive excerpts of new interviews with artists and fabricators, key historical documents, and previously unpublished correspondence"--.

  • Idioma: Inglés

    Publicado por Guggenheim Museum, 2021

    ISBN 10: 0892075562 ISBN 13: 9780892075560

    Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 37,95

    Envío por EUR 5,21
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    Cantidad disponible: 4 disponibles

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    hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

  • Nancy Spector

    Idioma: Inglés

    Publicado por Guggenheim Museum Publications,U.S., US, 2021

    ISBN 10: 0892075562 ISBN 13: 9780892075560

    Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 52,44

    Gastos de envío gratis
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 8 disponibles

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    Hardback. Condición: New. A deep dive into the Guggenheim Museum's vast collection of Minimal art from the visionary Italian collectors Giovanna and Giuseppe Panza di BiumoWinner of the 2022 Robert Motherwell Book AwardBased upon the research of the Panza Collection Initiative, an ambitious, 10-year study project, Object Lessons focuses on four works by key figures of 1960s Minimalism and Conceptual art: Dan Flavin, Donald Judd, Robert Morris and Lawrence Weiner. Authors Francesca Esmay, Ted Mann and Jeffrey Weiss present each work from several vantages: an exhaustive chronological account conveys the surprisingly complicated history of the work's realization, acquisition, ownership and display. An overview addresses the broad practical and conceptual implications of this information for the historical identity of the work and its consequences for the work's future. A conservation narrative establishes the role of fabricators and the material and technical standards for the production of the object. Together, the authors explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of Minimal art.A separate section, with contributions by Martha Buskirk and Virginia Rutledge, examines the topic of decommission, a new category of collection classification for works that are contested or compromised and are therefore no longer viable for display. Throughout, the book is copiously illustrated with photographs of the works, the exhibitions in which they appeared, and related drawings and proposals. Rounding out this volume are extensive excerpts of new interviews with artists and fabricators, key historical documents and previously unpublished correspondence.

  • Nancy Spector

    Idioma: Inglés

    Publicado por Guggenheim Museum Publications,U.S., US, 2021

    ISBN 10: 0892075562 ISBN 13: 9780892075560

    Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 54,75

    Envío por EUR 43,39
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 8 disponibles

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    Hardback. Condición: New. A deep dive into the Guggenheim Museum's vast collection of Minimal art from the visionary Italian collectors Giovanna and Giuseppe Panza di BiumoWinner of the 2022 Robert Motherwell Book AwardBased upon the research of the Panza Collection Initiative, an ambitious, 10-year study project, Object Lessons focuses on four works by key figures of 1960s Minimalism and Conceptual art: Dan Flavin, Donald Judd, Robert Morris and Lawrence Weiner. Authors Francesca Esmay, Ted Mann and Jeffrey Weiss present each work from several vantages: an exhaustive chronological account conveys the surprisingly complicated history of the work's realization, acquisition, ownership and display. An overview addresses the broad practical and conceptual implications of this information for the historical identity of the work and its consequences for the work's future. A conservation narrative establishes the role of fabricators and the material and technical standards for the production of the object. Together, the authors explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of Minimal art.A separate section, with contributions by Martha Buskirk and Virginia Rutledge, examines the topic of decommission, a new category of collection classification for works that are contested or compromised and are therefore no longer viable for display. Throughout, the book is copiously illustrated with photographs of the works, the exhibitions in which they appeared, and related drawings and proposals. Rounding out this volume are extensive excerpts of new interviews with artists and fabricators, key historical documents and previously unpublished correspondence.