9780892075560 - object lessons case studies in minimal art /anglais: case studies in minimal art―the guggenheim panza collection initiative de esmay, francesca (5 resultados)
- Tapa dura
Librería: Mullen Books, ABAA, Marietta, Estados Unidos de AmericaMullen Books, ABAA
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Como Nuevo
EUR 26,79
Envío por EUR 11,26Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: As new. Quarto. Hardcover. Illustrated paper boards. 327 pages : illustrations (some color) ; 28 cm. "Based upon the research of the Panza Collection Initiative, a ten-year study project, Object Lessons focuses on four works by key figures of 1960s minimalism and conceptual art: Dan Flavin, Donald Judd, Rob…ert Morris, and Lawrence Weiner. Authors Francesca Esmay, Ted Mann, and Jeffrey Weiss present each work from several vantages: an exhaustive chronological account conveys the surprisingly complicated history of the work's realization, acquisition, ownership and display. An overview addresses the broad practical and conceptual implications of this information for the historical identity of the work and its consequences for the work's future. A conservation narrative establishes the role of fabricators and the material and technical standards for the production of the object. Together, the authors explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of minimal art. A separate section, with contributions by Martha Buskirk and Virginia Rutledge, examines the topic of decommission, a new category of collection classification for works that are contested or compromised and are therefore no longer viable for display. Throughout, the book is illustrated with photographs of the works, the exhibitions in which they appeared and related drawings and proposals. Rounding out this volume are extensive excerpts of new interviews with artists and fabricators, key historical documents, and previously unpublished correspondence"--.
- Tapa dura
Librería: Midtown Scholar Bookstore, Harrisburg, Estados Unidos de AmericaMidtown Scholar Bookstore
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 37,91
Envío por EUR 5,20Se envía dentro de Estados Unidos de AmericaCantidad disponible: 4 disponibles
hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
- Tapa dura
Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 54,96
Envío por EUR 17,39Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Brand New. 327 pages. 10.50x7.75x1.25 inches. In Stock.
- Tapa dura
Librería: Rarewaves USA, OSWEGO, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 74,36
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 5 disponibles
Hardback. Condición: New. A deep dive into the Guggenheim Museum's vast collection of Minimal art from the visionary Italian collectors Giovanna and Giuseppe Panza di BiumoWinner of the 2022 Robert Motherwell Book AwardBased upon the research of the Panza Collection Initiative, an ambitious, 10-year study project, Object Lessons… focuses on four works by key figures of 1960s Minimalism and Conceptual art: Dan Flavin, Donald Judd, Robert Morris and Lawrence Weiner. Authors Francesca Esmay, Ted Mann and Jeffrey Weiss present each work from several vantages: an exhaustive chronological account conveys the surprisingly complicated history of the work's realization, acquisition, ownership and display. An overview addresses the broad practical and conceptual implications of this information for the historical identity of the work and its consequences for the work's future. A conservation narrative establishes the role of fabricators and the material and technical standards for the production of the object. Together, the authors explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of Minimal art.A separate section, with contributions by Martha Buskirk and Virginia Rutledge, examines the topic of decommission, a new category of collection classification for works that are contested or compromised and are therefore no longer viable for display. Throughout, the book is copiously illustrated with photographs of the works, the exhibitions in which they appeared, and related drawings and proposals. Rounding out this volume are extensive excerpts of new interviews with artists and fabricators, key historical documents and previously unpublished correspondence.
- Tapa dura
Librería: Rarewaves USA United, OSWEGO, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 60,91
Envío por EUR 43,35Se envía dentro de Estados Unidos de AmericaCantidad disponible: 5 disponibles
Hardback. Condición: New. A deep dive into the Guggenheim Museum's vast collection of Minimal art from the visionary Italian collectors Giovanna and Giuseppe Panza di BiumoWinner of the 2022 Robert Motherwell Book AwardBased upon the research of the Panza Collection Initiative, an ambitious, 10-year study project, Object Lessons… focuses on four works by key figures of 1960s Minimalism and Conceptual art: Dan Flavin, Donald Judd, Robert Morris and Lawrence Weiner. Authors Francesca Esmay, Ted Mann and Jeffrey Weiss present each work from several vantages: an exhaustive chronological account conveys the surprisingly complicated history of the work's realization, acquisition, ownership and display. An overview addresses the broad practical and conceptual implications of this information for the historical identity of the work and its consequences for the work's future. A conservation narrative establishes the role of fabricators and the material and technical standards for the production of the object. Together, the authors explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of Minimal art.A separate section, with contributions by Martha Buskirk and Virginia Rutledge, examines the topic of decommission, a new category of collection classification for works that are contested or compromised and are therefore no longer viable for display. Throughout, the book is copiously illustrated with photographs of the works, the exhibitions in which they appeared, and related drawings and proposals. Rounding out this volume are extensive excerpts of new interviews with artists and fabricators, key historical documents and previously unpublished correspondence.
