Isbn: 9780890136621 - eva mirabal: three generations of tradition and modernity at taos pueblo (17 resultados)

Condición: good. Hardcover Book. Includes dustjacket.

Hardcover. Condición: As New. Estado de la sobrecubierta: as new. First edition. Hardcover with dustjacket as new. 158 pp. index color plates.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Fine. Hardcover, 159 pages. Fine condition in a Near Fine dust jacket. First edition, first printing. Size 10.75"x9.25". "Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 1920-1968) studied for six years at the Dorothy Dunn Studio art program in Santa Fe . . . . By the time she was twenty years old, Mirabal was exhibiting in museums and galleries across the country . . . . After her death in 1968, Eva's teenage sons discovered a treasure trove of her life story . . . . Drawing on this rich and invaluable archive, as well as on interviews with family members, Rudnick tells the story of Eva's brilliant but brief and impactful career as a Taos Pueblo artist, along with the story of the artistic legacy carried on by her son Jonathan Warm Day Coming." Includes color reproductions and b&w photo illustrations, notes, bibliography, and index. Book is clean and unmarked. Dust jacket has light handling/shelfwear. Eva Mirabal (ilustrador).…

hardcover. Condición: Very Good in Dustjacket. Estado de la sobrecubierta: Very Good. First Edition. Santa Fe. 2021. March 2021. Museum of New Mexico Press. 1st American Edition. Very Good in Dustjacket. 9780890136621. 9 x 10.5. 17 color plates, 55 color and black-and-white figures. 160 pages. hardcover. keywords: Native Art/Art History/New Mexico History/Southwest. DESCRIPTION - Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 19201968) was a painter from Taos Pueblo. By the time she was 20, her paintings were included in exhibitions across the country. Today her paintings are in select public and private collections. This book tells the story of her brilliant, but brief and impactful art career and reveals the artistic connections and legacy of her family. inventory #46096. …

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2021. Hardcover. . . . . .

Hardback. Condición: New.

Condición: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. 159 pages. 11.00x9.75x0.75 inches. In Stock.

Hardcover. Condición: Brand New. 159 pages. 11.00x9.75x0.75 inches. In Stock.

Condición: NEW.

Buch. Condición: Neu. Neuware - Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 1920-1968) studied for six years at the Dorothy Dunn Studio art program in Santa Fe, where she was a favorite of the program's founder and served as an assistant to Dunn's successor, Geronima Montoya (P'Otsunu, 1915-2015, Ohkay Owingeh Pueblo). By the time she was twenty years old, Mirabal was exhibiting in museums and galleries across the country. Mirabal's first exposure to art was through her father Pedro Mirabal who was a popular model, along with Eva's father-in-law Geronimo Gomez, for members of the Taos Art Society and for modern artists who came to Taos as part of Mabel Dodge Luhan's circle. Pedro sat for a bronze bust created by Maurice Sterne and for a portrait by Nicolai Fechin, Pietro, now in the collections of the Eiteljorg Museum of American Indians and Western Art. Gomez, one of the leaders of the Peyote religion at Taos Pueblo, is the non-traditional figure depicted in Ernest Blumenschein's controversial painting Star Road and White Sun. During World War II, Eva enlisted in the Woman's Army Corp (WACs) in 1943, the only WAC assigned as a full-time artist. She was very likely the first Native American woman to publish a comic strip, the feisty G. I. Gertie. During the same period, she worked on two significant mural commissions. After the war, Eva was a visiting professor of art at Southern Illinois Normal University. Following her return to Taos Pueblo, she studied at the Taos Valley Art School on the GI Bill. Throughout her lifetime, her paintings and murals received national acclaim. After her death in 1968, Eva's teenage sons discovered a treasure trove of her life story. In a huge pine box that she had nailed shut, she placed scores of her drawings; family photographs; diary entries; newspaper clippings; and hundreds of letters related to her life and work that she received from curators, gallery owners, friends, and teachers over the years. Drawing on this rich and invaluable archive, as well as on interviews with family members, Rudnick tells the story of Eva's brilliant but brief and impactful career as a Taos Pueblo artist, along with the story of the artistic legacy carried on by her son Jonathan Warm Day Coming. …

Hardback. Condición: New. New Book, Direct from Publisher.

Condición: New. &Uumlber den AutorLois P. Rudnick is professor emerita at the University of Massachusetts, a scholar, and a curator. Her books include Mabel Dodge Luhan & Company: American Moderns and the West (co-edited with MaLin Wilson-Powell), and .

Hardback. Condición: New.

Condición: New. Brand New.