9780870996795 - Li Kung-Lin's Classic of Filial Piety de Barnhart, Richard M.; Li, Kung-Lin; Harrist, Robert E.; Chu, Hui-Liang (20 resultados)

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Good condition ex-library book with usual library markings and stickers.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. 4to - over 9¾" - 12" tall. Near Fine condition in Near Fine dust jacket. Minor shelfwear. Clean, tight, unmarked. 176 pp.

hardcover. Condición: Fine copy. Profusely illustrated Ilustrador. 1st. 4to, 176 pp.

Hardcover. Condición: Like New. Estado de la sobrecubierta: Like New. Dust jacket condition: Like New. Appears as new and unread. Contains a reproduction of Li's handscroll Classic of filial piety. 176 p. : ill. (some col.) ; 32 cm. 176 pages. Li, Gonglin, 1049-1106. Classic of filial piety, Li, Gonglin, 1049-1106--Criticism and interpretation, Metropolitan Museum of Art (New York, N.Y, Scrolls, Chinese--Song-Yuan dynasties, 960-1368, Scrolls, Chinese--New York (State)--New York.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Binding clean & crisp. Dj in very good condition. Dust Jacket protected by mylar cover.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 176 pages, illustrations (some colour); 32 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. The author's name is also transliterated as Gonglin Li (1049-1106). *** "A richly illustrated study of a preeminent monument of Chinese cultural history, the painted handscroll Hsiao-ching, a classic of the orthodox canon of Confucianism." - Publisher. *** CONTENTS: Foreword, by Philippe de Montebello; Li Kung-Lin and the art of painting, by Richard M. Barnhart; The hermit of Lung-Mien: A biography of Li Kung-Lin; The calligraphy of Li Kung-Lin in the classic of filial piety, by Hui-liang J. Chu; The classic of filial piety in chinese art history, by Richard M. Barnhart; Appendix 1: Colophons and documentation, by Richard M. Barnhart; Appendix 2: The conservation and remounting of the classic of filial piety, by Sondra Castile and Takemitsu Oba. Size: Folio. Collectible.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Unclipped dust jacket protected by mylar.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Fine. Estado de la sobrecubierta: Good. First Edition. 176 pp.; ill.; 4to.: Bright, sharp, unmarked copy. Closed tear and scuffing/plastic pealing to rear panel of DJ, front fold creased: Well packaged in a box, ships with tracking.

Hardcover. Condición: New. Estado de la sobrecubierta: As New. 1st Edition. First edition 1993. Published by The Metropolitan Museum of Art. Hardcover in grey cloth with black lettering with DJ. Condition new, square tight and crisp book, no edgewear, sharp corners, no markings of any kind, no names, no underlinings no highlights, no bent page corners, not a reminder. DJ as new, bright and shiny, no tears no chips, no edgewear, not clipped. Folio, 176 pages, illustrated. Heavy book will require additonal postage for international orders.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Jacket has light wear, binding sound, internally clean. The figure painter Li Kung-lin, who lived in China from about 1041 to 1106, was the leading exponent of the Northern Sung scholar-official aesthetic. One hundred seven of his works were recorded in the great government catalogue of the imperial collection of paintings a few years after his death. Sadly, today only three of his works still exist. The handscroll of the Hsiao-ching, or Classic of Filial Piety, a classic of the orthodox canon of Confucianism, is one of those three. It is among the preeminent monuments of Chinese cultural and art history.A slight volume composed of eighteen chapters, the Classic of Filial Piety takes the form of a dialogue between Confucius and his disciple Tseng-tzu on the meaning and application of filial piety in the affairs of the individual and of the state. The text dates to the period between 350 and 200 B.C., long after either Confucius or his immediate disciples lived, but its subject, the governing of relationships among men and the rules of conduct by which society is made secure, was for centuries before and for centuries to come the keystone of Chinese society.Before Li's time, the art of painting had been a public and imperial art, conveying the images, ideas, values, and propaganda of the imperial court, the powerful hereditary families, and the great temples. In the eleventh century, under the inspiration of Li Kung-lin and a few others, painting was transformed into a formal mode of expression, which, like poetry, could serve to convey the mind of the artist as well as the emblems of those who controlled his life. For Li, art was a tool, a moral vehicle that allowed him to set out his views of the institutions, ideas, and conflicts of his time.Richard M. Barnhart, Professor of the History of Art at Yale University, in his beautifully written text, guides the reader through the symbolic world of Li Kung-lin, elucidating the significance of the Classic of Filial Piety in the context of Chinese art and cultural history, providing an exegesis of each of the eighteen chapters and revealing the artist's beliefs, his thoughts and emotions. Professor Barnhart's contribution is augmented by a biography of the artist by Robert E. Harrist, Jr., Associate Professor of Art and East Asian Studies at Oberlin College; an analysis of Li Kung-lin's calligraphy by Hui-liang J. Chu, Assistant Curator of Painting and Calligraphy at the National Palace Museum, Taipei; and a detailed account of the handscroll's conservation and mounting by Sondra Castile and Tekemitsu Oba, both of the Department of Asian Art Conservation at The Metropolitan Museum of Art, New York.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Large-format volume, measuring approximately 9.5" x 12.5", is bound in gray cloth, with stamped black lettering to spine and front cover. Book and dust jacket are new. Jacket is preserved in mylar cover. 176 pages. "A richly illustrated study of a preeminent monument of Chinese cultural history, the painted handscroll Hsiao-ching, a classic of the orthodox canon of Confucianism.".

Hardcover. Size: 9.25" X 12.25". 175pp, 53 b& w figures, As new, clean, tight and bright condition, with bright and crisp dust jacket.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.

With essays by Robert E. Harrist, Jr., and Hui-liang J. Chu. 176p., 73 illus. (including 26 in color), dj, quarto format.

Condición: New. Satisfaction Guaranteed or your money back.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. First Edition; First Printing. Very Good+ in a Very Good+ dust jacket. Small closed tear held with tape on top front gutter. Light shelfwear on spine crown and panel corners. ; 4to 11" - 13" tall; 176 pages.