9780859916196 - The Gothic: 54 (Essays and Studies) (30 resultados)

Condición: Fair. Volume 54. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780859916196.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In good all round condition. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780859916196.

Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. 1. This is the perfect introduction to a study of both Gothic Literature and, by extension, 20th Century horror literature and cinema. The author walks a fine line between academic and accessible and keeps things moving along at a nice pace, covering 250 years in under 200 pages. The book is part of the Routledge New Critical Idiom series that sums up concepts from literary and critical theory in nice digestible servings. If you are an undergrad looking for a place to start your research or a non-academic who isnt afraid to get a little theoretical, Id recommend this book highly. LIBRO.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0859916197.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780859916196.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0859916197.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New. 2001. hardcover. . . . . .

Hardback. Condición: New. From Horace Walpole to Angela Carter and the X-Files, new and familiar texts are reassessed, and common readings of Gothic themes and critical approaches to the genre are interrogated.The popularity of Gothic fictions, themes and films suggests that the genre is the norm as much as the dark underside of contemporary cultural production. Having endured for over two hundred years and settled onto numerous respectable courses of study, the meaning and value of the Gothic seems due for reappraisal. The essays in this volume, written by critics whose work over the last twenty years has considerably advanced the understanding of the Gothic genre, reexamine its literary, historical and cultural significance: from Horace Walpole to Angela Carter and the X-Files, new and familiar texts are reassessed; common readings of Gothic themes and critical approaches to the genreare interrogated: Gothic finds itself integrally involved in the production of a modern sense of the nation; it continues to haunt legal discourses; it underpins social mythologies and ideologies; informs histories of sexuality and identity; offers curious substance to notions of community and culture, and raises questions of ethics and postmodernism. Professor FRED BOTTING teaches in the Department of English at Keele University. Contributors: DAVID PUNTER, ELISABETH BRONFEN, E.J. CLERY, ROBERT MILES, JEAN-JACQUES LECERCLE, LESLIE J. MORAN, HELEN STODDART, FRED BOTTING, JERROLD E. HOGLE.

Condición: New. In.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardback. Condición: New. From Horace Walpole to Angela Carter and the X-Files, new and familiar texts are reassessed, and common readings of Gothic themes and critical approaches to the genre are interrogated.The popularity of Gothic fictions, themes and films suggests that the genre is the norm as much as the dark underside of contemporary cultural production. Having endured for over two hundred years and settled onto numerous respectable courses of study, the meaning and value of the Gothic seems due for reappraisal. The essays in this volume, written by critics whose work over the last twenty years has considerably advanced the understanding of the Gothic genre, reexamine its literary, historical and cultural significance: from Horace Walpole to Angela Carter and the X-Files, new and familiar texts are reassessed; common readings of Gothic themes and critical approaches to the genreare interrogated: Gothic finds itself integrally involved in the production of a modern sense of the nation; it continues to haunt legal discourses; it underpins social mythologies and ideologies; informs histories of sexuality and identity; offers curious substance to notions of community and culture, and raises questions of ethics and postmodernism. Professor FRED BOTTING teaches in the Department of English at Keele University. Contributors: DAVID PUNTER, ELISABETH BRONFEN, E.J. CLERY, ROBERT MILES, JEAN-JACQUES LECERCLE, LESLIE J. MORAN, HELEN STODDART, FRED BOTTING, JERROLD E. HOGLE.

Condición: New. 2001. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condición: New. From Horace Walpole to Angela Carter and the X-Files, new and familiar texts are reassessed, and common readings of Gothic themes and critical approaches to the genre are interrogated.The popularity of Gothic fictions, themes and films suggests that the genre is the norm as much as the dark underside of contemporary cultural production. Having endured for over two hundred years and settled onto numerous respectable courses of study, the meaning and value of the Gothic seems due for reappraisal. The essays in this volume, written by critics whose work over the last twenty years has considerably advanced the understanding of the Gothic genre, reexamine its literary, historical and cultural significance: from Horace Walpole to Angela Carter and the X-Files, new and familiar texts are reassessed; common readings of Gothic themes and critical approaches to the genreare interrogated: Gothic finds itself integrally involved in the production of a modern sense of the nation; it continues to haunt legal discourses; it underpins social mythologies and ideologies; informs histories of sexuality and identity; offers curious substance to notions of community and culture, and raises questions of ethics and postmodernism. Professor FRED BOTTING teaches in the Department of English at Keele University. Contributors: DAVID PUNTER, ELISABETH BRONFEN, E.J. CLERY, ROBERT MILES, JEAN-JACQUES LECERCLE, LESLIE J. MORAN, HELEN STODDART, FRED BOTTING, JERROLD E. HOGLE.

Hardcover. Condición: Brand New. 192 pages. 9.00x5.75x1.00 inches. In Stock.

Hardback. Condición: New. From Horace Walpole to Angela Carter and the X-Files, new and familiar texts are reassessed, and common readings of Gothic themes and critical approaches to the genre are interrogated.The popularity of Gothic fictions, themes and films suggests that the genre is the norm as much as the dark underside of contemporary cultural production. Having endured for over two hundred years and settled onto numerous respectable courses of study, the meaning and value of the Gothic seems due for reappraisal. The essays in this volume, written by critics whose work over the last twenty years has considerably advanced the understanding of the Gothic genre, reexamine its literary, historical and cultural significance: from Horace Walpole to Angela Carter and the X-Files, new and familiar texts are reassessed; common readings of Gothic themes and critical approaches to the genreare interrogated: Gothic finds itself integrally involved in the production of a modern sense of the nation; it continues to haunt legal discourses; it underpins social mythologies and ideologies; informs histories of sexuality and identity; offers curious substance to notions of community and culture, and raises questions of ethics and postmodernism. Professor FRED BOTTING teaches in the Department of English at Keele University. Contributors: DAVID PUNTER, ELISABETH BRONFEN, E.J. CLERY, ROBERT MILES, JEAN-JACQUES LECERCLE, LESLIE J. MORAN, HELEN STODDART, FRED BOTTING, JERROLD E. HOGLE.

Hardcover. Condición: Like New. Like New. book.

Condición: New. Print on Demand pp. 192 44:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Case Laminate on Creme w/Gloss Lam.

Condición: New. Print on Demand pp. 192.

Condición: New. PRINT ON DEMAND pp. 192.

Hardcover. Condición: Brand New. 192 pages. 9.00x5.75x1.00 inches. In Stock. This item is printed on demand.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. From Horace Walpole to Angela Carter and the X-Files, new and familiar texts are reassessed, and common readings of Gothic themes and critical approaches to the genre are interrogated.&Uumlber den AutorProfessor Fred Botting teaches.

Buch. Condición: Neu. The Gothic | Fred Botting | Buch | Einband - fest (Hardcover) | Englisch | 2001 | D.S.Brewer | EAN 9780859916196 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The popularity of Gothic fictions, themes and films suggests that the genre is the norm as much as the dark underside of contemporary cultural production. Having endured for over two hundred years and settled onto numerous respectable courses of study, the meaning and value of the Gothic seems due for reappraisal. The essays in this volume, written by critics whose work over the last twenty years has considerably advanced the understanding of the Gothic genre, reexamine its literary, historical and cultural significance: from Horace Walpole to Angela Carter and the X-Files, new and familiar texts are reassessed; common readings of Gothic themes and critical approaches to the genre are interrogated: Gothic finds itself integrally involved in the production of a modern sense of the nation; it continues to haunt legal discourses; it underpins social mythologies and ideologies; informs histories of sexuality and identity; offers curious substance to notions of community and culture, and raises questions of ethics and postmodernism.Professor FRED BOTTING teaches in the Department of English at Keele University.Contributors: DAVID PUNTER, ELISABETH BRONFEN, E.J. CLERY, ROBERT MILES, JEAN-JACQUES LECERCLE, LESLIE J. MORAN, HELEN STODDART, FRED BOTTING, JERROLD E. HOGLE.