9780826419248 - guns n' roses' use your illusion i and ii: 41 (33 1/3) de weisbard, eric (38 resultados)

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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
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paperback. Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

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paperback. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

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Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Librería: Lakeside Books, Benton Harbor, MI, Estados Unidos de AmericaLakeside Books
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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
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Paperback. Condición: New. It was the season of the blockbuster. Between August 12 and November 26 1991, a whole slew of acts released albums that were supposed to sell millions of copies in the run-up to Christmas. Metallica, Michael Jackson, Pearl Jam, Nirvana, Garth Brooks, MC Hammer, and U2 - all were competing for the atten…tion of the record-buying public at the same time. But perhaps the most attention-seeking act of all was Guns N' Roses. Their albums "Use Your Illusion I and II", released on the same day, were both 75-minute sprawlers with practically the same cover design - an act of colossal arrogance. On one level, it worked. The albums claimed the top two chart positions and ultimately sold 7 million copies each in the US alone. On another level, it was a disaster. This was an album that Axl Rose has been unable to follow-up in fifteen years. It signalled the end of "Guns N' Roses", of heavy metal on the Sunset Strip and the entire 1980s model of blockbuster pop/rock promotion. "Use Your Illusion" marked the end of rock as mass culture.In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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Paperback. Condición: New. It was the season of the blockbuster. Between August 12 and November 26 1991, a whole slew of acts released albums that were supposed to sell millions of copies in the run-up to Christmas. Metallica, Michael Jackson, Pearl Jam, Nirvana, Garth Brooks, MC Hammer, and U2 - all were competing for the atten…tion of the record-buying public at the same time. But perhaps the most attention-seeking act of all was Guns N' Roses. Their albums "Use Your Illusion I and II", released on the same day, were both 75-minute sprawlers with practically the same cover design - an act of colossal arrogance. On one level, it worked. The albums claimed the top two chart positions and ultimately sold 7 million copies each in the US alone. On another level, it was a disaster. This was an album that Axl Rose has been unable to follow-up in fifteen years. It signalled the end of "Guns N' Roses", of heavy metal on the Sunset Strip and the entire 1980s model of blockbuster pop/rock promotion. "Use Your Illusion" marked the end of rock as mass culture.In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser.

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Paperback. Condición: new. Paperback. It was the season of the blockbuster. Between August 12 and November 26 1991, a whole slew of acts released albums that were supposed to sell millions of copies in the run-up to Christmas. Metallica, Michael Jackson, Pearl Jam, Nirvana, Garth Brooks, MC Hammer, and U2 - all were competing fo…r the attention of the record-buying public at the same time. But perhaps the most attention-seeking act of all was Guns N Roses. Their albums Use Your Illusion 1 and 2, released on the same day, were both 75-minute sprawlers with practically the same cover design - an act of colossal arrogance. On one level, it worked. The albums claimed the top two chart positions, and ultimately sold 7 million copies each in the US alone. On another level, it was a disaster. This was an album that Axl Rose has been unable to follow up in fifteen years. It signaled the end of Guns N Roses, of heavy metal on the Sunset Strip, and the entire 1980s model of blockbuster pop/rock promotion. Use Your Illusion marked the end of rock as mass culture. In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser. In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condición: new.

Idioma: Inglés
Editorial: Continuum International Publishing Group, 2006
Serie: Libro 40 de 192 - 33 1/3
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Condición: New. pp. 136.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. 1st edition. 136 pages. 6.50x4.75x0.50 inches. In Stock.

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- Primera edición
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. Shows how the album - "Use Your Illusion" - has matured into a work whose baroque excesses have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser. S…eries: 33 1/3. Num Pages: 136 pages. BIC Classification: AVGP. Category: (G) General (US: Trade). Dimension: 166 x 123 x 7. Weight in Grams: 112. . 2006. 1st Edition. Paperback. . . . .

Idioma: Inglés
Editorial: Continuum International Publishing Group, 2006
Serie: Libro 40 de 192 - 33 1/3
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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Condición: New. pp. 136 1st Edition.

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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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Condición: New. Shows how the album - "Use Your Illusion" - has matured into a work whose baroque excesses have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser. S…eries: 33 1/3. Num Pages: 136 pages. BIC Classification: AVGP. Category: (G) General (US: Trade). Dimension: 166 x 123 x 7. Weight in Grams: 112. . 2006. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. 1st edition. 136 pages. 6.50x4.75x0.50 inches. In Stock.

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Librería: Russell Books, Victoria, BC, CanadaRussell Books
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Paperback. Condición: New. Special order direct from the distributor.

Idioma: Inglés
Editorial: Continuum International Publishing Group, 2006
Serie: Libro 40 de 192 - 33 1/3
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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Condición: New. pp. 136.

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Condición: New. In English.

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Paperback. Condición: New.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Condición: New.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condición: new. Paperback. It was the season of the blockbuster. Between August 12 and November 26 1991, a whole slew of acts released albums that were supposed to sell millions of copies in the run-up to Christmas. Metallica, Michael Jackson, Pearl Jam, Nirvana, Garth Brooks, MC Hammer, and U2 - all were competing fo…r the attention of the record-buying public at the same time. But perhaps the most attention-seeking act of all was Guns N Roses. Their albums Use Your Illusion 1 and 2, released on the same day, were both 75-minute sprawlers with practically the same cover design - an act of colossal arrogance. On one level, it worked. The albums claimed the top two chart positions, and ultimately sold 7 million copies each in the US alone. On another level, it was a disaster. This was an album that Axl Rose has been unable to follow up in fifteen years. It signaled the end of Guns N Roses, of heavy metal on the Sunset Strip, and the entire 1980s model of blockbuster pop/rock promotion. Use Your Illusion marked the end of rock as mass culture. In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser. In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Librería: Rarewaves USA United, HEBRON, KY, Estados Unidos de AmericaRarewaves USA United
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EUR 14,68
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Paperback. Condición: New. It was the season of the blockbuster. Between August 12 and November 26 1991, a whole slew of acts released albums that were supposed to sell millions of copies in the run-up to Christmas. Metallica, Michael Jackson, Pearl Jam, Nirvana, Garth Brooks, MC Hammer, and U2 - all were competing for the atten…tion of the record-buying public at the same time. But perhaps the most attention-seeking act of all was Guns N' Roses. Their albums "Use Your Illusion I and II", released on the same day, were both 75-minute sprawlers with practically the same cover design - an act of colossal arrogance. On one level, it worked. The albums claimed the top two chart positions and ultimately sold 7 million copies each in the US alone. On another level, it was a disaster. This was an album that Axl Rose has been unable to follow-up in fifteen years. It signalled the end of "Guns N' Roses", of heavy metal on the Sunset Strip and the entire 1980s model of blockbuster pop/rock promotion. "Use Your Illusion" marked the end of rock as mass culture.In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser.