Isbn: 9780822341154 - making scenes: reggae, punk, and death metal in 1990s bali (14 resultados)

Paperback. Condición: Good. No Dustjacket. Later Edition. ISBN 0822341158. Trade Paperback. No statement of later printing on copyright page. TIGHT SOUND READING COPY ONLY DUE TO underlining throughout; otherwise average wear. No Signature.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

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Paperback. Condición: Brand New. illustrated edition. 248 pages. 9.25x6.00x0.50 inches. In Stock.

Condición: New. An ethnographic exploration of identity politics in three of Bali s musical subcultures-reggae, punk, and death metal-during the 1990s. Num Pages: 248 pages, 12 illustrations. BIC Classification: 1FMN; 3JJPR; AVGP; JFCA. Category: (P) Professional & Vocational. Dimension: 5969 x 3963 x 14. Weight in Grams: 354. . 2007. Paperback. . . . .…

Condición: New. In English.

Paperback. Condición: New. In 1996, Emma Baulch went to live in Bali to do research on youth culture. Her chats with young people led her to an enormously popular regular outdoor show dominated by local reggae, punk, and death metal bands. In this rich ethnography, she takes readers inside each scene: hanging out in the death metal scene among unemployed university graduates clad in black T-shirts and ragged jeans; in the punk scene among young men sporting mohawks, leather jackets, and hefty jackboots; and among the remnants of the local reggae scene in Kuta Beach, the island's most renowned tourist area. Baulch tracks how each music scene arrived and grew in Bali, looking at such influences as the global extreme metal underground, MTV Asia, and the internationalization of Indonesia's music industry. Making Scenes is an exploration of the subtle politics of identity that took place within and among these scenes throughout the course of the 1990s. Participants in the different scenes often explained their interest in death metal, punk, or reggae in relation to broader ideas about what it meant to be Balinese, which reflected views about Bali's tourism industry and the cultural dominance of Jakarta, Indonesia's capital and largest city. Through dance, dress, claims to public spaces, and onstage performances, participants and enthusiasts reworked "Balinese-ness" by synthesizing global media, ideas of national belonging, and local identity politics. Making Scenes chronicles the creation of subcultures at a historical moment when media globalization and the gradual demise of the authoritarian Suharto regime coincided with revitalized, essentialist formulations of the Balinese self.…

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Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. An ethnographic exploration of identity politics in three of Bali s musical subcultures-reggae, punk, and death metal-during the 1990s. Num Pages: 248 pages, 12 illustrations. BIC Classification: 1FMN; 3JJPR; AVGP; JFCA. Category: (P) Professional & Vocational. Dimension: 5969 x 3963 x 14. Weight in Grams: 354. . 2007. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: New. In 1996, Emma Baulch went to live in Bali to do research on youth culture. Her chats with young people led her to an enormously popular regular outdoor show dominated by local reggae, punk, and death metal bands. In this rich ethnography, she takes readers inside each scene: hanging out in the death metal scene among unemployed university graduates clad in black T-shirts and ragged jeans; in the punk scene among young men sporting mohawks, leather jackets, and hefty jackboots; and among the remnants of the local reggae scene in Kuta Beach, the island's most renowned tourist area. Baulch tracks how each music scene arrived and grew in Bali, looking at such influences as the global extreme metal underground, MTV Asia, and the internationalization of Indonesia's music industry. Making Scenes is an exploration of the subtle politics of identity that took place within and among these scenes throughout the course of the 1990s. Participants in the different scenes often explained their interest in death metal, punk, or reggae in relation to broader ideas about what it meant to be Balinese, which reflected views about Bali's tourism industry and the cultural dominance of Jakarta, Indonesia's capital and largest city. Through dance, dress, claims to public spaces, and onstage performances, participants and enthusiasts reworked "Balinese-ness" by synthesizing global media, ideas of national belonging, and local identity politics. Making Scenes chronicles the creation of subcultures at a historical moment when media globalization and the gradual demise of the authoritarian Suharto regime coincided with revitalized, essentialist formulations of the Balinese self.…