Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
EUR 7,18
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
EUR 7,18
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
EUR 7,18
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822340410 ISBN 13: 9780822340416
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 2,57
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822340410 ISBN 13: 9780822340416
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 2,78
Cantidad disponible: 6 disponibles
Añadir al carritoPaperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
EUR 3,83
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822340410 ISBN 13: 9780822340416
Librería: Mahler Books, PFLUGERVILLE, TX, Estados Unidos de America
EUR 8,82
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. This book is in very good condition; no remainder marks. It does have some cover shelfwear. Inside pages are clean. ; Experience Music Project; 0.8 x 9.2 x 6.1 Inches; 336 pages.
Librería: Phatpocket Limited, Waltham Abbey, HERTS, Reino Unido
EUR 13,97
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822340410 ISBN 13: 9780822340416
Librería: Seagull Books, Hove, Reino Unido
EUR 15,41
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Very Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK. Book.
Librería: artbook-service, Berlin, Alemania
EUR 11,45
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Collection of essays on the history of pop music.\\nOriginalBarCode: 9780822340416 332 pp. Englisch.
EUR 38,13
Cantidad disponible: 2 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Duke University Press, US, 2007
ISBN 10: 0822340410 ISBN 13: 9780822340416
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 45,37
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship.Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams's use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member's performance as the Germs' front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple "Louie, Louie." David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample "Apache" to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference "the best thing that's ever happened to serious consideration of pop music."Contributors. David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard.
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 38,42
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. Arguing that pop music turns on moments rather than movements, this title includes essays that pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Editor(s): Weisbard, Eric. Num Pages: 336 pages, 13 photographs, 13 illustrations. BIC Classification: 3JJ; AVGP; HBT. Category: (P) Professional & Vocational. Dimension: 235 x 156 x 20. Weight in Grams: 481. . 2007. Paperback. . . . .
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 32,61
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 46,88
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. Arguing that pop music turns on moments rather than movements, this title includes essays that pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Editor(s): Weisbard, Eric. Num Pages: 336 pages, 13 photographs, 13 illustrations. BIC Classification: 3JJ; AVGP; HBT. Category: (P) Professional & Vocational. Dimension: 235 x 156 x 20. Weight in Grams: 481. . 2007. Paperback. . . . . Books ship from the US and Ireland.
EUR 52,39
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 323 pages. 9.25x6.00x0.75 inches. In Stock.
Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822340410 ISBN 13: 9780822340416
Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de America
EUR 69,52
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. In shrink wrap. Looks like an interesting title!
EUR 36,48
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. Arguing that pop music turns on moments rather than movements, this title includes essays that pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and st.
Idioma: Inglés
Publicado por Duke University Press, US, 2007
ISBN 10: 0822340410 ISBN 13: 9780822340416
Librería: Rarewaves.com UK, London, Reino Unido
EUR 32,61
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship.Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams's use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member's performance as the Germs' front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple "Louie, Louie." David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample "Apache" to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference "the best thing that's ever happened to serious consideration of pop music."Contributors. David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard.
Idioma: Inglés
Publicado por Duke University Press Nov 2007, 2007
ISBN 10: 0822340410 ISBN 13: 9780822340416
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 46,55
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 34,59
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 323 pages. 9.25x6.00x0.75 inches. In Stock. This item is printed on demand.
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 47,06
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.