Isbn: 9780822332886 - becoming black: creating identity in the african diaspora (21 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Ships quickly. Mild to moderate shelf/reading wear. A couple sentences are underlined. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids.

paperback. Condición: Good. Contains underlining. Otherwise the book is in very good condition.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New.

Condición: New. A theoretical troubling of the assumptions of uniformity in Blackness, comparing writings by and about African diasporic subjects from the U.S., Britain, France, and Germany Num Pages: 296 pages. BIC Classification: JFSL3. Category: (P) Professional & Vocational. Dimension: 236 x 148 x 22. Weight in Grams: 406. . 2004. Paperback. . . . .…

Paperback. Condición: New. Becoming Black is a powerful theorization of Black subjectivity throughout the African diaspora. In this unique comparative study, Michelle M. Wright discusses the commonalties and differences in how Black writers and thinkers from the United States, the Caribbean, Africa, France, Great Britain, and Germany have responded to white European and American claims about Black consciousness. As Wright traces more than a century of debate on Black subjectivity between intellectuals of African descent and white philosophers, she also highlights how feminist writers have challenged patriarchal theories of Black identity.Wright argues that three nineteenth-century American and European works addressing race-Thomas Jefferson's Notes on the State of Virginia, G. W. F. Hegel's Philosophy of History, and Count Arthur de Gobineau's Essay on the Inequality of the Human Races-were particularly influential in shaping twentieth-century ideas about Black subjectivity. She considers these treatises in depth and describes how the revolutionary Black thinkers W. E. B. Du Bois, AimÉ CÉsaire, LÉopold SÉdar Senghor, and Frantz Fanon countered the theories they promulgated. She explains that while Du Bois, CÉsaire, Senghor, and Fanon rejected the racist ideologies of Jefferson, Hegel, and Gobineau, for the most part they did so within what remained a nationalist, patriarchal framework. Such persistent nationalist and sexist ideologies were later subverted, Wright shows, in the work of Black women writers including Carolyn Rodgers and Audre Lorde and, more recently, the British novelists Joan Riley, Naomi King, Jo Hodges, and Andrea Levy. By considering diasporic writing ranging from Du Bois to Lorde to the contemporary African novelists Simon Njami and Daniel Biyaoula, Wright reveals Black subjectivity as rich, varied, and always evolving. …

Condición: New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Condición: New. A theoretical troubling of the assumptions of uniformity in Blackness, comparing writings by and about African diasporic subjects from the U.S., Britain, France, and Germany Num Pages: 296 pages. BIC Classification: JFSL3. Category: (P) Professional & Vocational. Dimension: 236 x 148 x 22. Weight in Grams: 406. . 2004. Paperback. . . . . Books ship from the US and Ireland.…

Condición: New. pp. 296.

Paperback. Condición: Brand New. 296 pages. 9.00x5.50x0.75 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - Becoming Black is a powerful theorization of Black subjectivity throughout the African diaspora. In this unique comparative study, Michelle M. Wright discusses the commonalties and differences in how Black writers and thinkers from the United States, the Caribbean, Africa, France, Great Britain, and Germany have responded to white European and American claims about Black consciousness. As Wright traces more than a century of debate on Black subjectivity between intellectuals of African descent and white philosophers, she also highlights how feminist writers have challenged patriarchal theories of Black identity.Wright argues that three nineteenth-century American and European works addressing race-Thomas Jefferson's Notes on the State of Virginia, G. W. F. Hegel's Philosophy of History, and Count Arthur de Gobineau's Essay on the Inequality of the Human Races-were particularly influential in shaping twentieth-century ideas about Black subjectivity. She considers these treatises in depth and describes how the revolutionary Black thinkers W. E. B. Du Bois, AimÉ CÉsaire, LÉopold SÉdar Senghor, and Frantz Fanon countered the theories they promulgated. She explains that while Du Bois, CÉsaire, Senghor, and Fanon rejected the racist ideologies of Jefferson, Hegel, and Gobineau, for the most part they did so within what remained a nationalist, patriarchal framework. Such persistent nationalist and sexist ideologies were later subverted, Wright shows, in the work of Black women writers including Carolyn Rodgers and Audre Lorde and, more recently, the British novelists Joan Riley, Naomi King, Jo Hodges, and Andrea Levy. By considering diasporic writing ranging from Du Bois to Lorde to the contemporary African novelists Simon Njami and Daniel Biyaoula, Wright reveals Black subjectivity as rich, varied, and always evolving.…

Condición: New. A theoretical troubling of the assumptions of uniformity in Blackness, comparing writings by and about African diasporic subjects from the U.S., Britain, France, and Germany&Uumlber den AutorMichelle M. WrightInhaltsverz.

Paperback. Condición: New. Becoming Black is a powerful theorization of Black subjectivity throughout the African diaspora. In this unique comparative study, Michelle M. Wright discusses the commonalties and differences in how Black writers and thinkers from the United States, the Caribbean, Africa, France, Great Britain, and Germany have responded to white European and American claims about Black consciousness. As Wright traces more than a century of debate on Black subjectivity between intellectuals of African descent and white philosophers, she also highlights how feminist writers have challenged patriarchal theories of Black identity.Wright argues that three nineteenth-century American and European works addressing race-Thomas Jefferson's Notes on the State of Virginia, G. W. F. Hegel's Philosophy of History, and Count Arthur de Gobineau's Essay on the Inequality of the Human Races-were particularly influential in shaping twentieth-century ideas about Black subjectivity. She considers these treatises in depth and describes how the revolutionary Black thinkers W. E. B. Du Bois, AimÉ CÉsaire, LÉopold SÉdar Senghor, and Frantz Fanon countered the theories they promulgated. She explains that while Du Bois, CÉsaire, Senghor, and Fanon rejected the racist ideologies of Jefferson, Hegel, and Gobineau, for the most part they did so within what remained a nationalist, patriarchal framework. Such persistent nationalist and sexist ideologies were later subverted, Wright shows, in the work of Black women writers including Carolyn Rodgers and Audre Lorde and, more recently, the British novelists Joan Riley, Naomi King, Jo Hodges, and Andrea Levy. By considering diasporic writing ranging from Du Bois to Lorde to the contemporary African novelists Simon Njami and Daniel Biyaoula, Wright reveals Black subjectivity as rich, varied, and always evolving. …

Paperback. Condición: Brand New. 296 pages. 9.00x5.50x0.75 inches. In Stock. This item is printed on demand.