9780822324935 - between two fires: gypsy performance and romani memory from pushkin to post-socialism de lemon, alaina (29 resultados)
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Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de AmericaThriftBooks-Dallas
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Librería: GoldBooks, Denver, CO, Estados Unidos de AmericaGoldBooks
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Paperback. Condición: New. Since tsarist times, Roma in Russia have been portrayed as both rebellious outlaws and free-spirited songbirds-in each case, as if isolated from society. In Soviet times, Russians continued to harbor these two, only seemingly opposed, views of "Gypsies," exalting their songs on stage but scorning them…on the streets as liars and cheats. Alaina Lemon's Between Two Fires examines how Roma themselves have negotiated these dual images in everyday interactions and in stage performances.Lemon's ethnographic study is based on extensive fieldwork in 1990s Russia and focuses on Moscow Romani Theater actors as well as Romani traders and metalworkers. Drawing from interviews with Roma and Russians, observations of performances, and conversations, as well as archives, literary texts, and media, Lemon analyzes the role of theatricality and theatrical tropes in Romani life and the everyday linguistics of social relations and of memory. Historically, the way Romani stage performance has been culturally framed and positioned in Russia has served to typecast Gypsies as "natural" performers, she explains. Thus, while theatrical and musical performance may at times empower Roma, more often it has reinforced and rationalized racial and social stereotypes, excluding them from many Soviet and Russian economic and political arenas. Performance, therefore, defines what it means to be Romani in Russia differently than it does elsewhere, Lemon shows. Considering formal details of language as well as broader cultural and social structures, she also discusses how racial categories relate to post-Soviet economic changes, how gender categories and Euro-Soviet notions of civility are connected, and how ontological distinctions between "stage art" and "real life" contribute to the making of social types. This complex study thus serves as a corrective to romantic views of Roma as detached from political forces.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 39,72
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Condición: New. pp. 320 Map.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 38,42
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Condición: New. Since Tsarist times, Roma in Russia (known to others as Gypsies) have been portrayed as rebels, isolated from society and excluded from mainstream history. This book examines how Roma themselves have negotiated such dualities, in both everyday interactions and in stage performances. Num Pages: 320 pages, 18 b&w p…hotographs, 1 table, 1 map. BIC Classification: 1DVUA; 3JH; 3JJ; AN; HBTB; JFC; JFSL; JHMC. Category: (P) Professional & Vocational. Dimension: 227 x 154 x 23. Weight in Grams: 499. . 2000. Paperback. . . . .
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Paperback. Condición: New. Since tsarist times, Roma in Russia have been portrayed as both rebellious outlaws and free-spirited songbirds-in each case, as if isolated from society. In Soviet times, Russians continued to harbor these two, only seemingly opposed, views of "Gypsies," exalting their songs on stage but scorning them…on the streets as liars and cheats. Alaina Lemon's Between Two Fires examines how Roma themselves have negotiated these dual images in everyday interactions and in stage performances.Lemon's ethnographic study is based on extensive fieldwork in 1990s Russia and focuses on Moscow Romani Theater actors as well as Romani traders and metalworkers. Drawing from interviews with Roma and Russians, observations of performances, and conversations, as well as archives, literary texts, and media, Lemon analyzes the role of theatricality and theatrical tropes in Romani life and the everyday linguistics of social relations and of memory. Historically, the way Romani stage performance has been culturally framed and positioned in Russia has served to typecast Gypsies as "natural" performers, she explains. Thus, while theatrical and musical performance may at times empower Roma, more often it has reinforced and rationalized racial and social stereotypes, excluding them from many Soviet and Russian economic and political arenas. Performance, therefore, defines what it means to be Romani in Russia differently than it does elsewhere, Lemon shows. Considering formal details of language as well as broader cultural and social structures, she also discusses how racial categories relate to post-Soviet economic changes, how gender categories and Euro-Soviet notions of civility are connected, and how ontological distinctions between "stage art" and "real life" contribute to the making of social types. This complex study thus serves as a corrective to romantic views of Roma as detached from political forces.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 35,42
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Condición: As New. Unread book in perfect condition.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 47,27
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Condición: New. Since Tsarist times, Roma in Russia (known to others as Gypsies) have been portrayed as rebels, isolated from society and excluded from mainstream history. This book examines how Roma themselves have negotiated such dualities, in both everyday interactions and in stage performances. Num Pages: 320 pages, 18 b&w p…hotographs, 1 table, 1 map. BIC Classification: 1DVUA; 3JH; 3JJ; AN; HBTB; JFC; JFSL; JHMC. Category: (P) Professional & Vocational. Dimension: 227 x 154 x 23. Weight in Grams: 499. . 2000. Paperback. . . . . Books ship from the US and Ireland.
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 53,27
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Condición: New. pp. 320, Map, Index.
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Librería: Librairie Sheehy (Theologia Books), La Charite sur Loire, FranciaLibrairie Sheehy (Theologia Books)
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EUR 30,00
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Hardcover. Condición: Fine. Fine hardback copy. No dustjacket. ix, 308 pages. Size: 8vo - over 7¾" - 9¾" tall. Book.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 52,99
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Paperback. Condición: Brand New. 308 pages. 8.75x6.00x1.00 inches. In Stock.
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Librería: San Francisco Book Company, Paris, FranciaSan Francisco Book Company
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Paperback. Condición: Very good. Paperback Octavo. wraps, 308 pp.
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Librería: moluna, Greven, Alemaniamoluna
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EUR 42,50
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Kartoniert / Broschiert. Condición: New. Since Tsarist times, Roma in Russia (known to others as Gypsies) have been portrayed as rebels, isolated from society and excluded from mainstream history. This book examines how Roma themselves have negotiated such dualities, in both everyday interactions .
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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EUR 53,27
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Paperback. Condición: New. Since tsarist times, Roma in Russia have been portrayed as both rebellious outlaws and free-spirited songbirds-in each case, as if isolated from society. In Soviet times, Russians continued to harbor these two, only seemingly opposed, views of "Gypsies," exalting their songs on stage but scorning them…on the streets as liars and cheats. Alaina Lemon's Between Two Fires examines how Roma themselves have negotiated these dual images in everyday interactions and in stage performances.Lemon's ethnographic study is based on extensive fieldwork in 1990s Russia and focuses on Moscow Romani Theater actors as well as Romani traders and metalworkers. Drawing from interviews with Roma and Russians, observations of performances, and conversations, as well as archives, literary texts, and media, Lemon analyzes the role of theatricality and theatrical tropes in Romani life and the everyday linguistics of social relations and of memory. Historically, the way Romani stage performance has been culturally framed and positioned in Russia has served to typecast Gypsies as "natural" performers, she explains. Thus, while theatrical and musical performance may at times empower Roma, more often it has reinforced and rationalized racial and social stereotypes, excluding them from many Soviet and Russian economic and political arenas. Performance, therefore, defines what it means to be Romani in Russia differently than it does elsewhere, Lemon shows. Considering formal details of language as well as broader cultural and social structures, she also discusses how racial categories relate to post-Soviet economic changes, how gender categories and Euro-Soviet notions of civility are connected, and how ontological distinctions between "stage art" and "real life" contribute to the making of social types. This complex study thus serves as a corrective to romantic views of Roma as detached from political forces.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 54,00
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Taschenbuch. Condición: Neu. Neuware - Since tsarist times, Roma in Russia have been portrayed as both rebellious outlaws and free-spirited songbirds-in each case, as if isolated from society. In Soviet times, Russians continued to harbor these two, only seemingly opposed, views of "Gypsies," exalting their songs on stage but sc…orning them on the streets as liars and cheats. Alaina Lemon's Between Two Fires examines how Roma themselves have negotiated these dual images in everyday interactions and in stage performances.Lemon's ethnographic study is based on extensive fieldwork in 1990s Russia and focuses on Moscow Romani Theater actors as well as Romani traders and metalworkers. Drawing from interviews with Roma and Russians, observations of performances, and conversations, as well as archives, literary texts, and media, Lemon analyzes the role of theatricality and theatrical tropes in Romani life and the everyday linguistics of social relations and of memory. Historically, the way Romani stage performance has been culturally framed and positioned in Russia has served to typecast Gypsies as "natural" performers, she explains. Thus, while theatrical and musical performance may at times empower Roma, more often it has reinforced and rationalized racial and social stereotypes, excluding them from many Soviet and Russian economic and political arenas. Performance, therefore, defines what it means to be Romani in Russia differently than it does elsewhere, Lemon shows. Considering formal details of language as well as broader cultural and social structures, she also discusses how racial categories relate to post-Soviet economic changes, how gender categories and Euro-Soviet notions of civility are connected, and how ontological distinctions between "stage art" and "real life" contribute to the making of social types. This complex study thus serves as a corrective to romantic views of Roma as detached from political forces.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 40,58
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Paperback. Condición: New. Since tsarist times, Roma in Russia have been portrayed as both rebellious outlaws and free-spirited songbirds-in each case, as if isolated from society. In Soviet times, Russians continued to harbor these two, only seemingly opposed, views of "Gypsies," exalting their songs on stage but scorning them…on the streets as liars and cheats. Alaina Lemon's Between Two Fires examines how Roma themselves have negotiated these dual images in everyday interactions and in stage performances.Lemon's ethnographic study is based on extensive fieldwork in 1990s Russia and focuses on Moscow Romani Theater actors as well as Romani traders and metalworkers. Drawing from interviews with Roma and Russians, observations of performances, and conversations, as well as archives, literary texts, and media, Lemon analyzes the role of theatricality and theatrical tropes in Romani life and the everyday linguistics of social relations and of memory. Historically, the way Romani stage performance has been culturally framed and positioned in Russia has served to typecast Gypsies as "natural" performers, she explains. Thus, while theatrical and musical performance may at times empower Roma, more often it has reinforced and rationalized racial and social stereotypes, excluding them from many Soviet and Russian economic and political arenas. Performance, therefore, defines what it means to be Romani in Russia differently than it does elsewhere, Lemon shows. Considering formal details of language as well as broader cultural and social structures, she also discusses how racial categories relate to post-Soviet economic changes, how gender categories and Euro-Soviet notions of civility are connected, and how ontological distinctions between "stage art" and "real life" contribute to the making of social types. This complex study thus serves as a corrective to romantic views of Roma as detached from political forces.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 36,78
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Paperback. Condición: Brand New. 308 pages. 8.75x6.00x1.00 inches. In Stock. This item is printed on demand.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 35,46
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Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 590.
