9780822317296 - the spectacle of history: speech, text, and memory at the iran-contra hearings (post-contemporary interventions) (13 resultados)
Idioma: Inglés
Editorial: MD - Duke University Press, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Editorial: Duke University Press, US, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Hardback. Condición: New. How is history produced? How do individuals write-or rewrite-their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret Mi…litary Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
Idioma: Inglés
Editorial: Duke University Press, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Idioma: Inglés
Editorial: Duke University Press, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Idioma: Inglés
Editorial: Duke University Press, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Condición: New. pp. 368.
Idioma: Inglés
Editorial: Duke University Press, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Condición: New. pp. 368.
Idioma: Inglés
Editorial: Duke University Press, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Condición: New. 1996. Hardcover. . . . . .
Idioma: Inglés
Editorial: Duke Univ Pr, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Hardcover. Condición: Brand New. 348 pages. 9.50x6.50x1.00 inches. In Stock.
Idioma: Inglés
Editorial: Duke University Press, US, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Hardback. Condición: New. How is history produced? How do individuals write-or rewrite-their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret Mi…litary Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
Idioma: Inglés
Editorial: Duke University Press, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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Condición: New. 1996. Hardcover. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Editorial: Duke University Press, US, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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Hardback. Condición: New. How is history produced? How do individuals write-or rewrite-their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret Mi…litary Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
Idioma: Inglés
Editorial: Duke University Press, US, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
- Tapa dura
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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Hardback. Condición: New. How is history produced? How do individuals write-or rewrite-their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret Mi…litary Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
Idioma: Inglés
Editorial: Duke University Press Books, 1996
Serie: Post-contemporary interventions, Libro 31 de 94. Libro 31 de 94 - Post-contemporary interventions
- Tapa dura
Librería: Mispah books, Redhill, SURRE, Reino UnidoMispah books
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EUR 325,96
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hardcover. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
